Gold Sculptures

Vintage art glass sculpture features a restrained tone-on-tone palette of amber glass with delicate gold leaf, or aventurine, accents. The colored glass is encased in a layer clear ...

One of a kind, contemporary modern golden hand sculpture crafted by the renowned Austrian wood artist M. Treml. An absolutely extraordinary, gigantic floor standing hand sculpture (...

Incredible handcrafted and mouth-blown glass table fountain and light fixture. This rare Murano glass table fountain is a spectacular fusion of sculpture, light, and water — a true ...

Antique 19th Century Bronze Lion Sculpture, Naturalist Animalier Style A powerful and finely cast antique bronze sculpture of a lion, dating to the 19th century, embodying the majesty and strength of the king of beasts. The lion is captured in a dynamic stride, with muscles tensed and mouth open in a fierce roar, a masterful portrayal of motion and authority. Executed in dark brown patinated bronze, this piece demonstrates superb craftsmanship and anatomical precision, reflecting the European Animalier tradition that flourished in the 19th century. The deeply chased mane, sinewy body, and expressive face reveal both artistic sensitivity and technical mastery. The lion’s curved tail and forward stance lend a sense of fluid energy and balance. At 31 cm in length, this sculpture commands attention without overwhelming the space — ideal for a mantel, study, or collector’s cabinet. Its naturalistic detailing and rich patina make it a timeless statement of power, courage, and refinement. In very good antique condition, with gentle age patina and no visible repairs or losses. Key Details Material: Bronze with dark brown patina Style/Period: 19th Century European Naturalist / Animalier Subject: Lion, striding and roaring Dimensions: Length 31 cm (approx.) Condition: Very good, with natural age patina Use: Collector’s display, interior décor, fine art sculpture This sculpture exemplifies the grandeur of 19th-century Animalier art, when bronze lions symbolized power, bravery, and imperial dignity. A work of both artistry and strength, it enriches any setting - from classic interiors to contemporary design - with timeless elegance. Antique Bronze Lion Sculpture, 19th Century Animalier Bronze, Naturalist Bronze Figure, French Animalier Art, Bronze Lion Statue...

Pair of 18th century Italian dancing angels with coordinating baroque pearls on aragonite crystal clusters. The dancing angels are hand-carved wood, polychromed and gilded, original...

Stunning religious wall panel in thick relief with strong hook for easy mounting. For the collectors of stunning antique church relics we are also offering this marvelously hand carved pelican sculpture for wall mounting. The character ascribed to the pelican in this context is nearly as fabulous as that of the phœnix. From a clumsy, gluttonous, piscivorous water-bird, it was by the growth of legends transformed into a mystic emblem of Christ, whom Dante terms "Nostro Pelicano". St. Hieronymus gives the story of the pelican restoring its young ones destroyed by serpents as an illustration of the destruction of man by the old Serpent, and his salvation by the blood of Christ. The pelican in Christian art is an emblem of Jesus Christ, by "whose blood we are healed" and it is also a symbol of charity. Many early painters and carvers mistakenly represented it more similar to an eagle (much like in this antique church relic), and not as a natural pelican which is why most people today still are a bit confused at first when this stunning hand carved, symbolic bird is called a pelican. This striking and all hand carved, symbolic panel was originally part of a church or monastery communion rail...

Mid-Century Modern hand blown Murano glass fish figure with multicolor murrine and gold flecks, Italy 1950s. This fish sculpture has multicolor spots in brown, orange, red, green, ...

The heart collection is the result of the extravagant creativity of two innovative designers, who are inspired especially by the human body. The heart collection is inspired by the N...

Beautiful and very large, vintage Murano hand blown pink bubbles and golden egg Italian art glass Easter Bunny rabbit sculpture. The rabbit is very nicely detailed with a cute face, ...

18th century Italian gilded and hand-carved tabernacle adorned with an 18th century Italian gilt chalice and Sabina Faye Braxton gaufrage fabric. This tabernacle once belonged in a h...

Beautiful vintage Murano hand blown bright yellow and sapphire blue spots, bubbles and gold flecks Italian art glass baby bird figurine / sculpture. Documented to the Barovier e Toso...

Introducing further pieces to our upcoming Studio Bucchi collection. These are a limited edition, bespoke order pieces. All materials used in the creation of these exceptional pieces...

Beautiful vintage Murano hand blown white and gold flecks Italian art glass duck sculpture. The piece is created in the Pulegoso technique, with thousands of bubbles within the piece...

