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Sculpture Gatto by Aldo Londi for Bitossi, Italy, 1960

$3,347.37List Price

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Italian midcentury modern design large blue glazed ceramic stylized horse sculpture designed by Aldo Londi and produced by Bitossi Fiorentino, Italy 1960s Please note that the ceram...
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Classic ceramic horse sculpture by Aldo Londi for Bitossi circa 1960s. Rare monotone pastel/sky blue hand applied glaze. Dimensions are 10.25" long 5" wide and 12.25" tall. No cr...
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Rimini Blu Ceramic Horse Sculpture by Aldo Londi for Bitossi, Italy, 1960s
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Located in Milan, IT
Ceramic standing horse sculpture by Aldo Londi for Bitossi. Blue crystalline glaze enhancing the details of the decoration.
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Bitossi Aldo Londi Rimini Blu Ceramic Vase, Italy, 1960s
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Rare design by Aldo Londi for Bitossi. Rimini Blue ceramic footed vase with geometric motifs, Italy, 1960s This stunning glazed ceramic vase has a pattern with circles in dark blue with rhombus inside in shades of green / turquoise color accented by decorative flowers. Excellent vintage condition. This piece is perfect as a gift idea and it could placed alone or with other 'Rimini Blu'Bitossi pieces creating a set. Display it in a cabinet or on a console table, with flowers or just as a cool decorative vase. Measures: 22 cm height x 18 cm diameter (8,66 in height X 7,08 in diameter ) More Bitossi Aldo Londi pieces are avaliable at our 1stdibs marketplace. About Bitossi (Manufacturer) Like a Fellini movie, the ceramics of this famed Italian company embody a creative spectrum that ranges from the playful and earthy to the high-minded and provocative. Based in Florence, Bitossi Ceramiche draws on craft traditions that date back to the 1500s. These find expression in the artisanal vases and animal figures by the firm’s longtime art director Aldo Londi, as well as the colorful, totemic vessels designed by the high priest of postmodernism, Ettore Sottsass. The company was incorporated by Guido Bitossi in 1921, though the family began making art pottery in the mid-19th century. In the 1930s, Londi came aboard, bringing with him a mindset that respected time-honored craft, yet looked also to the future. On the one hand, Londi’s perspective fostered the making of Bitossi’s popular whimsical animal figures, hand-shaped and -carved and finished in a rich azure glaze known as “Rimini Blue.” But with his other hand, Londi reached out to thoughtful, experimental designers such as Sottsass. Starting in the 1950s, some 20 years before he founded the Memphis Postmodern design...
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