Bronze Sculptures

This is a Bronze Sculpture of a Girl by Auguste Moreau. It depicts a painted bronze sculpture of a young peasant girl wearing a yellow dress and barefoot. She has curly hair that is ...

Sign: Lorenz Josef (Austria, 1892-1950). Sculptor, known for its dancers. Worked along with Goldscheider in Vienna. Materials: Bronxe and onyx with the original patina We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947). Lorenzl was born on 1 September 1882 in Vienna, Austria and died there on 15 August 1950. Little is known about his early years, but more is known about his later life. Lorenzl started his career working at a foundry at the Vienna Arsenal where he learned the techniques of bronze casting. The Vienna Arsenal was a military storage...

A magnificent and important gilded bronze and Onyx centrepiece dating to around 1880. The beautifully cast base is made from bronze and covered in gold. The theme is highly sought...

Carlo Ramous (1926-2003) Abstract composition, Circa 1960 Bronze sculpture with brown patina Signature of the artist Foundry’s mark : Fonderie MAF Ramos Milano Numeroted 2/3.

Vienna bronze, bull, high-quality bronze figurine. Presumably by Franz Bergmann. In excellent condition with a nice patina. Austria, circa 1900/1910s. Dimensions: Width 24 mm x Heigh...

A unique beast form incense burner in an ancient design. The beast's head makes the lid while its 4 legs and paws stabilize the pot. Romantic, exotic scrolls decorate the body. Open ...

The Black Rhino is one of Africa’s most formidable creatures, yet also among its most vulnerable. This bronze bust, finished in a deep blue verdigris patina, captures the raw strength and weathered dignity of the rhino’s head, its horn thrust forward like a spear forged by evolution. I first sketched this piece in the field when all I could see was a rhino’s head emerging through the thicket—an unforgettable impression of power and presence. The rhino’s horn, once its ultimate defense, has tragically become the very reason for its decline. In this sculpture, that paradox is frozen in bronze: resilience and fragility bound together. Set on a sandstone base, the piece is both a tribute and a reminder—of nature’s grandeur and mankind’s responsibility to protect it. Black Rhino Bust, Bronze Rhino Sculpture...

Art Deco bronze circa 1930. This "Juggler" model is the largest sculpture created by C.J. Colinet. Bronze with chocolate patina. On a circular marble ba...

Large Bronze and Brass Airplane 'Crashed' Mancave Art Deco Mid Century Modern. This is an eye-Catcher and suits any Mid-Century or modern home. Can be placed on the ground, sideboar...

Vintage Pair of Art Deco Baby Elephant Bookends. Crafted from sturdy metal with a rich bronzed finish, these delightful bookends showcase baby elephants in a playful, seated pose—eac...

One of the most powerful depictions of the male nude we have ever offered, "L'Effort" was sculpted by Joseph Witterwulghe, a Belgian sculptor, in the late 1920s. The sculptor studied...

Beautifully handcrafted and meaningful religious plaque. This heavy and high quality bronze wall plaque depicts Christ with a realistic crown of thorns and a stylized Art Deco halo ...

1920´s Art Deco polo match bronze sculpture. Scene of two polo players on their horses. Made of Silvered Bronze mounted of a Italian Portoro marble base...

In the style of modernist James Bearden, this 1960s MCM metal with bronze Brutalist cat sculpture, has applied black patina with bronze highlights. In fi...

SIR THOMAS BROCK R.A. British, 1847-1922 "Snake Charmer" (1876) Sand-cast and patinated bronze Unsigned, chiseled foundry mark for COX & SONS FOUNDERS cast circa 1880 Item # 409...

PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...

Exquisite modernist bronze Greek "Achilles" bronze sculpture dating from the 1950's. Made in Italy and has wonderful patina. Great design and form. No signatures or maker marks. Attributed to Francesco...

NAMED PORTEUR D’EAU TUNISIEN From our Antique Bronze Sculpture collection, we are delighted to offer this French Bronze Figure by Jean Didier Debut. The figure named Porteur d’eau Tunisien (Tunisian Water Bearer) is exceptionally cast upon a slightly rounded plinth base with a natural textured surface. The figure stands bearing two pales of water dressed...

This wildcat is made of bronze with black spots, formed in a hunting pose. Beautiful detailing with heavy construction. This cat is a show stopper, protecting your living room or gar...

