19th Century, French Bronze Group after Jean Baptiste Pigalle

Bronze sculpture with a brown patina shaded in green signed Pigalle on the base, representing a child surprised by a crayfish's pinching. Tears are running down the cheeks of the naked child, sitting on a large shell, as he has just been pinched by a crayfish. The sculpture rests on a green marble base. Jean-Baptiste Pigalle is a great French sculptor born in Paris in 1714. At a very young age, he studied sculpture and became aware that his art was the meaning of his life. He moved to Italy in 1734 to perfect his technique. Then, he joined the Beaux-Arts, thanks to his work "Mercury attaching his heel" (1740) which had an immediate success. Several artists have a copy, painters represent it on their canvases, and a biscuit reduction is made by the manufacture of Sevres in 1770. Very quickly the orders multiplied and Mme de Pompadour took him under her wing. Juggling between baroque and classical styles, he made portraits of Diderot and Voltaire and then realized the famous funeral monuments...

Brown patina bronze sculpture depicting Mercury (Hermes), god of commerce, thieves and messenger of the gods, seated on a rock tying his winged heel-piece. He is wearing a petasus, a winged hat, and his caduceus is resting on the ground. This sculpture, based on a model by Jean-Baptiste Pigalle, shows a young god, naked and in motion. In a double-swivel position, he prepares to take off. The bronze, resting on a circular stepped base in griotte red marble, is signed on the terrace "Pigalle, 1745". The original of this sculpture was Pigalle's reception piece for the Académie Royale de Peinture et de Sculpture on July 30, 1744, which entered the Louvre between 1848 and 1850. Jean-Baptiste Pigalle: The sculptor of the Enlightenment A great French sculptor, Jean-Baptiste Pigalle was born in Paris in 1714. He worked on his art from an early age under the guidance of Robert Le Lorrain and later Jean-Baptiste Lemoyne. Convinced that his art was the meaning of his life, he returned to Italy in 1734 to perfect his technique. On his return, he began his "Mercure attachant sa talonnière" (1740), which enabled him to enter the Beaux-Arts. His reputation soared among the Parisian aristocracy. Mme de Pompadour took him under her wing, and commissions poured in. Juggling between the Baroque and the Classical, he painted portraits of Diderot and Voltaire, then created the famous funeral monuments...

19th-century patinated bronze sculpture of a child holding a birdcage based on a design by Jean-Baptiste Pigalle, France By: Jean-Baptiste Pigalle (in the style of) Material: bronze...

Bronze group with brown patina featuring Cupids fighting over a heart after Etienne-Maurice Falconet (1716-1791). This work had a great success in the second half of the 19th century...

Inscribed F. Barbedienne with the Collas reduction.

This elegant 19th-century plaster bust represents Jean-Baptiste Colbert, the powerful Minister of Finances under Louis XIV, and is executed after the renowned model by Antoine Coysev...

19th Century Carved Carrara Marble Bust Of A Young Girl in a knotted Headdress after Jean-Baptiste GREUZE This a well documented subject, our young girl has lived in the garden fo...

Antique patinated bronze figures of laughing and crying infants after the original models by Jean-Antoine Houdon (1741-1828). Each in good condition with chip losses to the circular...

A very fine French 19th century patinated bronze figure of the French hero of the Algerian conquest, Jean-Pierre Hippolyte Blandan (1819-1842) after the French Sculptor Jean Gautheri...

Jean Barnabé Amy (French, 1839-1907) a fine French 19th century dark-brown patinated bronze group titled "Comedia Humana" (Human Comedy - Comedie Huma...