Antique Hermes Bust in Carved Biscuit French Origin

A solid brass bust of ancient Greek god, Hermes. A great decorative object depicting the original ancient sculpture. Made in Greece as marked.

A plaster bust of ancient Greek god, Hermes. Piece is plaster with a gold overlay on bust and a matte black overlay on base. A great decorative depicting the original ancient sculptu...

Magnificent large bust of Hermes In White Emailled Ceramic Work of Quality from the 1950s/1960s. Very decorative. Perfect condition.

A finely cast plaster bust depicting Hermès (Mercury), modeled after a 4th-century BC Greek original. The head is crisply detailed—tight curls, subtly parted lips, and a confident d...

Large French bust made of terracotta with the original patina. This piece is in excellent vintage condition – the photos accurately depict the condition.

Small Bust of Lady in Biscuit Porcelain Placed on a Vintage Square Pedestal Made in Red Marble. This shelf size sculpture would be perfect as a decorative piece on a table in a livin...

Hermes is the messenger god in Greek mythology. He is the quickest and most clever of the gods. The original is displayed in the Side Museum. Measure: height: 11.8'' / Weight: 2 k...

The bust is cut out of Marble. Signed by J Allerti, Sculptor out of Manchester. The bust is dated from the late 19th century.

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

Now on a Sevres porcelain socle dated 1849.