Seldom seen Paper Mache NaNa Sculptures by Niki de Saint Phalle

Brutalist sculpture "Family" signed Italy, circa 1961, manner of Fanoni. Amazing form surface Classic modernist well executed.

Pop surrealist sculpture by Robert Brock, cirac 1974. Laminate and cast plaster Brock was born in Tacoma, Ohio and was a graduate of the University of Dayton, Dayton Art Institute...

Robert Brady was born and raised in Reno, Nevada. Upon graduation from high school he attended the California College of The Arts in Oakland, Ca. receiving his Bachelor of Fine Arts degree in 1969. Later he attended University of California, Davis, receiving a Masters of Fine art in 1975. Recently retired Emeritus, he served as Professor of Art from 1975-2013 at California State University, Sacramento. Trained as a potter, Brady’s interest quickly steered toward a path of ceramic object making and sculpture, ultimately gaining national and international recognition. Approximately 24 years later, Brady, fortuitously discovered the beauty and merits of wood as a sculptural medium. Since then, Robert has produced work in both clay and wood, with an emphasis on wood. Mixed media, bronzes, works on paper and functional pottery are also part of his output. Brady has had over 50 solo exhibits and participated in many group exhibitions throughout the United States, and Europe, both in private galleries and public Museums. His works can be found in permanent collections in galleries and museums such as The Smithsonian (Renwick), The Fine Arts Museums of San Francisco, the San Francisco Museum of Modern Art, the Arkansas Art Center, Little Rock, and the Stedelijik Museum in Amsterdam, Holland, as well as others. Lastly, his work is found in private collections too numerous to mention. He has received three National Endowment Individual Artist...

Brutalist Folk Art sculpture "The Conference" by Abbott Pattison, great sculpture made up of welded metal, screws, nuts etc, depicting abstract figures. Mounted on metal base with ba...

Vintage statue, pop art art object in the style of Déesse and Niki de Saint Phalle, colorful fat lady, made of paper mache and painted by hand, signed M. Lepage, around the end of th...

This painted polyester sculpture is signed by the artist ‘Niki’ on the base. It is also numbered from the edition of only seven on the base. There were three artist’s proofs aside fr...

A great whimsical colorfully painted lifesize wood sculpture of a nude. The base has been re-painted black. It is signed on the leg Schumm, 1995. The artist's statement from a 2007 article follows; Fred Schumm does not view life through rose-colored glasses. He doesn't have to. Schumm, Rowan University's artist-in-residence, is a former U.S. Marine who lived through some of the most horrific battles of World War II. He served at Peleliu -- two months of carnage on a tiny Pacific atoll where 12,000 perished - and then four long months on the bloodied isle of Okinawa. Since then, Schumm, 82, has mostly tried to see life's beauty. It's sort of like how sunlight, warm but ordinary to the naked eye, is refracted into myriad, impossibly beautiful combinations of color when viewed through a kaleidoscope. And, like sunlight, he finds art everywhere. "Inspiration is all around but mostly I'm inspired by the ancients," Schumm said recently. "I love Prehistoric African carvings, the works of ancient Greeks, Japanese and Chinese. I especially love Eskimo work." The celebrated sculptor loves Eskimo work so much he once hitchhiked from his home state of Colorado to Alaska just to see native carvings. "I wanted to see the TOTEM poles," he said. "The Alaskan Indians were fantastic artists." Schumm, artist-in-residence since 2003, works with various hardwoods, stone, even metals. A studio in which he works at Westby Hall has pieces in various stages of completion, from an eight-foot-tall, stainless steel sculpture he calls "Aviary" to a solid, six-foot log of black locust...

Rare and beautiful sculpture by Niki de Saint Phalle, certificate by Niki de Saint Phalle Foundation. Some small lacks of gilding on the wings of the bird.