Wiener Bronze, a Hen with Chicks, Austria, 1890

Vienna bronze sculpture depicting a swing with two parrots, mounted on a circular galalith base. The two parrots are painted in various colors....

A life-size anatomical model of a chicken, with separable anatomical parts, for educational use. Made of painted plaster, wooden and metal base. Somso, Germany circa 1930.

Bronze astray in shape of a leaf with bronze sculpture depicting a pekingese dog. Signed J. R. Hare. France circa 1880.

Lost-wax bronze sculpture depicting a pig or sow lying in a meadow. The sculpture is mounted on an oval Lavagna slate base. Signed "I. Bonheur." France, late 19th century.

A finely signed Japanese carved large cockerel with an impressive plume of tail feathers standing over his family consisting of a hen and baby chicks as they pick at the ground searc...

French ceramic representing a family of gallenaceae: a rooster, a hen and two chicks, barbotine. Made circa 1900 Good condition Shipping: 19.5 / 20.5 / 24 cm 1.6 kg.

Group of ducks in patinated bronze medal of P. J Mène. XIXth century. Signature on the terrace. Dimension length 13.5 cm. 9 cm high and 8.5 cm deep. Additional information: Mater...

A very fine large late 19th Century Animalier gilt bronze study of a standing cockerel with his chest pushed out in a proud pose as he crows to the eraly morning sunshine, the bronze surface with excellent deep golden colour and fine hand finished detail, signed P.Comolera ADDITIONAL INFORMATION Height: 31 cm Width: 20 cm Condition: Excellent Original Condition Circa: 1900 Materials: Bronze SKU: 9324 ABOUT Paul Comolera (French, 1818 ~ 1897) Comolera was born in Paris, France. A very fine sculptor known mainly for his modelling of birds but he also produced some other animal figures as well as portrait busts. Comolera was a student of the early sculptor Francois Rude and he was the teacher of Jules Moigniez, one of the more important sculptors of the Animalier school. There is a distinct similarity in the detail, construction, form, and finish of the works of Comolera and his student Moigniez although Comolera’s birds are considered to be more in the naturalistic style as opposed to the romantic style of his pupil. Paul Comolera made his debut at the Salon in 1846 with a group called Golden Pheasants of China and continued to exhibit there until his death in 1897. Comolera’s bronzes...