Gilt Animal Sculptures

Antique 19th Century Bronze Lion Sculpture, Naturalist Animalier Style A powerful and finely cast antique bronze sculpture of a lion, dating to the 19th century, embodying the majesty and strength of the king of beasts. The lion is captured in a dynamic stride, with muscles tensed and mouth open in a fierce roar, a masterful portrayal of motion and authority. Executed in dark brown patinated bronze, this piece demonstrates superb craftsmanship and anatomical precision, reflecting the European Animalier tradition that flourished in the 19th century. The deeply chased mane, sinewy body, and expressive face reveal both artistic sensitivity and technical mastery. The lion’s curved tail and forward stance lend a sense of fluid energy and balance. At 31 cm in length, this sculpture commands attention without overwhelming the space — ideal for a mantel, study, or collector’s cabinet. Its naturalistic detailing and rich patina make it a timeless statement of power, courage, and refinement. In very good antique condition, with gentle age patina and no visible repairs or losses. Key Details Material: Bronze with dark brown patina Style/Period: 19th Century European Naturalist / Animalier Subject: Lion, striding and roaring Dimensions: Length 31 cm (approx.) Condition: Very good, with natural age patina Use: Collector’s display, interior décor, fine art sculpture This sculpture exemplifies the grandeur of 19th-century Animalier art, when bronze lions symbolized power, bravery, and imperial dignity. A work of both artistry and strength, it enriches any setting - from classic interiors to contemporary design - with timeless elegance. Antique Bronze Lion Sculpture, 19th Century Animalier Bronze, Naturalist Bronze Figure, French Animalier Art, Bronze Lion Statue...

Stunning religious wall panel in thick relief with strong hook for easy mounting. For the collectors of stunning antique church relics we are also offering this marvelously hand carved pelican sculpture for wall mounting. The character ascribed to the pelican in this context is nearly as fabulous as that of the phœnix. From a clumsy, gluttonous, piscivorous water-bird, it was by the growth of legends transformed into a mystic emblem of Christ, whom Dante terms "Nostro Pelicano". St. Hieronymus gives the story of the pelican restoring its young ones destroyed by serpents as an illustration of the destruction of man by the old Serpent, and his salvation by the blood of Christ. The pelican in Christian art is an emblem of Jesus Christ, by "whose blood we are healed" and it is also a symbol of charity. Many early painters and carvers mistakenly represented it more similar to an eagle (much like in this antique church relic), and not as a natural pelican which is why most people today still are a bit confused at first when this stunning hand carved, symbolic bird is called a pelican. This striking and all hand carved, symbolic panel was originally part of a church or monastery communion rail...

An Italian pair of silver-plate pheasant bird sculptures decorative objects, circa early to mid-20th century, Italy. The birds, male and female, are beautifully cast with fine detai...

A French gilded zinc horse head sculpture from the late 19th century, with stylized character and distressed patina. Created in France during the last decade of the 19th century, thi...

A life size Art Deco patinated bronze figural dog sculpture, most likely Italian, early/mid-20th century. Fine quality, exceptionally execute...

Antique Taxidermy Pheasant - Real Bird Mount, Rustic Game Bird Display for Home Décor This striking vintage taxidermy pheasant is a beautifully preserved game bird mount, showcasing...

Pair of Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury A striking pair of silver-plated peacock sculptures, masterfully handcrafted in the classic Hollywood ...

Édouard-Paul Delabrierre (French, 1829–1912), Hind (Deer) Beside a Stump — Fire-Gilt Bronze on White Marble, early 20th century A crisply chased, fire-gilt bronze study of a doe step...

This listing features a pair of brass fighting roosters. These brass rooster figurines add a touch of country charm to any space. Handcrafted f...

Imagine these in your fireplace with the flames burning on all sides. These beautifully and all handcrafted, large and fire-gilt bronze andirons are made to stand in your fireplace ...

Very unusual sculpture of a leopard, painstakingly formed by welding stock steel washers into its exquisite seated pose, having a gilded finish. ...

19th century gilded zinc horse head. These were used as a butcher's mark and often hung above the door. Beautiful original French piece, period 1870, with the original gilding. The w...

Early 20th Century Art Déco polished brass seated greyhound dog figurine by Karl Hagenauer for Werkstätte Hagenauer Wien (WHW), Austria By: Karl Hagenauer, Werkstätte Hagenauer Wien...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Sourced from a French collector.

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Sourced from a French collector.

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

Stunning and small six light chandelier with gilt bronze cherub and swan sculptures. This top quality made, 19th century candle pendant or small chandelier could be perfect for you...

Large and amazing work museum quality of lighting Art. The first owner of this incredible piece of lighting art must have been one of the wealthiest people in town, because this qua...

More information coming soon… Dating to circa 1965, this gilt bronze wild boar head is well-detailed. The wall-mounted French sculpture could also be used as a base for a desk lamp.

This magnificent pair of gilt and patinated bronze sculptures faithfully reproduces the iconic Marly Horses, originally sculpted in marble by Guillaume Coustou (1677–1746) for the Ch...

Extraordinary wine-cooler in the form of a beautifully sculpted, gilt and polychromed Swan of impressive stature, makes certainly the conversation-piece of the party. The white paint...

Antique Alabaster Chandelier / Pendant w. Bronze Godd Sculptures & Rose Shades. If you're looking for a lighting piece that truly tells a story — one that combines artistry, craftsm...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, signed J. E. Masson. Jules Edmond Masson (1871-1932), born to Clovis Masson, was a widel...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Mounted on pink marble. Sourced from a French collector.

