The Marianne of France Bronze France XIX-XX Century

Description: Sculpture of Apollo in patinated bronze, made with lost wax. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Indica...

Greek Bust In Bronze XIX century VERY DECORATIVE BRONZE BUST REPRESENTING A YOUNG GREEK FROM THE END OF THE XIX CENTURY. THE BASE IS IN BLACK MARBLE AND THE EYES IN SILVER. REAL Size.

Patinated bronze sculpture of Marianne, early 20th century. Patinated bronze sculpture of Marianne, early 20th century. H: 23cm, W: 13cm, D: 9cm

Behold this magnificent bronze sculpture depicting a possibly Greek lady seated, delicately holding a pencil. Crafted with exquisite detail, the sculpture boasts a silver finish that...

A stunning and most impressive French 19th century Neo-Classical st. patinated bronze, silvered bronze, ormolu, Rosso Verona and white Carrara marble bust of Marianne in full armor. The bust is raised by a thick Rosso Verona marble base with an elegant scalloped shape adorned with richly chased masks and swaging berried laurel garlands and centered by a striking fitted ormolu plaque...

Very heavy head of a Lion Mascaron made of bronze Probably end of XIXth century/ early beginning of XXth in the Belgium style Two hooks removable allow to hang the sculpture Good...

Scultura Bronzo Vincenzo Gemito Scugnizzo Napoletano Descrizione: Meravigliosa Scultura mezza busto in bronzo raffigurante uno scugnizzo napoletano...

Vintage Abstract Cubist Sculpture Bronze Granite XX Century DIMENSIONS Height: 7 inches Width: 3-3/8 inches Depth: 3-3/8 inches ABOUT This is a brillia...

Elegant and finely cast ormolu gilt bronze sculpture of Marianne, the enduring symbol of the French Republic. This 19th-century piece was made circa 1870 in France and features Maria...

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...