Stone Figurative Sculptures

A very fine early 20th Century gilt bronze figure of the famous Cleopatra with a snake wrapped around her wrist drinking from a bowl. Exhibiting fine colour and excellent hand fi...

Large Hand-Carved Marble Sculpture of Nike of Samothrace, After the Ancient Greek Original Magnificent large-scale marble sculpture representing Nike of Samothrace (also known as the...

Charming French Art Deco sculpture depicting a graceful dancing woman, executed in spelter with a beautiful soft green patina. The figure is elegantly posed with flowing drapery, cap...

A garden limestone sculpture birdbath built in two sections (see photos). The aged patina including distress to finish, wear, old lichen/stains, minor cracks, peeling paint all refle...

A dancing maiden marble sculpture By Papini A signed marble “di latte” (crushed composite marble) sculpture. The sculpture is of a young dancer swir...

This antique bust or figurative sculpture is unsigned by the artist, but is identified as originating from Italy and dates to approximately 1920 and done in the period Art Deco style...

Ancient bas-relief of San Antonio, in marble, 19th century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Tags: Bassorilievo...

Description: Large marble skull. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Indicative shipping costs in Italy: 170€ and Eu...

This delightful French stone statue from the mid 20th century, features a small putto figure leaning against a trunk holding a vase and grapes. Perhaps one of the followers of the go...

A mid 19th century statuary marble sculpture of the ‘Dying Gaul’ after the antique. This marble sculpture is a scale depiction of the larger Dying Gaul marble statue, currently loca...

Marble sculpture "Limestone" by sculptor Grishigiano. Grishigiano works intuitively, without preliminary sketches. The true enchantment is revealed during the creation process, which...

An Italian Figural Alabaster Lamp Carved from two types of contrasting alabaster, supported on a columnar pedestal, the female figure draped in a skirt, with a floating globe above ...

Flowing Fragments Collection Sculptures, Side Table and Stool by Richard Yasmine Dimensions: W 42 x D 42 x H 42 cm Materials: Marble. Includes a side table element, suitable for i...

"Leg Out" by Josef Lorenzl A fabulous early 20th Century Art Deco cold painted bronze figure of a naked beauty in an energetic pose, with excellent colour and fine hand finished detail, raised on a shaped onyx & black marble base and signed Lorenzl ADDITIONAL INFORMATION Height: 48 cm Width: 30 cm Depth: 11 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8716 ABOUT Lorenzl Leg Out Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Leg Out – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

An antique Italian white statuary marble sculpture of Dirce after Lorenzo Bartolini (1777-1850). This beautiful marble is carved after one of Lorenzo Bartolini's most successful scu...

Sculpture, Bust of Emperor in important Onyx - 90 cm - Marble, ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Scultura, Busto d...

A stunning and extremely high quality Italian 19th century solid white Carrara marble statue of a woman with bound hands and feet. The statue,...

A fine and large French 19th century Orientalist style life-size patinated and parcel-gilt bronze sculpture of "La Danse des Oeufs" (The Dance of Golden Eggs) also known as "La Danse...

This pair of Art Deco bronze figural bookends are signed, but the artist could not be identified. It is presumed this pair of bookends was made in Austria in approximately 1920 in th...

The finely carved full length figure of 'The Goddess of Compassion, Kindness & Mercy' shown attired in flowing robes, her hair worn in high chignon with her face effecting a serene a...

Standing grey cloud hand carved marble sculpture by Tom Von Kaenel Dimensions: D 34 x W 31 x H 35 cm Materials: Marble Tom von Kaenel, sculptor and painter, was born in Switzerl...

Step into the world of ancient Greece with 'The Athlete Throwing Discus,' a renowned sculpture also known as Discobolus, meticulously completed by the skilled artist Myron during the...

A bronze figure of the dying Gaul after the Antique, on verde marble base, Italian, nineteenth century. Dimensions: 30.5cm (12") High, 35cm (13¾") Wide, 65cm (25½") Long, 13.5cm (5¼...

The Three Graces depicts the three daughters of Zeus, Euphrosyne, Aglaea and Thalia. Godesses of beauty, charm and joy. Shown standing close together, nude or as in this example ligh...

Zeus, considered the father of gods and humans, is the most important god in Greek mythology. It is always depicted with the throne, scepter and lightning bolt. The original of the...

The circular white-enameled dial signed ”Detour Paris” with Roman hours and Arabic quarter marks, a further inner Arabic chapter ring for the day of month. Pierced gilt hands and a b...

Pair of sphinxes in white marble with weathering traces, preserved with remnants of their original floor slabs. The cut edges suggest they once served as flanking supports at ground ...

Sculpture in gilt bronze and marble base by Paul Ducuing, 19th century. Sculpture by Paul Ducuing, foundry F.Barbedienne Paris, in gilt bronze and marble...

Magnificent figurative sculpture in alabaster depicting a renaissance couple in the process of dancing

Contemporary American ceramic artist Richard Hirsch’s Black Marble Mortar and Glass Pestle Sculpture was made during 2006 – 2010. It's wheel thrown and hand built clay, black glaze, ...

Marble and broze Artemisa sculture, signed Pugi, Italy, circa 1870. Statuary, Breccia and Siena marble and bronze. By Guglielmo Pugi (1850-1915) With breccia marble pedestal. Scul...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Hand Carved Monumental Sculpture of a Woman on Marble Rock.

Sculpted from a unique leccese stone characterized by natural fossils, Accarezzati Dal Tramonto captures an intimate embrace through smooth, flowing shapes evoking the warm hues of t...

Immerse your space in the rich history and artistic power of this Vintage Boho Monumental Mayan Carved Stone Sculpture of Man. This extraordinary piece, hand-carved from substantial ...