A Magnificent and Quite Rare English Asprey Signed Orientalist Motif Masterpiece with Dessert Palm Tree and Parcel-Gilt Silver Camels having Diamond Eyes. Gorgeously constructed in ...

A Vibrant Pair of Tang Dynasty Style Hand Painted & Hand Carved Chinese Horses - priced as a pair Decorative wooden horses that would suitably adorn a shelf, a large desk, or plint...

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Sourced from a French collector.

A 19th century antique wounded sparrow bird paperweight/hunting trophy in chased gilt bronze, after Comolera (1818-1897). Sourced from a French collector.

Gerard Koch was born in 1926 in Germany and died in 2014 in Paris. He studied at La grande chaumière in Paris and had Zadkine as a professor. His first exhibition was in Paris in 1956. In 1976 he exhibited at the museum of modern art in Paris. This sculpture shows a bird inside a bronze circle...

A French Jockey à Cheval tabletop sculpture from the Napoleon III period crafted in gilt and patinated bronze, depicting a jockey and his faithful horse in fine detail. The piece re...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

Pair of Small Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury Décor & Gift An exquisite pair of small silver-plated peacock sculptures, designed in the class...

A gorgeous sculpture of an eagle made entirely from intricate pieces of gilded metal measuring 21" in width, 6.5" in depth and standing 16.5" tall. The sculpture is of good heavy ...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

An Elaborate 19th century Meissen Porcelain Figure of a Sultana Riding an Elephant. After the model by P.J. Reinicke and J.J. Kändler, the Sultana sitting on the elephants back and h...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A large rhinoceros sculpture crafted around the late 1980s, in England, This sculptural piece of animalia, showcases a more simplified and stylized form of the rhinoceros, with a s...

Pair of rare 18th century temple elephants carved in sandstone with chalk and leftovers of gold leaf. Chalking is used as a surface to bind gold leaf. Originally fully covered with g...

Exquisite Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain sculpture from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock prints show they were being widely sold as good luck charms by the 1850s. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. The “mori” style refers to raised loops and other decorative motifs applied by squeezing a tube of slip onto the body of the cat much like applying frosting to a cake. The cat boasts the traditional Kutani colors of bright green, red and yellow presented against an dark blue background, and is generously accentuated with gold. The red kerchief with a knotted amulet in the back and two bells on the side also identify this as a traditional Kutani piece, as do the perked ears turned outward. A stamp indicating it is produced in Kutani region of Japan appears at reverse side of this beckoning cat scultures...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

This is a cast-iron figural eagle doorstop, circa early 20th century. The eagle is depicted with wings spread wide, perched and mounted to a square marble base. The eagle retains traces of its original gilt surface and is embossed with “F.O.E.” at its midsection, possibly referring to the Fraternal Order of Eagles.   The eagle is both the national bird and the national animal of the United States. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States...

French Empire style (19th Cent) bronze dore inkwell with perched eagle and acorn finial (signed A. MARIONNETt)

Pair Of Eagles In Carved And Gilded Wood from the mid-1800s, this pair of animalier carvings of birds of prey in carved and gilded wood represents a fascinating example of 19th-cent...

Pair of Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury 32cm A striking pair of silver-plated peacock sculptures, masterfully handcrafted in the classic Holly...

American gilt copper full bodied running horse directional weathervane with two gilt circular spheres resting on squared iron stand, J.W. Fiske, late 19th century.

Stunning and fine size chandelier with gilt bronze swan sculptures. If you are looking for a truly stylish, well proportioned and top quality m...

The clock is signed by the Clockmaker Festeau Le Jeune. The case after a design of François Vion in form of a lion supporting a cylindrical case draped with ribbon tied laurel swags ...

Magnificent 21st Century English Carved Lapis Lazuli Sculpture, ''On A Golden Pond'', by Frempire. A superb quality, contemporary model of a Horse carved in the round from Lapis La...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface with verdigris patina. Not entirely sure of the maker but possible by L. W. Cushing & Co. In Waltham or Harris. Co in Boston. The surface has been re-gilt historically likely dated from early 20th century. A lovely piece that transcends American fold art...

Amazing and impressive hand crafted gilt bronze work of lighting art. This great quality and heavy bronze chandelier has the most beautiful shape and golden color. In fact, in real life the color of this unique pendant is just as golden as the chandeliers or other artefacts that you find in churches. The two stunning pairs of handcrafted mythological creatures...

Turquoise Blue Hand Ceramic Abstract Horse Sculpture Decorative Ancient Pixiu Glazed Home Decor In tradition Anahita, the Persian goddess associated with water, fertility, and wisd...

Decorate a wall, a shelf or a man's study with this elegant pair of vintage sculptures. Crafted in France circa 1970 and built of solid brass, each artwork features a ram head standi...

This vintage early 20th century patinated sculpted bronze inkwell is designed in an American "Old West" theme. The oversized inkwell features a landscape with a rocky terrain. A pair...

A large early 18th century carved gilt wood eagle, mounted on a square red velvet covered plinth. Originally used as a lectern adornment, this archite...

A handsome and chic hand carved quartz horse head bust with gilded mount on acrylic base.

Cast bronze with gold wash.

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

A striking French Animalier gilt and patinated bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very fine colour, signed L.Riché and stamped with foundry seal for Thiebaut Frères ADDITIONAL INFORMATION Height: 50 cm Width: 46 cm Condition: Excellent Original Condition Foundry: Thiebaut Frères Circa: 1910 Materials: Bronze SKU: 7528 ABOUT Louis Riché Bronze...

A gorgeous Chinese export famille rose enameled porcelain model of a pheasant mounted on an ormolu stand. The elegant bird is portrayed perched on a ...