19th Century George Washington Cast Iron Stove Figure

Late 19th century bronze beautiful patina George Washington hanging plaque of upper torso(Shoulders) and head.

A very fine and palatial French 19th-20th century allegorical figural cast-iron group torchere - sculpture - fountain - representing spring and the harvest, probably cast by Le Fonderies d'Art du Val d'Osne. The charming four-putti sculpture with a front standing putto holding a pole amongst wheat stalks, another putto kneeling and collecting wheat, a third one wearing a hat and picking flowers for a wreath and the fourth kneeling putto holding a bird's nest, all below an elongated classical stem with a glass globe (Electrified), circa: Paris, 1900. Overall height: 84 inches (213.4 cm). Width: 29 1/2 inches (74.9 cm). Circular base diameter: 24 inches (61 inches). Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

19th Century Cast Iron Bacchus Doorstop Antique Bacchus Cast-Iron Doorstop he is Bearded and has a Great Cornucopia Top this is a rare piece dating f...

19th Century cast iron garden monument depicting the three graces Diana, Venus and Athena surrounding an ornately decorated font with foliate motif, held on round base with shells an...

This evocative 19th Century French Cast Iron Sculpture captures the profound emotion and exquisite detail synonymous with the era's artistry...

A large, cast iron unicorn, from 19th century England. Unicorns are a common motif used in British and Scottish works. A free unicorn, according to legend, is considered to be a wild and dangerous creature. This unicorn is tame, harmless and eager to guard your door, as it would make an impressive door...

A large, cast iron unicorn with a custom attached base stand. Great detail can be seen in the creature’s mane, head and musculature.

Classic icon from the last century. Once used in every household, now its cherished for its simplicity and beauty. Cast in it's lid is the ancient symbol of Rome, She wolf with her b...

Medallion in bronze Patrie. The relief portrait has beautiful slightly brown patina. France, circa 1905

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...