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An Antique Marble Bust of a Young Lady by Lorenzo Bartolini

$11,753.05List Price

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Petite Alabuster Bust of a Young Lady
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This adorable petite alabaster bust of a young lady, her hair loosely styled and adorned with cascading leaves, exudes an air of grace and serenity. Her eyes are half shut and her fa...
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H 8.27 in W 5.91 in D 3.94 in
Art Deco Period White Carrara Marble Bust of a Young Lady
Located in Montreal, QC
Art Deco Period White Statuary Marble Bust of a Young Lady incised "ANIEV" to shoulder. From the Collection of Professor Roberto Severino, Washington, D.C. France: circa 1930
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Patinated Bronze Antique Bust of a Young Lady, after Greuze
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Located in London, GB
On a veined marble base; after Jean-Baptiste Greuze, inscribed on the reverse 'D'Apres Greuze (Musee Du Louvre)'. This beautiful patinated bronze bust depicts an elegant young lad...
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Located in Bradenton, FL
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Impressionist Bronze Bust Sculpture of a Young Lady, on a Marble Base, Unsigned
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Impressionist bronze bust sculpture of a young lady. On a marble base. Unsigned. Artist unknown.
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Impressionist Bronze Bust Sculpture of a Young Lady, on a Marble Base, Unsigned
$3,351 Sale Price
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H 14.18 in W 9.85 in D 7.41 in
Marble Bust of a Young Man, Carrara Marble
Located in Montreal, Quebec
Marble Bust of a Young Man, Carrara Marble.
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$7,200
H 19 in W 9.25 in D 9.25 in

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A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...
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