Marble Sculptures

Hand-Carved Marble Bust of Roman Emperor with Base

Gerda Gerdago's 'Cosmic Dance': Art Déco austrian patinated bronze chryselephantine (ivory and gold) sculpture manufactured by Arthur Rubinstein By: Gerda Gerdago Material: bronze, ...

Holy water stoup in antique yellow marble with Dolphin. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Tags: Acquasantiera in...

A traditional life-size sculpture of Augustus of Prima Porta, Julius Caesar's grand-nephew and adopted son. He became the first Roman Emperor following Julius Caesar's assassination ...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

Mid-Century Modern hand carved pale pink marble polar bear figurine, animal sculpture, 1970. A-604-335

The Vintage Italian Organic Wood Sculpture from the 1980s, displayed on a square marble base, is a captivating art piece that harmoniously combines natural wood forms with the elegan...

The sculpture was made from a single block of Roman Travertine. Dimensions of the sculpture: cm 93 x 52 x 40 cm. Size of the sculpture with shaft an...

A pair of mid 18th century Italian marble busts depicting the Roman Emperors Augustus and Nero. Also known as Octavian, Augustus was the first Roman Emperor and founder of the Roman...

Sculpture of Antinoo in marble. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST BY SENDING AN EMAIL, ULTERIORI FOTO, INFORMAZIONI SUL LOTTO E PRE...

Marble Screen by Andrea Giomi Dimensions: D 210 x W 100 x H 190 cm Materials: Bardiglio Nuvolato marble, Carrara white marble, Guatemala green marble. Also available in alabaster ver...

Elegant pair of centaur sculptures crafted in travertine marble, dating from the early 20th century. These mythological figures are beautifully detailed, showcasing classical inspira...

This contemporary abstract marble sculpture is by Czeslaw Budny, a Polish-Canadian artist in the constructivist style circa 2022. This unique sculpture i...

Sign: Joseph D´Aste Sign: (14) 8283 sign: Aux Champs Brunle Garaltiau Titre CyL Deposee Jugendstil, Art Nouveau, Liberty Written: Aux Champs We have specialized in the sale of Art D...

Exquisitely sculpted, probably by an Italian artist, this lovely and beautiful marble sculpture depicts a nude Venus figure emerging from a scallop shell,...

Incredible hand carved 19th century Italian specimen marble busts of Julius Caesar and Mark Anthony. The life like faces are impeccably carved in...

Large table bronze sculpture of a boy restraining fighting cocks, by Henri Fugere (1872 - 1944), cast for the 1922 Paris Salon, signed on base, resting on marble plinth

Ki I Chair by Ayse Zelal Tugrul One of a Kind Dimensions: D 45 x W 45 x H 67 cm. Materials: Copper, marble. Ki means “earth, place, territory” in Sumerian, it represents firmness an...

A stunning and high quality true pair of French 19th century Louis XVI st. patinated Bronze, Ormolu and Gris St. Anne marble statues of Mercury and Fortuna, after a model by Louis Gu...

Fascinating bronze sculpture standing on a black marble base by Jean Jacques Porret depicting an abstract yet minimalist figure. *Signed and dated ...

The bottom of a life size marble woman’s sculpture, Roman Empire ,- a woman foot with the toes. A very decorative piece and part of the Roman Empire history. It’s rested for display...

A very fine and palatial pair of English Baroque style 19th century carved marble sitting lions, the very realistic carved pair with fine attention to detail, each resting its front ...

An early 20th century Silverplated Lion. This particular example very well modelled. Mounted over a Portoro Italian marble base. Perfect size to...

Signed Carved white marble and green sculpture, abstract torso figure that swivels on black marble base by Luis R Cuevas. Contemporary. Born in Utuado, P...

A superb hand-sculpted and polished ebony marble bust of a Nubian male on marble socle.

Stylish pair of Art Deco silvered panther leopard bookends signed by the French artist Maurice Frecourt, circa 1930. The sculptures are mounted on fin...

Bronze depicting a young boy (cupid) ice skating, by Franz Iffland (Berlin 1862-1935). A boy in fur-trimmed cape, holds a cupid-like feathered arrow with...

Bronze statue with a sky-blue marble vault, on a white marble base. Italy, early 19th century. Dimensions: 32 x 10 x 10 cm. Situated and shipped from Italy. This object is shipp...

A pair of French early 19th century bronze urns on marble bases, the bronze engraved urns having wonderful intricate detail including rams head handles at either side of each urn, sitting on square column marble bases decorated with a coat of arms, terminating on a marble plinth base...

Italian sculpture " Ottaviano " Carrara marble 20th century Measure: H: 55cm 20th century Marble sculpture Very good condition.    

