French Art Nouveau Bronze Sculpture by Agathon Léonard

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

A fine French 19th-20th century Art-Nouveau patinated bronze bust of "Marie Antoinette" (Queen of France 1755-1793), after the model by Agathon Léonard or Léonard Agathon van Weydeve...

FRANÇOIS ANDRÉ CLÉMENCIN French, 1878-1950 "Celui qui fut pris" (The one that was taken) Patinated polychromed bronze Signed on base "A. Clemencin" Item # 110BKP22X An exq...

EMMANUEL VILLANIS French, fl. 1880-1920 "Bust of Thais" Cast signature to shoulder "E. Villanis" cold-stamped "3264" & "CB" with foundry cachet of "Societe des Bronzes de Paris" o...

Antique French Art Nouveau silvered bronze sculpture or charger. A beautiful well detailed large period French Art Nouveau silvered bronze tra...

French Art Nouveau sculpture with a clock decorated with a pair of women rejoicing in the season's harvest. In great condition. Sold as is...

Jules Alfred Alexandre Dercheu (1864-1912), Daphné followed by Apollo. Bronze statuette with yellow, brown and gold patina, signed to the base, mounted on a round plinth of sea-gree...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...

1900s Art Nouveau bronze sculpture of a girl with a doll by Leo Laporte-Blairsy, France By: Leo Laporte-Blairsy Material: bronze, copper, metal Technique: cast, molded, metalwork, p...

A very fine lifetime casting of Charles Korschann's Putto Riding a Doe, the model is steeped in the elements of the Art Nouveau with a distinct celebration of the naturalistic. The putto grasps a simple harp in his hand while a loose garment bound in a belt encircling his waist billows in the unseen wind. The doe looks on with disinterest, unconcerned about its surroundings and almost at one with its rider. It is a carefully composed idealization of the natural world and the potential for harmony between man and beast. The casting is exquisite, typical of work from Louchet, and is finished in a medium-brown translucent patina. Charles Korschann Born in Brno, Monrovia in 1872 as Charles Korschmann, later dropping the "m" to appear less Germanic, he studied at the fine arts academies of Vienna, Berlin and Paris before finally establishing himself in Paris in 1894. He spent his entire career working in Paris, exhibiting at the 1900 Exposition Universelle where he was awarded a Bronze Medal and from 1894 through 1905 at the Société des Artistes Français. His work is very distinctive and immediately recognizable, a most important trait as an artist and a particular accomplishment in light of the output of his contemporaries. He was to sculpture what Alphonse Mucha was to graphics, both men originating from the same province in Czechoslovakia and having similar influences in Paris. It is rather fitting that he would execute a bust of Alphonse Mucha for the Museum of Brno in honor of his accomplishments. Artist Listings...