Julien Caussé, Art Nouveau Bronze Bust of a Young Beauty, France, circa 1900

Rosenthal, Germany. Female bust in bisquit. Mid-20th century. Measures: 27.5 x 11.5 cm. In excellent condition. Stamped.

Just Andersen (1884-1943). Figure in light bronze in the form of a seaboy on fish. 1930s-1940s. Marked on the back Just A, D 2114. Height 23.5 cm. 19 cm. long. In very good condit...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Elegant Art N...

Art Deco bronze sculpture on a marble base. Lur-blowing naked woman. 1920s / 30s. Measures: 30 x 15 cm In excellent condition. Signed, Merle. Presumably French sculptor.

Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...

Janotte, an Art Nouveau, patinated bronze bust of a young lady with head scarf. Dark brown patination. Set on an integral plinth. Signed Villanis under shoulder. Signed Villanis u...

A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore. ADDITIONAL INFORMATION Height: 28 cm Width: 16 cm Depth: 10 cm Condition: Excellent Original Condition circa: 1890 Materials: Bronze Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik Page No: 79 SKU: 8775 ABOUT Sylvia Ballet - Silvia Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch. The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion. Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana. Emmanuel Villanis Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...

A fine, small-scale antique Art Nouveau cabinet bronze. In the form of a half-naked young woman in three-quarter profile. Likely an allegory to Summer or The Harvest (or possibly a...