Amazing Spanish Baroque Pietà in Polychrome Wood with Silver Crown, 18th Century

Reliquary Set: Recumbent Christ (17th Century) and Our Lady of Sorrows (19th Century) A devotional reliquary with a damask lining and glass houses a 17th-century Baroque Christ and a...

Spanish Virgin of Sorrows in Polychrome Wood with Silver Crown, 19th Century Magnificent dressed Virgin of Sorrows, from the 19th-century Spanish school, carved in polychrome wood (...

Immerse yourself in the poignant beauty of this significant carved wood and polychrome sculpture depicting the iconic scene of the Pieta. Crafted possibly in Spain during the 19th century, this artwork stands as a striking testament to sacred art and artistic mastery of the era. The sculpture, executed with exceptional quality, captures the delicacy and devotion of the Pieta scene, where the Virgin Mary cradles the body of Jesus Christ after the crucifixion. Despite some minor losses, as shown in the accompanying photos, these do not significantly diminish the value or beauty of the piece. Measuring 108x60x55 cm, including the wooden base, this sculpture possesses an imposing presence that will command attention in any space. The expressiveness of the figures and the meticulous attention to detail attest to the sculptor's talent and deep understanding of the religious theme. Whether as the centerpiece of a sacred art collection or as a standout element in a devotional space, this Pieta sculpture...

Our Lady of Sorrows, attributed to Salzillo, polychrome wood with 18th-century silver crown and display case An extraordinary sculpture of Our Lady of Sorrows, attributed to Francis...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

BEAUTIFUL GERMAN PIETA KNOWN AS “VESPERBILD” ORIGIN : GERMANY PERIOD : 15th CENTURUY Height : 74 cm Width : 43 cm Depth : 22,5 cm Good condition Oak wood This beautiful 15th-c...

Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...

Pieta. Resin sculpture. White and Black Colors. 20eme Century.