Figurative Knob in Bronze 1600 Italian Handle with Bust of Boy

Circe Italian Neoclassical Sculpture of Early 1800s the figure is a fascinating depiction of the Goddess Circe, made in Italy in the early 19th century. The pine wood carving and ebo...

Venus With Dolphin In Bronze 1600, small 17th-century Italian sculpture ending in a ferrule at the bottom. He holds a sphere in his right hand and with his left hand holds the dolphi...

Italian Plaster Sculpture Depicting Moses Inspired by Michelangelo Early 1900s. This plaster work recreates one of the masterpieces of Renaissance art, Michelangelo's Moses, inspired...

Bronze Male Figure The Unloader Of The Port Of Antwerp By Meunier better known as Le debardeur du port d'Anverse by the famous Belgian sculptor Constantin Emile Meunier (1831-1905). ...

An 18th century Venus de’ Medici bronze bust, mounted on a later 19th century marble base. It has a beautiful rich slightly worn dark brown patina. Venus...

Scultura in bronzo di Giuseppe Franzese dei primi del 900 che raffigura la testa di un giovanotto su una base di marmo. Le misure della scultura sono: Altezza cm 30 Larghezza cm...

Bronze sculpture by Georges Van Der Straeten (1856-1928), stamped "Société des bronzes de Paris". Measures: H 34 cm, W 19 cm, D 16 cm.

De Martino is a classical artist, known for the production of sculptures of small bronze busts, in particular (“scugnizzi”, fishermen, commoners) with realistic features. He trained at the Academy of Fine Arts in Naples under the guidance of Stanislao Nome, Gioacchino Toma, and Achille D ’Orsi, from whom he learned the ability to portray the most realistic details using them on very young subjects. Very young he moved to Paris where he performed small sculptural groups, exhibiting frequently at the "Paris Salon" where he won the prize of the Louvre Museum for the bronze work Le Pêcheur de criquets (The Fisher of locusts, Naples, private collection). Returning to Naples, he returned to a socialist realism and produced sculptures depicting characteristic Neapolitan types, especially urchins, “street urchins”, little boys and young fishermen. From 1916-1931 he was master of the sculptor Angelo Frattini. Later the dominant theme of his production was childhood, in particular thoughtful, sad, gaunt children were represented in his works, on whose faces the signs of abandonment and suffering emerged. De Martino became known with the nickname of “The sculptor of children”.