Graceful even when standing still the Bronze Sphinx Candle Holder on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Sphinx statue...

Vienna bronze, two high-quality bronze figurines. Frog and parrot. Presumably by Franz Bergmann. In excellent condition with a nice patina. Austria, circa 1900-1910s. Frog dimensions...

Good quality horse racing desk top bronze circa 1990. Fine example of a mid sized bronze which we used as shop decoration for many years.  Depicts a pair of horses racing at full ga...

Classical Greek female figure in bronze. Wonderful patina.

E. Guy, American-Indian Archer, dark patinated bronze on portoro marble base, circa 1940s, H. 15.7 in.

A good quality pair of 19th century French bronze statues depicting a male and female dressed in robes, carrying vases of flowers and fruit, mounted on square bases with claw feet.

Enchanting Art Deco bronze sculpture depicting a deer standing gracefully on a two-tone marble plinth base. The texture and tone of the bronze bring this majestic creature to life, e...

One of a kind modern contemporary bronze sculpture "the crystal" - a unique duplicat of the original handcarved wooden sculpture m...

Unmatching pair of bronze dove bird sculptures or paperweights. France, 1930s Art Deco sitting dove bird and standing dove bird figurines on black marble pedestals. Measures: Sta...

Japan, a beautiful, unusual and possibly unique antique hand cast bronze "Kappa" (child protector) sculptor complete with a separately formed bronze pair of 3.5 inch long cucumbers- a kappa's favorite snack food. Kappas are playful water spirits from Japanese folklore associated with rivers and traditional tales. Signed An incised artist signature “Bunraku” on base. "Bunraku" is associated with Japanese puppet play and performance, Kappa Bring Good Fortune Japanese Kappa...

Beautifully decorated Empire bronze urns.

Luca Madrassi (Italian, 1848-1919) Jeune Couple, Patinated Bronze Sculpture, late 19th century, retailed by Tiffany and Company, depicting embracing lovers on a naturalistic base, st...

A rare Jus Andersen sculpture or paperweight in patinated bronze called “Disko” of a Merman atop of a rhino head. Signed

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...

A large antique bronze sculpture depicting the Abduction of Europa attributed to Vincenzo Cinque. The large scale and intriguing subject paired wi...

The product is a 19th century bronze sculpture of a pointer by Jules Moingiez, a renowned French sculptor. This elegant piece captures the essence of hunting dogs with intricate deta...

Two 20th-century gilt bronze deer sculptures Dimensions: 60 cm high x 60 cm long x 18 cm wide 32 cm high x 39 cm long x 10 cm wide

Josef Lorenzl Art Deco bronze sculpture. Size: Height 33cm. The cold painted bronze sculpture is mounted on a Brazilian green onyx plinth. All in an o...

Sculpted by America’s foremost artist with a focus on the form and performance of male athletes, this masterpiece of 20th century sculpture -- especially large and rare -- depicts a nude discus thrower as he is about to hurl the disc forward. Robert Tait McKenzie...

This exquisite 19th-century French bronze sculpture, signed by the renowned artist Clodion, is a masterpiece of neoclassical art. Expertly crafted with intricate chiseling, the piece rests on a luxurious base made of antique red marble, adding to its elegance and timeless appeal. With its fine detailing and impeccable condition, this sculpture is a testament to the artistry and sophistication of the period. Key Features: Signature by Clodion: Signed by Clodion, a celebrated French sculptor known for his exceptional works in bronze and terracotta during the neoclassical era. 19th-Century Craftsmanship: Created in the 1800s, this sculpture reflects the high artistic standards of 19th-century French bronze art. Finely Chiseled Details: The bronze is meticulously detailed, showcasing the mastery of the artist in capturing texture and expression. Antique Red Marble Base: The sculpture is mounted on a striking base made from antique red marble, enhancing its visual appeal and stability. Excellent Condition: Despite its age, the sculpture remains in perfect condition, making it a valuable addition to any collection. Dimensions: Height: 40 cm (approximately 15.7") Width: 28 cm (approximately 11") Depth: 20 cm (approximately 7.9") Why Choose This Sculpture? This bronze sculpture is more than a decorative piece—it is a work of art with historical and cultural significance. Ideal for art collectors, history enthusiasts, or anyone with a passion for 19th-century French artistry, it serves as a focal point in any interior space. Order Now: Own this magnificent piece of French neoclassical art...

