Marble Sculptures

Modern Abstract Chrome and Marble Sculpture, stacked white and black marble base. 17.5" H x 5.25" W x 4.25" D.

Pair of bookends in red veined Verona marble with an orthogonal L shaped structure, on the marble base there are two identical sculptures in white metal, depicting two Swallow birds....

Unmatching pair of bronze dove bird sculptures or paperweights. France, 1930s Art Deco sitting dove bird and standing dove bird figurines on black marble pedestals. Measures: Sta...

A 19th-century Roman bronze figure. The bronze is raised by a rectangular mottled edge black Belgian marble base below a thick rectangular Rosso Le...

A beautiful Italian grand Tour Style Pietra Dura mosaic on marble Plaque with gilt framing. Picture is a bird on branch with leaves and flowers.

Collection of six (6) antique (19th century) Grand Tour busts of Roman emperors in patinated bronze with gilt bronze mounts and white marble pedestals, each measuring from 8 to 8 1/4...

A Monumental Italian 19th Century Marble Sculpture of "Flora's Embrace", By Professore F. Galli. Flora's Embrace, an exquisite marble sculpture by the esteemed Professore Fortunato G...

A Very Impressive Early 20th Century Italian Marble, Onyx and Alabaster Figural Sculpture Lamp by Professor Libero Gremigni The beautiful Art Deco figural lamp depicting an Egyptian...

Art Deco bronze sculpture two panther heads by Irenee Rochard, France 1930. Bust of two panthers. The bronze has a green patina and stands on a Belgian Black marble base. Literature...

Good quality horse racing desk top bronze circa 1990. Fine example of a mid sized bronze which we used as shop decoration for many years.  Depicts a pair of horses racing at full ga...

Beautiful antique carved marble relief depicting flowering grapevine, mounted in later giltwood frame supplied by Saxon & Clemons of the D&D Building in New York City, circa 1960s.

Wonderfully handcrafted antique table or desk lamp for a unique ambiance. If you are looking for a rare, beautiful design and top quality ...

19th century marble head of a Roman Woman on a black wooden stand. A well modeled carved head with details of eyes, nose and lips, as well as a fine braid of hair pulled up across he...

Vintage Rattlesnake by Frederic Remington Sculpture Statue Beautiful Cowboy/Southwestern style sculpture.  Lost wax bronze casting process.  Mounted on a fine marble base.  The ...

Exquisite pair of antique Art Deco bookends model: ''Gazelle" by Hippolyte François Moreau 1930. Magnificent Art Deco style with great sense of movement and elegance. Hippolyte Morea...

Important Italian bust "Antonino Pio" fine 19th Century Marmo di Carrara Measure: H: 76cm perfect conditions Titus Aurelius Fulvo Boyonius Antoninus (Latin: T. Aurelius Fulvus Boion...

The perfection in the carving technique makes this sculpture very Special. It is carved from a fine carrara white marble with artistic Perfection. The folds in her gown and drapin...

French Victorian bronze figure of stag with antlers on black rectangular shaped marble base (signed R. KORN)  

Art deco bronze sculpture athlete with bow, archer. By Pierre Le Faguays. Bronze with green patina on Portor marble base. France 1930. Signed and with foundry mark Les Neveux de Lehm...

Art Deco Silver-Tone Carmascot Figurine "Swift Nymph" This Art Deco carmascot, known as the "Swift Nymph," represents a stylized, streamlined female figure, cast in silver-plated met...

Bust of the lady, Veiled Lady, Marble paste cast, in excellent intact condition as shown in the photo, ideal for indoor and outdoor environments. ADDITIONAL PHOTOS, INFORMATION OF TH...

This sculpture depicts the Virgin Mary, who is known as the mother of Jesus in Christian mythology. Weighing 1.5 kg, this sculpture is produced from pressed marble powder and made using the original molds from the museum. It can be used both indoors and outdoors. This work of art holds a special place for those interested in Christian art. The original depiction of the Virgin Mary makes it an excellent choice for art enthusiasts and collectors. Thanks to the high-quality material used in its production and the quality craftsmanship, it provides durability for many years. It can be used as a wonderful decorative piece in your garden, home, or office since it is suitable for both indoor and outdoor use. This Virgin Mary sculpture...

Impressive large-scale sculpture representing the head of Roman Emperor Constantine the Great, hand-carved in fine Italian Carrara marble. Inspired by the monumental ancient busts of...

PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...

Stylized marble sculpture of a horse by the Italian sculptor, Amedeo Gennarelli (1881-1943), mounted on a wooden plinth with veneer.

“Odalisque” Designed in France during the roaring 1920s by “Fayral”, which is one of the pseudonymes from “Pierre Le Faguays” (1892-1962) Original “Max Le Verrier” Art Deco Style, Fr...

An antique French novelty bronze inkwell modeled as 'Les deux rats et l'oeuf' mounted on a red veined marble base and dating from the latter 19th century. The inkwell is based on the...

Lady in solid Italian Art Nouveau marble with column and fountain 1910 It has some cracks as shown in the photos

A lovely and finely sculpted Italian 19th century Neo-Classical st. white Carrara marble statue of "La Baigneuse". The statue is raised by a circular base with a terrain design and a...

