Capodimonte, Napoleon Crossing the Alps

Early 19th century Capodimonte lively figural group of two women tending to a gentleman’s hair with playful little dog, circa 1820.

Made in Italy, 1960s. These two 18th century figures are made in Capodimonte porcelain. This statue might show slight traces of use since it's vintage, but it can be considered as in...

Made in Italy, 1960s. This group of 7 cherubs are made in Capodimonte lacquered ceramic by Mollica. This item might show slight traces of use since it's vintage, but it can be consid...

Made in Italy, 1960s. This scene sculpted by Carlo Mollica recalls the mythological figures of Leda and the Swan (Zeus). It is made in polychromed porcel...

This bright Capodimonte porcelain group of four putti and a goat symbolizes abundance and the spirit of life. Capodimonte was originally an 18th century Italian porcelain...

Art Deco Figurine of 'Mata Hari' by Capodimonte / Naples Porcelain Company Italy, circa 1925 An exceptional work, displaying grace and movement, subtly hand- painted. The seductive turban and gold earring wearing dancer draped in a White and Iron-Red Moon and Star motif garment, on a tasseled pillow. Hence our Mata Hari, attribution/suggestion. The name Mata Hari, is a Malay expression for the sun. Literally meaning “eye of the day"/ dawn of the day' This exquisite figure, depicts the The dancer (Mata Hari ?) as the sun-wearing the moon and stars. Marked with the variation Blue underglaze Crown & N. In remarkable well cared for condition, some minor wear to the gilt. The figurine stands...

Made in Italy, 1960s. This reading child is made in Capodimonte ceramic, which has been lacquered and hand-painted with pure gold. This item might ...

Excellent Meissen porcelain sculpture: Very elaborate and lovingly designed group of figures: two young women with artfully pinned-up hair and wrapped in cloths tied around their loi...

Excellent Meissen porcelain sculpture: Very elaborate and lovingly designed group of figures: two young women with artfully pinned-up hair and wrapped in cloths tied around their loi...

Meissen, hard-paste porcelain, circa 1738-1740. The Artist The Meissen manufactory near the city of Dresden was founded by Augustus II (1670-1733), King of Poland and Electoral of Saxony, in 1710. It was the first factory in Europe to succeed in making white hard-paste porcelain. The early years of the Meissen production were focused on creating copies of Chinese porcelain. It was only when Kaendler began to work at Meissen in 1731 that the manufactory would break free from the influence of Asia and produce porcelain of true European character. The Painting A sculptor by training, Kaendler took over the direction of the manufactory in 1733. He is considered the key figure in the development of Meissen and the individual behind the transformation of the factory’s porcelain during the 18th century. Kaendler demonstrated his artistic ability by creating a variety of porcelain groups including the Italian Commedia dell’Arte, Pastoral and Crinoline groups, and Cris de Paris, which were met with widespread acclaim and made Meissen famous throughout all of Europe. Soon these porcelain figures would be used extensively alongside vases and other ornaments to decorate interiors. Provenance The themes of fête galante, pastoral idylls and masquerade themes, created by Jean-Antoine Watteau (1684-1721), and then developed further by Francois Boucher (1703-1770) and Jean-Honoré Fragonard (1732-1806), depicting amorous scenes with dancers, women and shepherds engaged in frivolous pursuits, spread all over Europe during the first half of the 18th century. This is due to the French engraver Gabriel Huquier (1695-1747), who dedicated himself to images and engravings after Francois Boucher and Juste-Aurele Meissonnier (1695-1750), who fostered the concept of Rococo style, that brought about the new trend in decorative arts. In 1738, Kaendler introduced one of his figures in pastoral costume with the Handkuss (Hand-kiss) scene under a tree. For the shepherd lovers’ scene, the German sculptor drew his inspiration from Boucher and Watteau. Since the 1730s, the Meissen manufactory has been providing Watteau’s engravings...