"Le Faucheur" Bronze Sculpture by Jean Gautherin

A very fine French 19th century patinated bronze figure of the French hero of the Algerian conquest, Jean-Pierre Hippolyte Blandan (1819-1842) after the French Sculptor Jean Gautheri...

A fine quality French 19th century Louis XVI st. ormolu and patinated bronze signed J. Gautherin. The statue is raised by a circular mottled patinated bronze base where a stamp of th...

Patinated Bronze Sculpture "Le Torrent" by Jean-Baptiste Germain Patinated bronze sculpture titled "Le Torrent" by French sculptor Jean-Baptiste Germain (1841-1910). The piece depict...

Jean Boulogne bronze sculpture "Abduction of the Sabine Women" a verdigris patinated bronze figured group on a circular stylized. Base signe "Jean Bologne".

Wonderful bronze sculpture named "Le Baiser Donné" (The Kiss Given), a renowned bronze work by Jean-Antoine Houdon, ( the sculpture is signed in the back). This is a prominent French...

Bronze Sculpture "Athlete" by Max le Verrier resting on stone base Stamped: "M Le Verrier" on underside. France: circa 1937 Similar model is illustrated i...

Bronze proof sculpture with brown-green patina. Blanchet-Landowski Foundry, EA.

Art Deco bronze sculpture by French Artist Pierre Le Faguays, France 1930. Bronze on green marble base. This sculpture is illustrated in: Art Deco and other figures by Brian Catley, ...

This glazed stoneware sculpture perfectly illustrates the artist’s resolutely modern approach to ceramics, at the crossroads of abstract sculpture and architectonic expression. The w...

Bronze sculpture with a brown patina shaded in green signed Pigalle on the base, representing a child surprised by a crayfish's pinching. Tears are running down the cheeks of the naked child, sitting on a large shell, as he has just been pinched by a crayfish. The sculpture rests on a green marble base. Jean-Baptiste Pigalle is a great French sculptor born in Paris in 1714. At a very young age, he studied sculpture and became aware that his art was the meaning of his life. He moved to Italy in 1734 to perfect his technique. Then, he joined the Beaux-Arts, thanks to his work "Mercury attaching his heel" (1740) which had an immediate success. Several artists have a copy, painters represent it on their canvases, and a biscuit reduction is made by the manufacture of Sevres in 1770. Very quickly the orders multiplied and Mme de Pompadour took him under her wing. Juggling between baroque and classical styles, he made portraits of Diderot and Voltaire and then realized the famous funeral monuments...