We are delighted to this stunning and really quite rare marble statue on Alabaster plinth on a kneeling praying child after the original by the great Luigi Pampaloni (1791-1847) named Samuel An absolutely stunning piece, the look on the face of young Samuel (As he is named) is so serene, you can just feel his love and admiration for god. From every angle this piece is expertly sculpted, the craftsman was a pure master without doubt The last one of these statues sold at Christies on the 4th December 2018 for £18,000 including fees, that one was slightly larger at 48 cm tall The base is signed with a monogram letter, its either an ornate F or an amalgamation of the letters T & F There are small signs of ware here and there in the form of the odd chip Pillar dimensions: Height 95 cm (total height 128 cm) Width 19.5 cm Depth 19.5 cm Statue dimensions: Height 33 cm Width 20.5 cm Depth 16.5 cm Please note all measurements are taken at the widest point. Luigi Pampaloni (Florence, 1791-1847) was an Italian sculptor, active in a neoclassical style. Fountain of the Naiads, Empoli. He studied under Lorenzo Bartolini in Florence. In 1826, he completed with the collaboration of Ottavio Giovannozzi the design of the Fountain of the Naiads in Empoli. In 1834, he completed a bust of Maria Antonietta...

Depictions of young angelic boys are also known as putti, or putto for a single one. Since the 17th century on they remained popular and are found in various forms. Perhaps the most known version is Cupid. Looking at their attributes time periods can be narrowed down. In this example we see a rose Guirlande and a medaillon which are typical for the late 18th- early 19th century. The Rosso Verona Marble...

Sculpture representing the morning star, in white marble from the Art Nouveau period. H: 69cm. W: 27cm, D: 20cm

This is an Austin Studios Production sculpture. It's made of durastone. It's cast in a. Mold. This piece is of a sitting Buddha. It's cast in green durastone.

Alabaster table lamp sculpture attributed to Bastiani. Italy, late 19th century Attributed to Ildebrando Bastiani.

So Be Lonely Sculpture by Carri Dimensions: W 52 x D 5 x H 75 cm Materials: Green Cantera. B 1995 Fernanda Carri ́s intimate practice spans painting, sculpture, ceramics, and texti...

A stunning and very high quality Italian turn of the century white Carrara marble statue signed Prof. R. Romanelli 1909. The statue is raised by a circular base with a fine ground like design where the beautiful maiden is kneeling. She is draped in a wonderfully executed flowing garment falling off her shoulders using one hand to cover herself while holding charming finely detailed flowers in the other. She is wearing a lovely necklace and has her hair tied in a richly sculpted head wrap with fine coin earrings and a coin headpiece. Wonderful attention to detail throughout. Raffaello Romanelli (1856 - 1928) Born in Florence, Italy. Romanelli was renowned for his monuments and portrait busts of noteworthy figures. He won numerous awards and had the honor to be commissioned by Pope Augustus III for two works at the façade of the Florence Cathedral.

"Little Clown" by Demetre H. Chiparus (1886-1947). Bronze sculpture and marble base. Bryan Catley (1978) "Art Deco and Other Figures" p. 66.

An exquisite and high quality Italian mid 19th century white Carrara marble statue of Venus. This almost life size statue, depicts the goddess leaning against a tree stump covered by...

These plaster figures of nose and lips, David by Michelangelo, after the antique, were made in the 1950s by students of an Academy of Arts in Paris.

Extra Large Crystal Orb. Offered is a huge crystal orb or sphere with controlled bubbles throughout. This is the largest example we have ever seen. This stunning glass orb sculpture ...

Jugendstil, Art Nouveau, Liberty Materials: Silvered bronze and marble We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any que...

A beautifully cast late 19 century French bronze statue by Emile Picault of a classically draped winged maiden on clouds holding a tablet inscribed "La Reconnaissance est La Memoire ...

Decorative female bronze nude by Rudolf Marcuse. Sedentary beauty. Signed and with foundry mark Gladenbeck. The lower part (fire-gilded) of the sc...

A spectacular and highly detailed Italian early 19th century white Carrara marble statue of Rebecca at the well, signed by Carmelo Fontana (1775-1825). Rebecca is standing pro...

Renaissance Winged Cherub Relief
Florence, Second Half of the 15th Century
Stone with traces of polychromy Provenance: Important private collection, Northern Italy This exceptional...

An antique marble bust of a bearded male in classical Roman attire. Larger than life size and carved in pure white Italian statuary Carrara marble. In u...

Detailed representation of Medusa with snakes, in marble. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicative shipping c...

Art Deco style sculpture hoop dancer signed by Briand, the pseudonym of Marcel Bouraine, cast by the Le Verrier Foundry. Patinated Art Metal on a Belgian Black marble base. Danseuse...

Grand Tour Verdigris Marble After Giambologna, The Abduction of a Sabine Woman' Italy, Mid- 19th century, Attributed to the workshops of Benedetto Bosch...

Exceptionally rare Scottish 20th Century Bronze Statue by the Acclaimed Scottish Sculptor, Ann Henderson RA (1926-1976). Title: Flowers. This sculpture was exhibited at The Royal Aca...

Contemporary American sculptor Wendy Hendelman's White Alabaster Torso Sculpture on a black marble base. Hendelman’s work reflects her love of the prim...

Inscription on the foot: "HEINRICH IMHOF FEC ROMA 1849".

A superb quality bronze sculpture of Cupid with his bow by the renowned French artist Gustave Doré, made in Paris, France, c. 1876. Entitled ‘Amour lançant une flèche’ in French, th...

Introduce a touch of sophisticated artistry and timeless figurative representation into your home with this captivating vintage bronze female sculpture. Rendered in an expressive, sl...