Large Bronze Sculpture by Henri Chapu 1833-1891 , "La Pensée", School French

This fine and exceptionally cast patinated bronze sculpture is the work of two masters of the decorative arts, Henri Chapu (French, 1833-1891) and Ferdinand Barbedienne (French, 1810-1892). Chapu was responsible for the design of the sculpture which is titled 'La Jeunesse' and depicts a young girl swathed in Classical style clothing reaching up to place a laurel branch on top of a wall. The original work was crafted in white marble as part of a monument to Henri Regnault...

A very large parcel-gilt bronze figural sculpture: “La Jeunesse” By Henri Michel Chapu (1833-1891) Signed Chapu, F. Barbedienne Foundeur Paris, Seal Achi...

Superb Italian Joan of Arc marble bust after Henri Chapu attributed to Professor Giuseppe Bessi from the Italian 19th century romantic period. In wh...

This Antique Bronze Sculpture “Jeunes Garçons” by the French artist Louis Kley (1833-1911) beautifully captures the innocence and playful nature of childhood. Depicting two young boy...

Jean-Baptise Germain (French, 1841-1910) "La Pensee" Patinated Bronze Figural Sculpture, late 19th century, the standing figure with outstretched arm and holding a book, signed to ba...

ETIENNE-HENRI DUMAIGE French, 1830-1888 Classical Seated Woman with Treasure Spilling at Her Feet Burnished and patinated bronze over original polished black marble base signed in cast "H. Dumaige Sculpt" and cold-stamped 3750 circa 1875 Item # 309OXB09P This exquisite cast depicts a full-length seated female modeled with echoes of classical antiquity. Dumaige seeks to depict the young woman as a noble likely of the Roman Empire, her wealth an obscene display with pearls falling from her fingers almost as an afterthought over a chest of jewels with treasure spilling from the lid before her overstuffed throne with a richly decorated pillow...

"L'Espace" by Henri Delcambre bronze, stamped at the base.

HIPPOLYTE ALEXANDRE JULIEN MOULIN French, 1832-1884 "Une Trouvaille à Pompéi" (A Find in Pompeii) Sand-cast and patinated bronze Signed on base "Moulin", sealed with foundry cache...

EUGÉNE DELAPLANCHE French, 1836-1891 "La Danse" Medium-brown patinated bronze Signed in cast E. Delaplanche Incised "F. Barbedienne Fondeur Paris" & numbered 225; sealed with A. Collas reduction cachet 29 3/8" H x 8" D x 9 1/4" W This is a very fine casting of La Danse after the original model by Eugene Delaplanche and executed by the Ferdinand Barbedienne foundry in Paris circa 1890-1910. It is titled in Kjellberg's monumental work as Zéphyr and is noted as Fée Aux Fleurs (The Flower Fairy) in Berman's volumes. The sculpture depicts a young nymph as she gracefully spins on a smooth dirt path while her diaphanous dress spins around her body while the the wind catches the bottom and carries it wildly into the breeze. La Danse was initially exhibited at the Salon of 1886 as no. 3768 in plaster and the following year he exhibited the same model executed as Salon catalogue entry no. 4000, a life-size marble. His final exhibition of the model was it at the Paris Exposition Universelle of 1889. The sculpture was cast by Barbedienne in several editions, including 40 cm, 61.5 cm, 97 cm and 115 cm. The present example shows the careful attention of the ciseleur and shows beautiful chasing of the details. An attractive overall medium-golden-brown patina leaves the surface rich and full of life, being overall translucent and glowing throughout. Every detail is vivid, from the flowers and foliage held gently in her fingers, to the wrinkles of these fingers, her perfectly detailed face with a sharp little nose, eyes that are full of laughter and joy and a firm jaw. The naturalistic base is inscribed both "Delaplanche" and "F. Barbedienne Fondeur, Paris" and is numbered 225. EUGÉNE DELAPLANCHE Born in Belleville, France in February of 1836, Eugéne Delaplanche was a student of August Deligand and Francisque Joseph Duret...

The sculpture is a bronze work by the French artist Émile Picault (1833-1915). It is typical of his allegorical figures and combines meticulous figurative work with a moralizing or...