Pair of Small Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury Décor & Gift An exquisite pair of small silver-plated peacock sculptures, designed in the class...

A masterwork of monumental lapidary craftsmanship, this exceptional sculpture presents Hvsang and his child attendants, an arhat of the Buddha, exquisitely carved from a single massi...

Large and stunningly figural Egyptian design, style marble clock garniture, circa 1920. If you are looking for a statement piece for your mantel and you have an interest in worldly ...

Pair of Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury A striking pair of silver-plated peacock sculptures, masterfully handcrafted in the classic Hollywood ...

The antique Buddha head is an icon of confidence, awareness, knowledge, compassion and concentrated meditative practices. Every faculty of the Budd...

Charming beckoning cat with left paw raised is a gilded and hand painted porcelain piece from the Kutani region of Japan. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. While the origins of the Japanese beckoning cat (known as maneki neko (in Japanese) are unclear, contemporary woodblock...

This is a lovely set of Chinese Export style Herend rust fishnet foo dogs with 24K gold accents. They are marked and in very good condition. They date to t...

Special collection of Love's inspirated hearts.

A special musical design object for lovers of music and transforming technology. This is a handcrafted model of the first gramophone, elaborately crafted and true to detail despite ...

Sculpture red coral handcrafted sculpture with more than 800 red cabochons hand-placed. With structure and base in solid brass gold-plated 24-karat. Except...

Introducing this stunning vintage sculpture designed by Ron Lee, dating back to 1981, featuring a clown resembling the famous Emmett Kelly clown character. These figurine is part of ...

Italian ceramic terracotta sculpture Depicting Madonna , Virgin & Child religiousstatue Material: Earthenware terracotta, tin glaze and partially gilded Modeled and painted by h...

Beautiful pair of 1970's Italian gold guild ceramic doves, figurines great condition no chips or crack nice patina and finish.

Sculpture gilded peacock handmade in precious porcelain one by one, feather by feather. Each feather is unique. Made with shiny porcelain, hand-painted ...

Beautiful and rare, vintage Murano hand blown dark brown pigments and gold flecks Italian art glass bird figure / sculpture. The piece is documented to designer Ercole Barovier, for ...

Exquisite Meiji period Japanese Kutani sculpture of a sleeping cat in fine porcelain, inspired by the small wooden sculpture at the entrance of...

Beautifully made large 19th century Siam standing Buddha sculpture in gilt bronze sold through the Karl Springer showroom on custom ebonized wood ...

A stunning pair of Italian 19th century giltwood wall appliqués–decorative elements to enhance the architectural program–likely obtained from a church or cathedral as they are flat a...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

Beautiful vintage Murano hand blown emerald green and gold flecks Italian art glass swan sculpture / bird figurine. The swan has an elegant long thin neck with outstretched wings. Th...

Vintage art glass sculpture features complex central structure of fused colored and dichroic glass with layered gold foil fragments, surrounded by controlled bubbles, encased inside...

Beautiful vintage Murano hand blown Sommerso aqua blue and gold flecks Italian art glass kitty cat figurine. Documented to designer Alfredo Barbini, circa 1950-60s. I have owned seve...

Beautiful, antique, early Murano hand blown Sommerso red, controlled bubbles and gold leaf Italian art glass fish sculpture on clear base. Created in the manner of designer Flavio Po...

'Flow Petit No 20' is a unique artwork by the Danish artists, Egeværk. It is created from Wengé sourced from Africa - Congo and Cameroon - (wood, FSC* certified) with an inlay of 24c...

Beautiful vintage Murano hand blown Sommerso aqua blue and gold flecks Italian art glass bird figurines paperweight sculpture. Documented to designer Alfredo Barbini. They look to be...

Matched pair of a female male guinea hen bird sculptures by Archimede Seguso. They are made of opalescent glass which has been infused with delicate 24K gold powder which creat...

Pair of 19th century Italian hand-carved and gilded angel wings on calcite crystal points in matrix. The pair hand-carved gilded and gilded angel wings are originally from a histor...

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

Exquisite, rare and large Murano art glass sculpture of a pair of glistening koi fish. This murano art glass sculpture was hand made using the sommerso technique on the Venetian isla...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Beautiful vintage Murano hand blown white, pink and gold flecks Italian art glass bird on base figurine, paperweight. Documented to designer Alfredo Barbini, circa 1950-60s. The bird...

