Roman Mediaval Sculpture Gargoyle

A wonderful sculptural figure of a lady, intricate in detail and wearing women's medieval attire and hat. A good weight at 18 lbs - use as a heavy duty bookend, decor or door sto...

Bronze sculpture by Artiss Dimensions: L 67 x W 30 x H 57 cm Materials: Mlachite, Bronze Artiss is named from artist, whose two -S" stands for natural gem and natural mother shell. ...

Antique chain sculpture that defies gravity. The term brutalism — which derives from the French word brut, meaning “raw” — was coined to describe this style trend that emerged in the...

Hand curved Art Nouveau white marble bust of a young woman. Her elaborate hat framing a beautiful face. The style of clothing of the late 19th century Art Nouveau period. The bust rest on a round marble pedestal...

Wood sculpture made from foundry wood molds.

Aluminum Paper Mixing Blade Sculpture Model II. Complete set of three available. Aluminum on steel base. Measures: 52" in height, 19" in width, 14" in depth. Base is 14" x 14".

Industrial Foundry Form, factory casting, beautiful silver zinc original paint, wonderful patina, whimsical, fantasy Art Deco design,'Emaerald City' Very sculptural, see other listings for additional Foundry molds. Foundry molds and patterns are wooden tools, carved out or built up to create negative space, which in turn is used to make the inverse form or shape to be used for the casting of metal. To make a wooden mold, wood needs to be stacked up, like a relief, or cut-out, like a sunken relief, with handles or other pieces to grab and pick up the mold from the molding material. Individual pattern pieces that get packed into the molding material are carved and shaped. The space or forms that these pieces make in the molding material will be the inverse of the final cast piece. These antique foundry molds...

Welded steel cube atop wooden mount completing this one of a kind sculpture. Antique rusted patina with clear coat finish Lacquered wooden pedestal mount.     

Found in a chateau in Loriol du Comtat, in the Provence region of France, this large-scale plaster sculpture is signed and dated by the artist, making it a rare find. Originally part of a boiserie containing a fireplace, the sculpture decorated the main hall of the chateau. The artist, Marius Sain, created the piece for the owners of the chateau in 1914. The lovely depiction of a shepherdess and her flock is a fitting subject for an area of France in which shepherding is such an important part of the culture. The preserved heritage of transhumance in Provence goes back at least 800 years, as evidenced by collections of ancient songs, stories, and art. Life-size in scale, the lovely sculpture features a mix of high-, mid-, and low-relief embellishments. A hooded shepherdess tends to her flock of sheep with a crook in hand. A dog sits calmly at her feet as the flock gathers in front of them. Both the shepherdess and the dog are in high relief, as is the lead sheep. The lamb seen suckling from the front sheep was crafted in mid relief, as is the visible head on the far right of the sculpture. There are a few sheep behind them in low relief. Large trees can be seen on either side of the group, while off in the background (faintly visible) are a castle with four fastigiate Mediterranean cypress trees (known as Stricta) and a spired church. The attention to detail is magnificent, with textured surfaces including the animals’ fur and the uneven ground. Block print on the plaster can be seen at the base. The letters read Le Soir, which is French for “The Night”. The right side of the sculpture has been signed “M Sain 1914”. Marius Joseph Sain was born in 1877 in Avignon, France. In 1902, Sain moved to Paris to study at the Ecole des Beaux-Arts. Through introductions by his older brother and painter, Paul...

Large stone capital carved on each side in strong relief. The basket is covered with two crowns of vertical acanthus leaves which sprout from the astragal and fill the space between ...