Eurydice by Richard MacDonald #2 of 50

A Bronze Eurydice tabletop statue by Eugène Marioton, from the 19th Century. Eurydice, one of the Nereids, is depicted in a bronze statue from the 19th century. Her long hair flows...

Contemporary American ceramic artist Richard Hirsch Ceramic Crucible Sculpture #50 was made in 2018. It's wheel thrown and hand built clay with bronz...

Richard Walsh freeform sculpture. Tubular metal bent and welded to torch-cut circular base, Brutalist in form and patina. Sturdy stabile sculpture, circa 1975.

Ô-CULT TOTEM by Richard Yasmine Materials: Powder coated st.steel, blackened brass, neo cement on st.steel & raffia tassels Dimensions: Height 120 x diameter 40 cm. Ô-CULT our latest commissioned design piece for the Ministry of Foreign Affairs of Italy curated by La Triennale di Milano design Museum, a social design project related to the use of water for the exhibition titled “The shapes of Water”. Water, one of the elements that make up everything in this world. The symbolism of water has a universal trace of purity and fertility, it is the source of life since the ancient cultures and considered an aspect of wisdom that takes the form in which it is held. It does not resist, it flows, but always goes where it wants to go to fill empty spaces. As water is becoming rare yet more and more precious due to the environmental problems such as global warming, pollution, climate changes etc… our concept, to create a fantastic water safe taking the shape of a mascot /Genie imitating the authentic type of liquid containers descending since the Neolithic period till the ancient Roman era passing by our heritage but definitely in a contemporary Silhouette using multiple materials. In addition to the shape, providing a faucet, using the whole component as a useful water dispenser...

Richard E. Filipowski, graduate of the Chicago Institute of Design, hand-sculpted Marquette. Stylized branch composition out of delicate components...

Excellent pair of Caramogi or "mansion dwarfs" attributed to Jacques Callot for Richard Ginori, circa mid 1800s. The polychrome, hard-paste porcelain couple are hand-painted and in ...

Luminous sculpture by Richard Faure in worked brass. The abdomen is made from a slice of agate concealing the lighting, the eyes are two fossil ammonites. Unique piece. Signed.

Crocodile sculpture by Richard Orlinski, 2006. Gold crocodile sculpture by Richard Orlinski, resin, 2006. H: 38cm. W: 109cm. D: 47cm.

In the 1920s Gio Ponti, who defined 20th century Italian design, was the art director of Richard-Ginori, a venerable porcelain company established in the 18th century. When Ponti moved on in 1930, his protégé Giovanni Gariboldi, who also designed furniture and interiors, filled the vacated position. It would seem that Gariboldi found his model for these shell-shaped dishes in nature, but this is not the case. Rather, he channeled the essence of “shellness," and endowed his design with the faux verisimilitude of delicate ribbing along the scalloped edge. Yet he had them glazed in improbable candy-like pastel colors of pink, yellow, and blue. Originally used principally as ashtrays, no doubt, they could also be put to use as serving dishes for nuts and candies, or as decorative tabletop objects...

Richard Tuttle (b.1941) Smell of Trees, 1990, Cast aluminum, ceramic (no light included), signed and numbered "Richard Tuttle, 10/10" on underside.