MARBLE FIGURE OF THE MINOTAUR, 17th Century Baroque Style, Italy. Beige/grey marble. Minotaur on a rectangular "Rosso di Verona" base. H (without base) 81 cm. H (without base) 81 c...

Nice and rare sculpture by Curtis Jere, circa 1990 signed and dated, solid raw steel with original patina and oxidation, sitting on solid marble cylinder base.

A gorgeously patinated bronze female nude, “Greeting the Dawn” done by an unknown American artist. Seamlessly mounted on a cylindrical white marble base. Elevate any space to the nex...

A marvelous, pink marble table sculpture on an acrylic lucite base depicting a nude woman, "Scarlett" by Michigan artist Jerry Soble. Signed, titled, and dated 1995. Inspired by mode...

Charles Daidone marble sculpture pivots on steel rod attached to square laminate base. Dated 1976. This sculpture by the artist received awards at various art exhibitions. Sculptor...

This striking Art Deco panther sculpture by renowned French sculptor Irenée Rochard perfectly captures the strength and grace of the animal form. Created circa 1930 in art metal with...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...

Ernest Rancoulet (French, 1870-1915) "Dona Sol", Patinated Bronze and Rouge Griotte Marble Portrait Bust, late 19th century, depicting a Spanish Noblewoman in 16th century costume, s...

Roman manufacture of the 18th century. Pair of sculptures in burnished and gilded metal. Measures: Height 40 cm. Marble base. Good conditions.

Handcrafted work of religious art with a marvelous patina. This finely carved, wooden statuette of Jesus dates from the earliest years of the 20th century. Well taken care of it is in very good condition and the geometric marble base makes it stand firm and steady. This sacred heart sculpture...

A late 19th Century, antique Italian mask of Socrates, the Classical Greek philosopher 470-399 BC. Hand carved in white Carrara marble and mounted on a Rosso Verona marble base, in g...

A decorative maid sculpture. Some wear with a nice patina, but this is old-age. Made of metal and a marble base. This makes a nice addition to any room.

Carved Marble Grand Tour Fragment of Left Arm. Well carved left arm fragment, fist clasping, from a larger statue now mounted to Black marble tablet to make a large Desk paper weight...

Mounted on a Black Marble Plinth From our Black Forest collection, we are delighted to introduce this Swiss Black Forest Lucerne Lion Carving. The Lucern...

Clarte, iconic 84 cm / 33 inch tall Art Deco style figural table lamp of a standing nude holding a glass shade by Max Le Verrier with foundry mark. Designed in 1928. Posthumous conte...

Elegant ballerina dancer in bronze with multi-colored patina, on her toes, mounted on a marble base This sculpture is signed H Fournier (Hippolyte, 1853-1926) Light wear to the pat...

Ionic regular columns born on the western and southern coasts of Anatolia have a thin, long and elegant body. Ionic columns are one of three types of c...

'Scheider's Nightmare' is a marble table in shark design and raised upon a Classic Singer sewing machine base. An English, Pietra Dura in various m...

Measures: height: 31.4'' / width: 13.8'' / depth: 10.2''/ weight: 46 kg. -Produced from pressed marble powder. -Produced from the original molds of the works from the museum. -Can be used indoors and outdoors. The statue of Aphrodite, also known as Venus, is a beautiful depiction of the goddess of love and beauty from Greek mythology. The original statue is displayed in the Ephesus Museum, but a reproduction of the statue is available for display and use. The reproduction statue...

Sculpture, Male torso, classical art, Greek art, Torso, white Carrara marble, classical sculpture, ancient torso Male torso carved on beautiful white Carrara marble, original model. ...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A fabulous gilded bronze car mascot modelled as a lady golfer and mounted on a marble base. Signed on the base J Dunach; Jose Dunach (1886-1957) was bor...

We are always on the lookout for sports subject matter in our quest for antique bronzes. Boxing is right up at the top of our list. This high action, well modeled example of 2 boxers...

Fine male torso in Greek Thassos marble with base in black Imperial marble, late 18th century WITH VIDEO Origin Venice, private collection. Torso of great quality and workmanship, ...

This exceptional and magnificent white marble bust, was created and sculpted in 1820 circa, by the workshop of Bertel Thorvaldsen (Berthel Thorvaldsen Copenhagen, 1770 - 1844). After...

Add some sophistication and elegance to your living space with our decorated satin brass cup on a black marble base. Perfect for holding small items or just ...

E. Guy, American-Indian Archer, dark patinated bronze on portoro marble base, circa 1940s, H. 15.7 in.

Midcentury beautiful sculpture swan figure in travertine attributed to Fratelli Mannelli. Made in Italy in the 1970s. This item is a wonderful addition to every modern home.

A very fine and large French 19th century white marble bust of a young beauty, purported to be a young "Marie Antoinette" (Queen of France 1755-1793), by René Rozet...

A very nice abstract African marble owl sculpture by noted Zimbabwean artist, Ernest Chiwaridzo, circa 1980s. The piece has a wonderful patina and measures 3.25"W x 1.5"D x 7"H; it i...

Heavy solid patinated bronze standing form by Dennis Westwood. Numbered 14 of 20.