Surrealist Bronze Sculpture of a Female Nude by Guillermo Silva, 20C

A fine bronze sculpture by Gary Weisman of a male nude torso. With a mixed chocolate brown and verdigris patina. Gary Weisman is an important living American sculptor active in Phi...

A fine Venus de Milo bronze after Sauvage. In an diminutive size that is perfect for the desk, mantel or vitrine. Simply a wonderful little...

A carved wooden cubist sculpture of a seated nude woman by Boris Blai (1893-1985). This carving likely dates to the 1920s-1930s (during Blai's time in Philadelphia). Most likely constructed of sections of laminated basswood stained with a dark stain, it has an integral plinth with button feet and a carved signature the base. The sharp angular lines of the body are starkly contrasted by the soft-edged, almost nondescript depiction of the head and face. Blai was born in Russia and studied in academies in St. Petersburg, Paris, and eventually under Auguste Rodin. After WWI, Blai emigrated to the US, where aside from his prolific art production, he was also instrumental in the founding of the Tyler School of Art at Temple University, the Long Beach Island...

A very fine Grand Tour bronze sculpture. Modeled after the 'Crouching Venus' by Giambologna. Depicting Venus surprised at her bath with an overturned urn at her feet. Mounted o...

A young nude woman on her knees. Cast in bronze and patinated in dark brown. Signed "Berggren". Sigge Berggren (1911-1968) was a Swedish sculptor ...

An intriguing Mid Century Modern abstract figurative bronze sculpture attributed to Richard Kozlow circa 1960s Beautifully executed piece with excellent patina Unsigned 5.5 inches ...

Bronze sculpture in the manner of Alberto Giacometti. Female nude with arms crossed mounted on walnut plinth. Signed Billing.

Mario Spampinato (Italian 1912–2000) Nude Bronze Signed on base 17.5 in. h. x 5.75 in. w. x 6 in. d. The artist was born, raised and trained in Italy. During one of his exhibits (at San Marcos in Rome) the Director of a New York Gallery asked him to come to New York to work for him. The American Consul, before issuing his visa, asked Spampinato to create a bust of him. In exchange, the Consul paid for his passage on the boat to New York. In New York, he worked with his brother Clemente Spampinato who is a well known sculptor as well. After moving to Chicago in 1954, he discovered that there was no foundry in the Midwest that could cast his bronzes. So, he opened his own foundry called the Spampinato Art Foundry, casting in the lost wax process. He also started his own private school (Spampinato Art Workshop, Ltd) and did some teaching at the University of Chicago and conducted seminars at Lawrence University in Kansas. Many of his own works are pictured and cataloged in Volumes 2 & 3 of Bronzes: Sculptors and Founders, 1800-1930 by Harold Berman. Between 1959 and 1967, Spampinato recast a number of Charles M Russell...