MALE CERAMIC HEAD

Ceramic male figure, fired stoneware with monochromatic pattern. Incised signature underside.

This is a white glazed and black clay raku fired ceramic bust. Though modern, this sculpture references Classical Greek and Roman antiquities. A subtle red glaze is used on the lips and the artist has purposefully and mysteriously left a portion around the neck between the head and the chest free of glaze, exposing the black clay beneath. The cracking on the surface is a result of the raku firing process and intended to be there. Pavel Amromin George, 2017 raku fired ceramic 17H x 15W x 9D in 43.18H x 38.10W x 22.86D cm Pavel G. Amromin Exhibitions 2017 SOFA: Sculpture, Objects, Functional Art, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2009 Pavel Amromin: Adventure Bound, The Clay Studio, Philadelphia, PA SOFA: Sculpture, Objects, Functional Art, New York, NY 2008 SOFA: Sculpture, Objects, Functional Art, New York, NY 38th Annual Ceramics Exhibition, Crossman Gallery, UW Whitewater, WI 2007 SOFA: Sculpture, Objects, Functional Art, Chicago, IL SOFA: Sculpture, Objects, Functional Art, New York, NY 2006 SOFA: Sculpture, Objects, Functional Art, Chicago, IL The Toy Soldier Collection – MFA Thesis Exhibition, University Gallery, University of Florida, Gainsville, FL 2005 SOFA: Sculpture, Objects, Functional Art, New York, NY 2004 SOFA: Sculpture, Objects, Functional Art, New York, NY SOFA: Sculpture, Objects, Functional Art, Chicago, IL 2003 SOFA...

A natural or slightly oversized male mannequin head in painted pottery/plaster. Distinct Art Deco styling with exaggerated features. Made in France...

This intriguing head fragment was once attached to a bust or full effigy figurine crafted in 400 A.D. Mesoamerica. Earthenware figurines were made in great abundance throughout Teotihuacan's history. After 250 A.D. objects made from clay increased dramatically in Teotihuacan, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events within the city of Teotihuacan and other parts of Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, a thick beaded necklace...

Sculpture of male head, silvered plated brass. Inscribed on the bottom, "Werkstätte Hagenauer Wien" Austria, c. 1920s 16"h x 10.5"w x 3.5"d

A well carved hardwood bust reminiscent of sacred and religious sculpture of the Gothic and Renaissance eras. Antique carved wood head of a mal...

A Large European Carved Limestone Celtic Votive Head of a Male Warrior Wearing a Typical Flowing Moustache Small Beard and Curling Locks of Hair Stiffened with Lime Wash the Slit Mouth Open as if in Command Circa 1st Century BC - 1st Century AD Size: 31cm high, 22cm wide, 25cm deep - 12¼ ins high, 8¾ ins wide, 9¾ ins deep / 42cm high - 16½ ins high (with base) From about 500 BC, first Greek and later Roman historians mention peoples living in a large area of non-mediterranean Europe as Celts. These classical chroniclers seem to have recognised these communities as having sufficient shared cultural traditions to justify their being given a common name, ‘Keltoi’ by the Greeks, and ‘Celtae’ or ‘Galli’ by the Romans. The earliest allusions to Celts by such Greek historians as Herodotus (485 - 425 BC) were followed by Polybius (200 - 118 BC) and Livy (59 BC - AD 17) who discuss the expansion of the Celts from their central European homelands during the 4th and 3rd centuries BC. They document the presence of Celts in Spain, France, Italy, Greece and Asia Minor, specifically central Turkey. They testify to the successful Roman resistance to the Celts in Italy, after the ignominy of the sacking of Rome by them in 387 BC, and describe the huge defeat suffered by the Celts at the battle of Telemon in northern Italy in 225 BC. The Celts in Greece who sacked the sacred site of Delphi in 279 BC were defeated by King Antigonos Gonatas of Macedon in 278 - 277 BC and in Turkey by Altalus of Pergamon in 240 BC. The Celts in Spain fell under the shadow of Rome from 2nd Century BC and the Celtic heartland known by the Romans as ‘Gaul’ was conquered by the Romans under Julius Caesar in the mid 1st Century BC. Britain was not referred to as Celtic by the ancient historians, but Caesar recognised the close similarities between Britain and Gaul especially in their political organisation. Tacitus (55 - 120 AD) and others chronicled the conquest of Britain between 43 and 84 AD some mentioning the fierce nature of the Celts who went into battle naked. Celtic art therefore belongs to an artistic tradition in the early history of Europe which is no less important than that of the classical world. Art was central to Celtic identity and was closely related to the objects which it decorated. The Celts were used to seeing art as an integral part of their everyday lives. Provenance: Ex Finch and Co...

The UNTITLED portrait sculpture has a quiet yet powerful and commanding aura. The viewer cannot be around or near it without feeling its presence. It has a very classical approach in...

Green Glazed Ceramic Buddha's Head

This intriguing head fragment was once attached to a pre-Columbian bust or full effigy figurine. Earthenware figurines like this were made in great abundance throughout Mesoamerican history, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events across Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, or coiffure, and ear spools...