Terracotta sculpture by Friedrich Goldscheider

Art Deco sculpture in gold patinated bronze with an onyx marble base. Made by Joseph d'Asté (1872-1945). Signed J.D Asté France, CIRCA 1920.

"Nymphe Fluviale" by Mathurin Moreau (1822-1912) and Barbedienne foundry. The same sculpture can be found on "fontaine du Theâtre-Francais" on Paris and made for the Universal Exposi...

Sculpture “La Frileuse” by Jean-Baptiste Carpeaux (1827-1875). It is made of gilded bronze supported on a red marble base. Signed JB Carpeaux, P B, Susse Frères, Editeuns Paris, Suss...

Bronze sculpture with silver plating, green polychrome skirt and Belgian black marble base. Signed Samuel-Lipschitz France, CIRCA 1940.

Goldscheider terracotta "" Marked, Austria, circa 1898.

This elegant 19th-century Italian terracotta sculpture is a remarkable work of art. Although the signature is illegible, it is authenticated and represents an allegory of autumn. The...

Emmanuel Villanis comes from a family of Italian origin. From 1861, his parents returned to Italy to settle in Piedmont. He had fled Italy because the war of independence broke out, under the threat of Napoleon Bonaparte. In 1871, the artist enrolled at the Albertina Academy of Fine Arts in Turin; he follows the teaching of the sculptor Odoardo Tabacchi (1831-1905). As soon as he finished his studies, his master encouraged him to exhibit: his bust Alda, for example, was presented in Milan in 1881. In 1885, Villanis moved to Montmartre, a district of Paris that he never left. The artist's fame is built on his production of female figures. Aida, Judith, Delilah, Lucretia, Cinderella: her work brings together the great heroines of opera, literature, mythology and the Bible. Villanis also discusses certain types - the Bohemian, the Châtelaine, or the Parisienne - and several allegories, including Painting and Sculpture. Made mainly in bronze, sometimes chryselephantine, his sculptures subtly bear the mark of Art Nouveau, including the lettering of the title, which regularly adorns the base. His play on the patinas further adds to the finesse of the line, making Villanis one of the major sculptors of Art Nouveau. Regarding the casting of bronzes, he worked mainly with the Société des Bronzes de Paris and with Eugène...

Art Nouveau terracotta sculpture by Georges Charle Coudrai, circa 1900. H: 63cm, W: 37cm, D: 30cm