1840s Busts

Official marble bust of Pope Pius IX (1792–1878), created in Rome around 1846/47, shortly after his election as the 255th pope on June 16, 1846. The bust depicts him at approximately...

Rare 19th Century Hand Painted Over Papier Mache Gentleman’s Bust A rare and very unusual example dated from mid to late 19th Century, hand crafted papier Mache. In the form of a Fr...

Italian Neoclassical Roman Emperor Hadrian robed marble bust resting on circular tiered marble pedestal. Mid 19th Century

Staffordshire Pottery porcellaneous bust with a religious theme which features John Wesley, resting on a marbleized base. Decorated 'in the round' - decoration to front and reverse. ...

I could not identify the sitter. Socle base. From a Mississippi collection.

We delighted to offer for sale this lovely and very rare bronze head of a Russian Priest with a paper label from the very famous James Bourlet & Son's L...

Barbedienne cast. Look at the Metropolitan Museum for a larger example.

Large portrait bust of a middle-aged man in antique garb. The plaster bust is signed A. Frederich and dated 1843 on the underside and stands on an ebonised wooden column base. The bu...

The bust of Napoleon with a medallion detailed with Medusa's head over his shoulder behind an eagle and its outstreched wings and with a palm tree on the back. Marked Eneret on the b...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

Now on a Sevres porcelain socle dated 1849.