An enchanting late 19th Century French carved marble statue of a semi nude classical maiden, circa 1890. Batch 78 62828 SNKZZ

An antique English Georgian statuary white marble bust of a scholarly gentleman circa 1790, on an associated period breccia violette marble socle. Exceptionally carved, the gentlema...

Gorgeous art nouveau "Shy Girl" bronze by Georges Van der Straeten for Société des Bronzes de Paris, circa 1900s. The bust has wonderful detail and is in very good vintage condition ...

Art Deco Theatrical dancing figure by Josef Lorenzl. Austria 1920´s Austrian silvered metal figure of theatrical dancer, raised on an marble base.   We have specialized in the sale o...

Pair of 1990s Spanish hand carved Carrara white and Portuguese Rosetta pink marble woman sculptures.

Condition: Original Vintage Condition Designer: Marquis Collection Manufacturer: Marquis Collection Materials: Tessellated Marble, Black Marble, Brass Trim Striking and sculptural...

Looking for a powerful and striking addition to your living space? Look no further than the Zeus bust from Lagu's special selection. Standing at 16.9 inches ...

Curtis Jere table sculpture featuring a chrome ball on a brass ribbon like arm anchored by a strong marble base. This Post Modern Curtis Je...

Beautifully detailed. Hand sculpted terracotta on original marble plinth.

1990s hand carved Roman with toga bust in white Carrara and Portuguese Rosa marble.

Materials: Lava stone, blue calcite, grand antique, travertine, pink onyx, red travertine. Cosmic Relics totems are limited edition of 8 + 2AP, unique variations; each sculpture has ...

English Victorian silver plated bronze figure of racing horse with saddle on a yellow oval marble base with bronze trim

Bust of the Zingara or Fortune Teller, finely carved out of marble. The Zingara is depicted with a cloth tied around her chin, which wraps around her elaborately braided hair and end...

Italian Sculpture " Egyptian Pharaoh " Carrara Marble 20th Century H: 52cm 20th Century marble sculpture very good condition      

An antique Regency white statuary marble bust of a young Roman man. Dating to 1820, this is an impressive sculpture of a young man, wearing a Roman toga on a round socle base in Reg...

We are delighted to offer for sale this stunning pair of original Italian Carrara marble chess piece horse knight lamps They are in absolutely stunning ...

Alluring sculpture made of gilt bronze and marble by Affortunato Gory, depicting a walking lady with traditional attire and appears to be grabbing a cloth towel as well. Made in Fran...

Lovely French Art Deco piece depicting a figure wearing a tunic, hood, and holding a bowed sword. Sits atop a variegated marble base. Nice visual.

A handsome and richly sculpted French 19th century white carrara marble bust of Demostene. The statue is carved out of a solid piece of white...

Ki II Chair by Ayse Zelal Tugrul One of a Kind Dimensions: D 45 x W 45 x H 67 cm. Materials: Copper, marble. Ki means “earth, place, territory” in Sumerian, it represents firmness a...

flayed, anatomical, sculpture of flayed, carrara marble sculpture, italian sculpture, white carrara marble bust Detail sculpture of flaying done on white Carrara marble. Placed on a ...

Materials: Lava stone, jade onyx, blue and golden onyx, pink onyx, blue calcite Indoors and outdoors Cosmic Relics totems are limited edition of 8 + 2AP, unique variations; each scul...

An extremely elegant French 19th century Neo-Classical st. ormolu and Portoro marble statue of a maiden. The statue is raised by a rectangular Portoro marble base where the beautiful...

Curtis Jeré Sculpture ,Abstract Modernist,, Stainless steel / Brass ball, Marble Base, Signed,,

Italian Marble Sculpture Early 20th Century Marble 200cm x 65cm good original condition

Materials: Lava stone, blue calcite, travertine, Queretaro black marble, amber onyx, red travertine, Tepeaca marble, blue and golden onyx. Cosmic Relics totems are limited edition of...

Majestic pair of travertine pedestals produced by Up&Up in the 1970s — rare, sculptural and of exceptional material quality. Carved from s...

Grip. Blued bronze, marble. France, towards the end of the 19th century. Blued bronze sculpture on an oval marble base veined in green tones that shows two lionesses or two panther...

Large Carrara marble group of Virgin, Child and The Baptist signed P. Romanelli Italian, 19th century Measures: Figure: height, 170cm, width 70cm, depth 40cm Base: height 93.5cm, width 59.5cm, depth 43cm Executed in stunning Carrara marble, this exceptional sculpture is signed for the Florentine artist Pasquale Romanelli...

Contemporary American sculptor Wendy Hendelman's black Alabaster Torso sculpture on a black marble base. Hendelman’s work reflects her love of the prim...