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Pierre Le Faguays, Fayral, Bronze Art Deco Sculpture, 1930

$1,000List Price

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Art Deco Bronze Sculpture by Pierre Le Faguays
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Art Deco bronze sculpture by French Artist Pierre Le Faguays, France 1930. Bronze on green marble base. This sculpture is illustrated in: Art Deco and other figures by Brian Catley, ...
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Art Deco Bronze Sculpture by Pierre Le Faguays
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Art Deco sculpture woman OLYMPIE by Fayral, Pierre Le Faguays Max Le Verrier
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Art Deco bronze sculpture by French Artist Pierre Le Faguays, France 1930
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Art Deco Bronze Sculpture Dancer with Thyrsus Pierre Le Faguays, Etling 1930
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This authentic Art Deco bronze sculpture depicts a graceful nude dancer holding a Thyrsus, created by the renowned French artist Pierre Le Faguays around 1930. Cast in gilt and patin...
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Pierre Le Faguays Art deco bronze sculpture athlete with bow, archer, 1930
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Art deco bronze sculpture athlete with bow, archer. By Pierre Le Faguays. Bronze with green patina on Portor marble base. France 1930. Signed and with foundry mark Les Neveux de Lehm...
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Lysis Dancer Sculpture Signed "Fayral"(Pierre Le Faguays) for Max Le Verrier
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Olimpia : Art Déco Spelter Sculpture with Stone Base by Le Faguays (Fayral)
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“The Lock” Antique Art Deco French Bronze Sculpture by Pierre Le Faguays
By Pierre Le Faguays
Located in Shippensburg, PA
PIERRE LE FAGUAYS French, 1892-1962 "The Lock" Verdigris patinated bronze signed verso P Le Faguays, sealed with LN Paris foundry cachet Cold-stamped BRONZE and numbered 118 28 1/2" W x 8" D x 16 7/8" H An incredibly fine example of "The Lock" by Pierre Le Faguays, the model is a perfect embodiment of essence of the Art Deco period capturing a canal worker at the moment of full torsion as he uses the weight of his body to rotate the huge wooden lever. Cast by the foundry of J. Lehmann, stamped to the reverse with his circular cachet noting "LN Paris JL" (which stands for "Les neveux de J. Lehmann"), the present example is the large version of this model and a difficult example to find. It features a fabulous surface texture and complex overall verde patination with hints of brown, caramel, black and yellow. PIERRE LE FAGUAYS Born in 1892 in Nantes, France, Pierre Le Faguays would become famous for his contribution to the Art Deco movement. His education under the guidance of James Vibert at the Geneva University of Art and Design was pivotal in shaping his artistic style. Le Faguays' work began to gain recognition shortly after his first exhibition at the Salon des Artistes Français in 1922, a key event that marked the onset of his most productive years. In 1926 and 1927, Le Faguays received honorable mentions that served as public acknowledgments of his growing stature. His choice of materials was diverse, ranging from bronze and terracotta to more exotic mediums like ivory and alabaster. His sculptures often depicted lithe female figures and many of his models are reportedly influenced by the terracotta figurines of ancient Tanagra in Greece. Le Faguays regularly collaborated with his peers in the burgeoning and highly active artistic community in France, contemporaries that were also working to promote the new modernist vision that became recognized as the Art Deco movement. He co-founded the "Stele and Evolution Group" with Maurice Bouraine, working alongside artists such as Sibylle May...
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Fang Male Reliquary Figure (Bieri Style), Fang-Betsi Subgroup, Gabon
Located in Encino, CA
Tribal Art - African Art Fang Male Reliquary Figure (Bieri Style), Fang-Betsi Subgroup, Gabon, Circa 1950s Carved from dense hardwood, this 19-inch-tall figure with dark, very beautiful patina, stands in a composed stance, holding a small box-like object close to the chest—a gesture associated with protection or ritual offering. Height: 19 in. (48.3 cm) x Width: 5 in. (12.8 cm) x Depth: 5 in. (12.8 cm) without base. Height: 21 in 1/4 (54 cm) x Width: 5 in 7/8. (15 cm) x Depth: 5 in 1/2 (14 cm) with base. Provenance: Multiple successive collections, France. According to the previous owner, this sculpture was originally brought from Gabon to France during the colonial period and passed through several private collections thereafter. While we have no documentation to verify the original import date, we conservatively date the piece to the mid-20th century, corresponding to the period it remained in the collection of the prior owner. This powerful male figure exemplifies the classical aesthetic and spiritual principles of the Fang Bieri tradition, specifically aligned with the Betsi subgroup. Standing in a rigid frontal stance, the figure clutches a small object close to its chest, a gesture commonly associated with ritual offering, protection, or ancestral invocation. Carved from an exceptionally hard and heavy wood, the figure is marked by a rich, dark patina acquired through age and possible ritual handling. The anatomical emphasis—particularly the pronounced musculature, exaggerated genitalia, and the expressive weight of the limbs—evokes the Fang ideals of vitality, fertility, and ancestral potency. The oversized head, with its serene, meditative expression and stylized features, conveys a sense of introspective calm and spiritual authority. The schematic coiffure, carved in ridged vertical bands, further confirms its alignment with traditional depictions of respected male elders. The figure belongs to the Bieri tradition, an ancestral cult that functioned as the cornerstone of Fang spiritual and social identity for centuries. As the Fang people migrated southward through Equatorial Africa—from present-day Cameroon into northern Gabon—they carried bark containers (called nsek bieri) holding the skulls of revered ancestors. These containers were typically surmounted by carved guardian figures like this one, which both protected the sacred...
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