19th Century Carved and Polychrome Dutch Family

A finely carved polychrome and giltwood figure depicting a lively putti (cherub), shown in dynamic motion with one arm raised and the other curved across the chest. The youthful figu...

Pair of pedestals formed by a base elevated on lion claws with scrolls and birds, and a grooved shaft that ends in two circular moldings, decorated with plant and architectural eleme...

Pair of Continental Carved and Polychromed Wooden Cornucopias, 19th Century These finely carved and polychromed wooden cornucopias exemplify the enduring symbolic power of the horn of plenty in European decorative arts. Each composition is rendered in high relief, the ribbed horn issuing an abundant cascade of fruit and vegetables—pomegranates, grapes, melons, pumpkins, gourds, citrus, corn, and floral sprays—arranged with exuberant Baroque fullness. Now mounted on forged iron bases for display, the pair measures 20" high × 28" wide × 3.5" deep, including stands 12.5" x 6" (carvings alone 28" wide × 17" high × 3.5" deep). The Cornucopia in History Originating in antiquity, the cornucopia (Latin cornu copiae) was first associated with Amalthea, the goat who suckled the infant Zeus, whose horn became a miraculous source of nourishment. In Roman culture it was carried by deities of abundance—Fortuna, Abundantia, and Ceres—as an emblem of civic prosperity and the cycles of nature. Revived in the Renaissance and Baroque periods, the cornucopia became a favored motif in architecture, painting, and decorative arts, symbolizing divine blessing, seasonal plenty, and the wealth of the natural world. Iconography of the Fruits and Vegetables The profusion of produce is not merely decorative but encodes symbolic meanings rooted in both classical and Christian traditions: Pomegranates—fertility, eternal life, and resurrection. Grapes—festivity, vintage, and the Eucharistic blood of Christ. Melons and Watermelon Slices—sensual abundance, refreshment, and ephemeral pleasure. Pumpkins and Gourds—autumn harvest, transformation, and the cycles of plenty. Corn (Maize)—sustenance and prosperity, reflecting New World influence on European symbolism. Citrus Fruits—health, luxury, and Mediterranean prosperity. Floral Sprays—seasonal beauty and the transience of life, underscoring vanitas themes common in still-life art. This allegorical language aligns the carvings with the broader European tradition of abundance imagery found in still-life painting, silverwork, and architectural ornament. Continental Style and Possible Origin The sculptural density, dramatic overlapping of forms, and naturalistic rendering suggest a Continental origin, likely Austrian, German, or Italian, c. late 19th century. While Swedish decorative carving of the same era tends toward flatter surfaces and folk stylization, these examples embody a more theatrical Baroque and Rococo inheritance, later enhanced with a polychrome or silver-toned surface to heighten their decorative impact. Originally conceived as architectural appliqués...

19th Century Spanish Colonial wood and polychromed hand carved figure of a Santos or possibly Jesus. The practice of creating Santos figures began in Spain and they usually wore orna...

Decorate a wine cellar or a wet bar with this elegant matching pair of antique cherub carvings, with child Bacchus god of wine, reprensenting the grape harvest and the enjoyment of w...

This pair of cherub sculptures was hand carved in Italy during the 19th century and executed in polychrome wood with gold leaf details. The figures represent traditional cherubs, a r...

Elegant little carved wooden horse from the 19th century in polychrome wood Very beautiful polychromy which has a lot of charm Old child's toy with the front wheels which moves ...

This hand-carved wooden figure represents the Virgin Mary as a child, known as Niña María, a revered devotional subject in Spanish Colonial art. Crafted in 19th-century Guatemala, th...

Elegant carved wooden horse from the 19th century in polychrome wood from England Very beautiful movement which has a lot of charm Beautiful patina The dimensions include the bo...

An extremely fine European polychrome carved wood figure of a Dickensian character, circa 1900. In the form of a gentleman with long side whiskers....