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Émile-andré Boisseau Bronze Sculpture

$6,250List Price

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19th Century White Carrara Marble Entitled “Tendresse” by Émile-André Boisseau
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A Fine Late 19th Century White Carrara Double Figure Marble Entitled “Tendresse” by Émile-André Boisseau Depicting an early Middle Eastern couple, the man with his arm around his wi...
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One of a Kind Antique Carved Wood Group Statue Sculpture by Emile Boisseau
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Unique 19th century French wooden sculpture. This large and figural group is titled 'La Defense Du Foyer' which translates as 'the protection of the spous.' This impressive sculpture is in good and original condition and this ripped hunter defenitely looks ready to fight off anyone or anything threatening his spous. This sculpture is attributed to Emile Andre...
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Marcel-André Bouraine Bronze Bust Sculpture
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Emile Pinedo Bronze Bust Sculpture of a Woman
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19th century French bronze sculptures of young farm boys by Emile Laporte (1858 - 1907), France. One boy carrying a basket of flowers, the other a bundle of sticks. Signed, mounted o...
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Emile Antoine Bourdelle “Arlequin” Bronze Sculpture Valsuani Foundry
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Located in Dallas, TX
Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...
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Emile Picault Bronze Female Statue with Eagle Sculpture
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Large Orientalist Style Patinated Bronze Sculpture by Emile Pinedo
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