Statue in the Taste of the Artist Modigliani, XXth Century.

Mid-Century Modern sculpture in the manner of Amedeo Modigliani. Fantastic Mid-Century Modern sculpture signed M.B. Mitchell. This interesting figurative sculpture of a nude male wi...

Woman with mask, alabaster sculpture in the style of the antique on a porphyry and white Carrara marble base

Antique Terracotta Picador in the taste of botero Decorative figure in terracotta simulating a picador on horseback dressed in the costume of lights. Work signed by: M.Elena-1980s. ...

Large bronze pair with brown patina, representing a Maasai couple: very good quality cast iron, with many details in the jewelry, the hairstyles and especially the muscles and veins that stand out on the arms. Bronzes signed both, but indecipherable signature; they are numbered 11/95 Black granite plinth...

Small silver-plated bronze depicting a seated Basset Hound. It is in good condition. Dimensions Height 10cm Width 14cm Depth 5cm

An Amedeo Modigliani-inspired terra cotta bust featuring two Minimalist figures. Wonderful rust finish over entire surface; illegibly signed to base. Large-scale piece that stands 15...

This sculpture of greyhound from the late 19th century is crafted in bronze and displays fine detailing of the dog’s muscular structure. The dog is standing on a base that mimics a...

Pretty marble sculpture of a baby with folded hands, signed by the artist E Fortiny (active from 1870 to 1920) Good condition, tiny chips Early 20th century Height 34 cm 30 x...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

"Pomme bouche" : Good quality patinated massive bronze sculpture showing an apple with lips on the front of it Bears an illegible signature underneath Note that the stem of the ap...