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Modernist Wood Sculpture of a Female with Cat, Attr. to Albert Wein, Ca. 1940s

$13,900

£10,605.03

€12,127.48

CA$19,588.07

A$21,358.69

CHF 11,334.84

MX$258,219.65

NOK 143,450.66

SEK 131,492.49

DKK 90,579.77

About the Item

American Modernism ATTRIBUTED TO Albert Wein Standing Female Figure with a Sleeping Cat Carved Wood Circa Mid-20th Century DIMENSONS Height: 40 in (101.6 cm) Width: 14 in (35.56 cm) Depth: 8 in (20.32 cm) ABOUT SCULPTURE This elegant 1940s carved wood sculpture, attributed to the American sculptor Albert Wein, depicts a serene female figure standing in a languid pose, one foot gently resting atop a sleeping cat. Carved from richly grained natural wood, the figure is portrayed with a contemplative, downturned gaze and is dressed in gracefully draped garments that recall both classical and modernist influences—hallmarks of Wein’s aesthetic. Designed to be placed against a wall or in an alcove, the back of the sculpture is flat and uncarved, emphasizing its intended frontal display. The warm tones of the wood and the subtle sensuality of the pose reflect Wein’s enduring interest in the human form, mythology, and stylized realism. In very good vintage condition, this sculpture exemplifies the refined craftsmanship and timeless elegance associated with Wein’s figurative works. Note: While unsigned, the piece bears strong stylistic and thematic affinities with known works by Albert Wein. ABOUT ARTIST Albert Wein (American, 1915–1991) was an American sculptor and painter known for his mastery of the human form and his contributions to American Modernism and classical figurative sculpture. His career spanned several decades and reflected a deep engagement with both traditional and modernist approaches. Early Life and Education Born: 1915, New York City Wein began studying art at a young age. His formal training included the National Academy of Design and later the Beaux-Arts Institute of Design. He also studied under Hans Hofmann, the influential abstract expressionist painter and teacher, which gave him exposure to modernist ideas. Style and Influences Wein’s work blends classical themes and modernist aesthetics, often focusing on the human figure. He was strongly influenced by Greek and Roman sculpture, Art Deco, and 20th-century modernist trends. His style ranges from highly stylized and abstracted forms to naturalistic and sensual nudes. Career Highlights. Wein received commissions for architectural sculpture, public monuments, and decorative panels. He created murals and reliefs for the Works Progress Administration (WPA) during the Great Depression—an important part of early 20th-century American public art. Notable public works include commissions for federal buildings and churches. Notable Works One of his well-known sculptures is “Bacchante,” which demonstrates his affinity for mythological subjects and sensuous form. He also created several public reliefs and monumental figures, combining narrative with elegant, flowing lines. Awards and Recognition He received a Guggenheim Fellowship and was a member of the National Sculpture Society. His work was exhibited in major galleries and museums, including the Metropolitan Museum of Art, Brooklyn Museum, and others. Legacy Albert Wein is remembered as a sculptor who bridged the classical and modern traditions. He remained committed to figurative work during a time when abstraction dominated the American art scene. His work continues to be collected by institutions and admired for its elegance, craftsmanship, and harmonious blending of tradition and innovation.

Dimensions:
Height: 40 in (101.6 cm)Width: 14 in (35.56 cm)Depth: 8 in (20.32 cm)
Style:
Art Deco (Of the Period)
Materials and Techniques:
Wood
Place of Origin:
United States
Period:
1940-1949
Date of Manufacture:
ca. 1940s
Condition:
Wear consistent with age and use. We make our best effort to provide a fair and descriptive condition report. Please examine photos attentively, as they are part of the description. Send us a message to request more details or discuss price.
Seller Location:
New York, NY
Reference Number:
1stDibs: LU2819346384742

American Modernism, a Pair of Nude Males, Hand-Carved Wood Sculpture, ca. 1940s

$4,800

Enid Bell Palanchian, Tackle, Modernist Carved Mahogany Sculpture, ca. 1953

By Enid Bell Palanchian

Located in New York, NY

DIMENSIONS height: 23 inches width; 12 inches depth: 6 inches MARKINGS Signed at the bottom in back. DETAILS Original hand-crafted black-painted wood plinth. REFERENCES Originally, sold to Papillon Gallery of Los Angeles. CONDITION Excellent antique condition, wear consistent with age and use. Enid Bell Palanchian (American, 1904 – 1994) a/k/a Mrs. E. B. Palanchian, Mrs. Enid Bell Palanchian and Mrs. Missak Palanchian was an important American sculptor, author, illustrator and professor who was primarily active in the New York/New Jersey area, but who established a respected body of work recognized throughout Europe and the United States as reflected by awards received in Paris, New Jersey, New York, New Mexico and Florida. Her achievements included numerous public works projects (e.g., the design of the Congressional Gold Medal) on display at public institutions and museums around the country, private commissions and sales throughout the world, group and solo exhibitions, generous donations of art and compilations, and the passing on of her knowledge and skills to 24 years of art students of the Newark School of Industrial and Fine Arts. Enid Bell was born in London, England, and later studied at the Glasgow School of Art and then at the St. John’s Wood Art School; as well as studying with fellow Scot Sir William Reid Dick in London. Then, after moving to the United States, she taught at the Art Student League in New York City at Miss Chapen’s School. Essentially a figurative, direct carving in wood artist, she was based in New Jersey where she became the head of the sculpture program of the Fedral Art Project for that state and was herself the creator of several FAP commissions. In 1932, she married Armenian/American businessman and artist, Missalk Palanchian athough she retained her name “Bell” for professional purposes. Following the end of the Federal Art Project in 1944, she taught as instructor of sculpture and Head of the Sculpture Department of the Newark School of Fine and Industrial Art until 1968, and was active was a member of the National Sculpture Society. Enid Bell died in 1994 in Englewood, New Jersey. WORK • Birds, Leonia Public Library in Leonia New Jersey (installed 1981) • Untitled, Boonton Post Office in Boonton, New Jersey (1938) • Boonton Post Office, Boonton, New Jersey • Colonizing America, Center for Youth Education, Newark, New Jersey, (1934) • Little Indian Dancer, Englewood Public Library, Englewood, New Jersey • Alexander Hamilton Troy Public Library in Troy, New York • bird bath, Music, Science, Union City...

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Vintage 1950s American Mid-Century Modern Abstract Sculptures

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Enid Bell Palanchian, Tackle, Modernist Carved Mahogany Sculpture, ca. 1953

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Art Deco Sculpture of Nude Female in Hand-Carved Wood, 1940s Scandinavia

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Large 1970s Mid-Century Artisan Nude Female Form Hand-Carved Wood Sculpture

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Located in St. Louis, MO

Late 60s or early 1970s Mid-Century Modern organic hand-carved standing abstract nude female form sculpture. Tall sculpture at 27.63" of a nude female with long following hair, arms ...

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Hand Carved Wooden Mother and Child Statue

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Modernist Wood Sculpture of a Female with Cat, Attr. to Albert Wein, Ca. 1940s

About the Item

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