Gilt Bronze Figure of Oedipus and The Sphinx, by Francois Leon Sicard, 1862-1934

A decorative French bronze figure of Francois 1st on his horse in full dress and the horse with a feather plume. Presented on a black marble base.

Gilt bronze figure of the dancing Faun of Pompeii Marble base After the antique Neapolitan Early 20th century.

These art deco bronze gilt and marble base sphinxes bookends are a stunning example of the elegance and sophistication of the art deco era. Crafted wit...

Victorian Gilt Bronze figure of a Child playing the Cymbals Sitting Cross leg on a rock, fine detailed casting, on the face, Hands with the cymbal band wrapped around, Stripes on...

A mid-19th Century well-cast Model of the Sphinx of Giza mounted on veined marble base.

After Francois Rude (French, 1784-1855) "The Education of Achilles by the Centaur Chiron" Patinated Bronze Sculpture, late 19th century, unsigned, elements missing. 17" H x 17.5" W x...

A large 19th century bronze of “Oedipus meditating” by the French sculpture Henri Daniel Contenot, the cloaked figure sitting on a rock surface, cross legged with a stick in hand meditating. On the rock surface there is the foundry mark which reads “Syndicat Des Fabr Des Bronze Unis France...

'Cupid & Psyche' - An important parcel-gilt and patinated bronze figure, by François-Raoul Larche. Signed to the base 'Raoul Larche 1891'. This finely cast parcel-gilt bronze figure depicts Cupid and Psyche with Zephyr. François-Raoul Larche (1860-1912), the son of an ornamental sculptor, was a well-known Art Nouveau sculptor...

Art Deco gilt bronze and onyx figure of a dancer by Lorenzl Austrian, c. 1925 Height 31cm, width 17cm, depth 20cm Josef Lorenzl (1892-1950), a renowned Austrian sculptor and cerami...

Gaston Leroux (French, 1854-1942). A very fine French 19th century polychromed and patinated bronze sculpture of "Aida" resting on a sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris, circa 1890. Measures: Height 29 inches (74 cm). Width 15 inches (38.1 cm). Depth 15 inches (38.1 cm). The opulent and extensively detailed version of Aida was inspired by ethnographic findings of the mid-19th century in ancient Egypt as well as the influences of theatre and costume design. Travelers to the East had often recorded their journeys, either in writing or in pictures, but the movement of Egyptomania was wider-reaching than Egyptology. The immensely popular vogue of Egyptomania is without doubt due to the success of performing arts in recreating this era, in particular, Giuseppe Verdi's Aida. Both the Cairo and Paris premieres created sensations so large that they influenced generations of artists from Alexander Cabanel to Cecil de Mille. In Aida, the ruins of Egypt were brought back to life in full color and scale before the eyes of a generation that would make history as romantics, adventurers and explorers. The Cairo premier of Aida was entirely conceived by one of the foremost Egyptologists of the day, Auguste Mariette, who was assigned to the project by Khedive Ismail Pasha...