Giles Penny RWA ‘Untitled’ stainless steel sculpture - UK, 2003

A flower shoots outward from a tapered stem, one generous curl of iron forms an imitation of a leaf. With the Fior di Loto, Salvino Marsura reduces plant form to its purest geometry....

Four rods of iron rise from a square plinth. Designed to be viewed in the round, the sculpture reveals ever-shifting compositions of intersecting lines and shapes that emerge in nega...

Cogs, pipes and toothed lines are held in equilibrium. The Trebbiatrice is a composition that renews itself each time you walk around it. There is a lingering sense of momentum and i...

A small sculpture defined by its opening fold, Poeta focuses on the materiality of iron, how it curves, bends and how its weight behaves within a cantilevered construction. The pie...

Steel sculpture, Janos Maróti, Hungary, 1984 Material: Chromium Length: base 32,5 x 29,5cm Width: 44,5cm Height: 48,5cm

Figural sculpture by artist Ted Gall in Steel, secured to black laminated wood base. Signed. Theodore T. Gall began his career in the arts in the mid-sixti...

Ernest Trova, (American, 1927-2009) Maquette, #83 with 6 in. (falling man) Figure, the underside with Trova monogram, numbered 6 of 6, dated 1987, cold rolled painted steel, polishe...

A very unusual, stylized sculpture of man by a Portugese sculptor Manuel Pereira da Silva. Made of pine, 1979. A note about the artist: "Manuel Pereira da Silva was born in Portelas, in 14 de Maio Street, Vila Nova de Gaia, on 7 December 1920. In October 1928, he started his education at Cabanões primary school. After he sat the 2nd level exams, at Palhacinhas school, his father enrolled him in the Faria Guimarães Industrial School (currently Soares dos Reis Artistic Secondary School), to take the joinery course. The following year, he changed to the Drawing course. After completing his secondary school studies, he enrolled in the School of Fine Arts in Porto, in 1939. Here, he studied under the supervision of Joaquim Lopes, Acácio Lino and Rodolfo Pinto Couto, and had as colleagues Arlindo Rocha, Júlio Resende, Eduardo Tavares, Isolino Vaz, Nadir Afonso and Fernando Azevedo, some of which were part of the "Grupo dos Independentes" (Group of Independents). He received two awards: the Teixeira Lopes Award and the Soares dos Reis award. His final thesis was on Nuno Álvares Pereira, and he obtained a final mark of 18 out of 20. In 1946, he left for Paris. He spent the following two years studying at the École des Beaux-Arts, shared the experience of the great masters at the Louvre, came into contact with the new artistic trends and attended open courses, where he learned, among others, the fresco mural painting technique, which was later used in the Santa Luzia Church, in Viana do CasteloIn his workshop in Afonso de Albuquerque Street, in Vila Nova de Gaia, he produced two types of works: realist sculptures, to meet the commissions he received, and more abstract and independent-type of sculptures, which can be found in many Portuguese and African cities, for instance, Viana do Castelo, Vila Nova de Gaia, Porto, Bolama, in Guinea – Bissau, and Luanda, in Angola. Baixo relevo de D. Pedro Pitões entre os Cruzados no Palácio da Justiça do PortoAmong the sculpture work he produced, we highlight the torsos of his friends Fernando de Araújo Lima, Adriano de Sá Figueiredo and Adelino Gomes; the monument to the Athlete (1973), erected in the Gândara Square, in Vila Nova de Gaia; the monument to the American general and statesman Ulysses Grant (1822-1847), in front of Bolama City Hall (1955); and the low relief work in Ançã stone, for the Audience Room of the 3rd Court Division of the Porto Court House, depicting D. Pedro Pitões near the Porto Cathedral summoning the crusaders to help Afonso Henriques in the conquest of Lisbon, dated 1961. Estátua de Ulysses Grant (1955)Manuel Pereira da Silva also produced a low relief in multi-coloured ceramics for the façade of a building in Luanda, dated 1960; the figure of the Lavrador (Farmer), in Gulpilhares; the fire-fighters in Avintes and Gondomar; the monument to the benefactor of Sandim, Fernando Couto; the monument in homage to furniture...