E. Popineau signed, large, original French Art Deco bronze female cymbal dancer

Guiraud-Rivière 1881-1947 A tall, exquisite, original French Art Deco sculpture in silvered bronze with parcel gilt accents. This largest rendition of the sculpture is truly a rarit...

A large and finely hand-carved Italian dancer, circa 1930 signed : Prof. Eugenio Pattarino, made in Italy stands with arms outstretched in a graceful pose, adorned with a bodice, co...

An original French Art Deco bronze sculpture of a nude dancer with a veil by Armand Lemo 1881-1936 An exceptional and rare French Art Deco statue showcasing a polychrome figure of...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

Genuine French Art Deco sculpture by Robert Bousquet, France, late 1910s. "Tambourine woman dancing", A jester's rattle on the base. Genuine bronze and marble. Bronze, not spelter. O...

French Art Deco bronze figure of nude female dancer on a square black marble base (attr: Marie-Louise Simard)

Elegant Art Deco Bronze Figure of a Dancing Woman, Sweden, 1930s Elegant handcrafted bronze sculpture depicting a stylized female figure standing gracefully with a subtle, upward-reaching posture. The silhouette is elongated and refined, typical of the late Art Deco period, emphasizing harmony, movement, and the timeless beauty of the human form. Cast in solid bronze, the piece has a rich, naturally aged patina that shifts between warm golden-brown and darker bronze tones, giving the surface depth and visual texture. Small areas of verdigris, particularly along the upper edge of the base, attest to the sculpture’s age and authenticity while adding a soft, organic accent. The figure stands on a stepped, square bronze base with softly rounded corners, complementing the fluidity of the sculpture’s form. It is unsigned, but the work bears stylistic similarities to Scandinavian bronze sculpture...

A 1920's original Art Deco bronze figure of dancing lady holding a ball on a Rosa Verona marble base. Signed.