Carved Wooden Cigar Store Indian Princess

This charming pair of Meissen porcelain figures celebrates the essence of Revelry. First modeled by the renowned Johann Joachim Kändler on bases by Peter Reinicke, circa 1767, these joyous groups depict musicians making merry by playing the French horn, flute, guitar and hurdy-gurdy, and gardeners carrying flowers in baskets and aprons. Two almost identical groups are featured in Meissen: Collector’s Catalogue by Laurence Mitchell. Figures by Kändler were especially popular and served as table decorations at courtly banquets. He took the reigns of the Meissen factory in 1733 and over the following 40 years created more than 900 models, many of which were considered the most important and beautiful ever produced. Many of his designs were so timeless and classic that they continued to be used well into the 19th century. Kändler was highly regarded especially for his allegorical representations and he was certainly at his best when designing the Four Continents...

Wonderfully charming and boasting a high level of detail, this bronze walrus also serves as an inkwell. The incredible artistry of Viennese bronze work i...

An exceptional and monumental Venetian wood sculpture surmounted by two putti holding a footed tray. The base is decorated with a bas-relief of the view ...

This important George III tazza is attributed to famed Scottish-Swedish architect Sir William Chambers. The magnificent piece features a base carved from statuary marble in the shape of a stylized dolphin, which relates to Chambers' extraordinary 18th-century architectural designs. A marvel of beauty and craftsmanship, the tazza is also inset with specimens of Derbyshire Blue John in both the plinth and bowl. Blue John is one of the most in-demand decorative stones in the world, and its inclusion in this piece elevates the tazza to a true Georgian masterpiece. Due to its popularity, the largest veins of Blue John had disappeared by the early 19th century, and only a small amount of the stone remains today. Because of its scarcity, most examples of Blue John furniture feature only small inset veneers. By contrast, this rare tazza features not one, but two substantial specimens of the stone. It represents some of the last ornamental wares created of such grand size and proportion, though other smaller examples still grace the stately British estates of Chatsworth, Hardwick, Kedleston and Haddon, among others. Not only does this tazza boast a highly rare material, but it was also designed by one of the most important architects and designers of the Georgian era. Sir William Chambers was a Scottish-Swedish architect based in London who was active during the reigns of Kings George II and George III. Celebrated for his combination of English Palladianism...