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Edouard-Marcel Sandoz "Jewel Rabbit" Gold Ormolu Bronze Sculpture
$2,800
£2,134.21
€2,461.59
CA$3,976.84
A$4,273.53
CHF 2,293
MX$50,339.57
NOK 28,831.89
SEK 26,337.75
DKK 18,396.92
About the Item
Fine original early 1900s cast bronze Rabbit with a Gold Ormolu finish by Edouard-Marcel Sandoz. Sandoz is well known for his animal sculptures. He apprenticed under the sculptor Antonin Mercie and the painter Ferdinand Cormon. Due to the metal shortage during the 1st World War, Sandoz turned to porcelain for his sculptures and thus began his 30 association with the Haviland Limoge Company. This is a tiny gem of a piece; the rabbit alone without the base is under 2". With the base, the pieced is 2 1/4" deep x 1 3/4" wide x 2" tall. It retains a good amount of the ormolu but has some loss. These images are all taken under light to show off the depth of beauty and color. The piece is fully signed.
- Creator:Edouard-Marcel Sandoz (Artist)
- Dimensions:Height: 1.82 in (4.63 cm)Width: 1.69 in (4.3 cm)Depth: 1.88 in (4.78 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:Bronze,Cast
- Place of Origin:
- Period:
- Date of Manufacture:Not Given
- Condition:Wear consistent with age and use. Minor losses.
- Seller Location:San Juan Capistrano, CA
- Reference Number:1stDibs: LU5767242894472
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
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