An antique bronze figure of a Thai dancer. The patinated and gilt bronze surface, all original. In very good condition with original aged finish. The female dancer with traditional c...

Art Déco silvered/nickeled bronze rabbit sculpture designed by animalier swiss author Édouard-Marcel Sandoz to be manufactured by the french firm Susse Frères By: Édouard-Marcel Sandoz, Susse Frères Material: bronze, nickel, silver, metal Technique: polished, silvered, hand-crafted, patinated, metalwork, cast Dimensions: 2 in x 1.5 in x 2 in Date: early 20th century, circa 1930 Style: Art Déco, Animalier Place of origin: France This small sculpture, crafted by hand in nickel-plated bronze, depicts a rabbit with ears bowed in a gesture of meekness, its form affixed atop a sturdy base of matching material. In this case, the signature of artist...

Unique bronze limited edition "Gerenuk and Tree" sculpture by Loet Vanderveen, circa 2000s. The piece is in very good vintage condition with a wonderful patina and measures a substan...

An Exquisite French multi-patinated orientalist bronze bust of a Turkish Beauty, by Zacharie Rimbez, late 19th century. Signed 'Z. Rimbez' (on the left shoulder) Measures : 22"...

Carl Milles (1875-1955), after, bronze sculpture of a horse's head. Marked Millesgården. Great condition. Born in Uppsala, Sweden, Carl Milles, whose origi...

The original Anitkythera Youth, also know as The Ephebe, was discovered in a shipwreck in 1900 off the Greek island of Antikythera, dating back to 340 B.C., and now resides in the Na...

Graceful even when standing still the Bronze Fallen Soldier on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Fallen Soldier...

Clock sculpture in 24k gold plated bronze and cast aluminum for the base by artist David Marshall. Marshall moved to Spain in the mid-1960s, opening a workshop in Malaga in 1969 whe...

This huge leg bone of a theropod dinosaur was a rare Dinosarian find by any standards. It was discovered in the desert regions of North Africa and has now been conserved, cleaned, an...

One of the most renowned sculptures ever created by Robert Tait McKenzie, this medal depicting three nude male hurdlers represents, in miniature form, a relief created in 1912 for the facade of the Olympic stadium in Stockholm. McKenzie was, for many years, the world's leading sculptor of young athletes, and he often used student athletes at the University of Pennsylvania, where he served as Professor of Physical Education, as his models. He also created reliefs to celebrate the University's Relay Carnival, now known as Penn Relays, and created a medal for the Society of Medalists...

A very interesting pair of praying/ offering figures. We are not quite sure what they were used for but they have some age and are quite heavy and solid for their sizes. We believe they are from Tibet/Northern Nepal. Was acquired from a collection of Asian/ Tibetan/Nepalese and Indian artifacts...

SIGNED BAYRE From our Sculpture collection, we are delighted to offer this Jaguar Qui Marche No. 2 (Walking Jaguar) Bronze by Antoine-Louis Barye. The Jaguar Qui Marche translates ...

This 20th-century bronze figure of Wellington in military attire depicts Arthur Wellesley, 1st Duke of Wellington, a prominent military and political figure in British history. Art...

Vintage Bronze Cast Newly Refinished (Gilded) Resting Pug Dog Art Sculpture by Maitland Smith

This is a vintage decorative figure of Moses. An English, bronze and marble statue after Michelangelo, dating to the mid 20th century, circa 1960. Striking rendition of a historic...

A fine antique bronze sculpture. By C. Rochlitz. Entitled "Tänzerin" (Dancer) and designed ca. 1920. In the form of a half-nude, barefoot woman in a skirt atop a marble plinth. M...

Signed under the left shoulder: ”CerNelille”.

Tall Figurative Bronze Sculpture attr. to Aharon Bezalel, Surrealist Nude Statue reminiscent of sculptures by Diego Giacometti. This surrealist bronze is a figure of a female and s...

Bronze Wounded Gladiator, Italian sculpture from the early 1900s in good condition. The work is inspired by the Hellenistic sculpture depicting the Dying Gaul the famous marble Galata...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

This engaging artwork was created in 1978 by the Italian artist Fanna Roncoroni. It is a multiple of 1000 pieces numbered and signed by the author. The title is "Labirinto", translat...