Sculptural 18th century Italian candlestick with a fossil clam shell and gold leaf barnacles mounted on a cut rock coral base. The hand-carved, 18th century candlestick originally came from a church in Tuscany. It is mounted on a cut and fossilized rock coral base. The mounted fossil...

This late 17th-century Portuguese Baroque figure in polychromed wood depicts the Madonna holding the Christ Child, carved with exquisite detail and spiritual grace. The Virgin is p...

French Art Nouveau gilt bronze of a mermaid holding a shell. Possibly used as a card tr fonay. Fine detail and casting. Stamped for Louchet, Phearis foundry on the back of the base.

Glorious Late 19th to Early 20th Century Ecclesiastical Religious Art Sacred Heart of Jesus plaster statue sculpture upon a gilded wood base. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear even if it has been refinished or restored. Specifically, his hands only had the wire structure so new hand-molded & crafted hands were created by our professional craftsmen and the wood on the base was bad so it has been given a new gilded wood base. He has many chips in the plaster that have been repaired and the whole statue has been shellacked. Please see photos, zoom in for details, and see long description as they are part of the condition report. We attempt to portray any imperfections. Circa, Late 19th – Early 20th Century. Heaven knows we could all use a little more Jesus in our lives!! Well, your prayers have just been answered!!! This is an absolutely magnificent Ecclesiastical Religious Art plaster statue of The Sacred Heart of Jesus. He is comprised of hand sculpted and hand painted plaster and he stands about 43 inches tall upon a square flat edge gilded wood base. He has handsome, realistic, intricately hand painted facial features, and his glorious dark brown shoulder length hair drapes gracefully upon his shoulders. He wears a lovely, flowing robe featuring the Sacred Heart symbol upon his chest and his beautiful bare feet are exposed at the base of his robe. His enticing hands are open and reaching out as if to welcome you into his arms. The Most Sacred Heart of Jesus is one of the most widely practiced Catholic Faith devotions wherein the heart of Jesus Christ is viewed as a symbol of “God’s boundless and passionate love for mankind.” The Sacred Heart is depicted as a flaming heart shining from behind with divine light, pierced by the lance with a bleeding wound, and encircled by the crown of thorns. And Christian faith depicts it more as a flaming heart, while the wounds and crown of thorns allude to the manner of Christ’s passion and the flames a furnace of ardent love. You can depict it how you choose! We believe that his original home was most likely a wonderful old church where he was admired for many years. Due to his materials, he should only be exhibited indoors…. Which is exactly where we all need the Lord to be anyway… on the inside!!! He will be absolutely divine in your entry way or heavenly in a sunroom surrounded by indoor foliage or faux plants & trees. He has an all-over “perfectly imperfect” aged patina, a few “character enhancing” chips that you would expect given his vintage age, and an angelic aura...

18th century Italian cross mounted on a polished pink hematite quartz heart and adorned with aurora (sunset) quartz and a natural-forming cross shaped baroque pearl. The 18th centu...

Beautiful vintage Murano hand blown Sommerso golden honey amber and gold flecks Italian art glass puppy dog sculpture / figurine. The piece is created in the manner of designers Arch...

Beautiful vintage Murano hand blown sky blue and gold flecks Italian art glass pheasant bird sculpture. The piece is documented to designer Alfredo Barbini, circa 1950-60s. The bird ...

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...

Gorgeous porcelain busts of Louise Brongniart in bisque porcelain on royal blue enameled base, by Tharaud, Limoges, after the originals by Jean-Antoine Houdon (1741-1828). Louise was...

Brutalist Antelope Sculpture, Zoomorphic Figurine, Steel and Gold, 1960s Elegant and thin Antelope sculpture. Body made of hammered and welded steel, patinated in gold in some part...

Beautiful vintage Murano hand blown frothy bubbles, over black core and gold flecks Italian art glass cat sculpture. The piece is attributed to designer Alfredo Barbini, circa 1950s....

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Émile Louis Picault, (1833-1915). Pegasus and Perseus patinated bronze, French, 19th century. Fabulous original period bronze figural group standin...

Figure of a crusade in the military form of the seventh made by the recognised Italian master Giuseppe Vasari (1934 - 2005) presumably in the seventies. Marked on the back. Bronze wi...

Statue De Nuestra Señora De Los Desamparados (The Virgin of the Forsaken) with 18Kt Gold Italy, 1980. This Madonna is the protector of Valencia. My grandfather in 1990, on the occas...