Marble Sculptures

Julius Caesar sculpture, Caesar head sculpture, Sculpture, Male head, classical art, Greek art, Julius Caesar art , white Carrara marble, classical sculpture, Portrait head of Juliu...

A stunning and extremely high quality Italian 19th century solid white Carrara marble statue of a woman with bound hands and feet. The statue,...

Magnificent hand carved Carrara marble sculpture of a lioness head from Rome. Mounted on a metal base. Base 13.75"W x 12.25"D.

A weathered antique marble bust attributed to the the studio of late 18th century/early 19th century sculptor, Joseph Nollekens R.A. Signed ‘J.Nol...

Jugendstil, Art Nouveau, Liberty Materials: Silvered bronze and marble We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any que...

A superb quality bronze sculpture of Cupid with his bow by the renowned French artist Gustave Doré, made in Paris, France, c. 1876. Entitled ‘Amour lançant une flèche’ in French, th...

The Cobbler working on Boots and the Nobleman protecting his Money. Bookends by “Max Le Verrier”, signed Original French Art Deco, 1930s Bookends mad...

A beautifully cast late 19 century French bronze statue by Emile Picault of a classically draped winged maiden on clouds holding a tablet inscribed "La Reconnaissance est La Memoire ...

We are delighted to this stunning and really quite rare marble statue on Alabaster plinth on a kneeling praying child after the original by the great Luigi Pampaloni (1791-1847) named Samuel An absolutely stunning piece, the look on the face of young Samuel (As he is named) is so serene, you can just feel his love and admiration for god. From every angle this piece is expertly sculpted, the craftsman was a pure master without doubt The last one of these statues sold at Christies on the 4th December 2018 for £18,000 including fees, that one was slightly larger at 48 cm tall The base is signed with a monogram letter, its either an ornate F or an amalgamation of the letters T & F There are small signs of ware here and there in the form of the odd chip Pillar dimensions: Height 95 cm (total height 128 cm) Width 19.5 cm Depth 19.5 cm Statue dimensions: Height 33 cm Width 20.5 cm Depth 16.5 cm Please note all measurements are taken at the widest point. Luigi Pampaloni (Florence, 1791-1847) was an Italian sculptor, active in a neoclassical style. Fountain of the Naiads, Empoli. He studied under Lorenzo Bartolini in Florence. In 1826, he completed with the collaboration of Ottavio Giovannozzi the design of the Fountain of the Naiads in Empoli. In 1834, he completed a bust of Maria Antonietta...

Originalissma scultura , oggetto di design con divertente uso pratico funzionale di schiaccianoci. Incudine scolpita su marmo grigio Bardiglio imperiale con incastro a forma di noce ...

We are delighted to offer for sale this extremely collectable original Victorian Marble Grand Tour Roman Ruin statue of columns A wonderful original piece, this is a desk sized co...

Big Recisi marble vase - Moreno Ratti Dimensions: D 5 x W 20 x H 37 cm Materials: Nero Marquina marble. Available in other size and marble. The memory of a children's game, like play with simple shape cut on paper. The magic of the discovery of the form is transferred into the marble with waterjet technology, a subtraction and recomposition game. The shape as cutting and restitution. Moreno Ratti "When I was young I played with pieces of marble, like now. There are a lot of marble waste...

A MASSIVE STATUARY AND POLYCHROME MARBLE BUST OF AN EMPEROR, PROBABLY ROME, LATE 17TH / EARLY 18TH CENTURY. Incorporating Verde Antico, Nero Belgio and Marmo Africano from ancient s...

Weight: 7,5 kg The Goddess Nemesis, daughter of Nyx, represents the power that adjusts the balance of human relationships, giving each individual the fate their actions deserve. He ...

A French 19th century patinated Bronze and black Belgian marble statue signed by Schoenewerk and Marchand. The statue is raised on an oval Black Belgium marble base with double mottl...

Introduce a touch of sophisticated artistry and timeless figurative representation into your home with this captivating vintage bronze female sculpture. Rendered in an expressive, sl...

Decorative female bronze nude by Rudolf Marcuse. Sedentary beauty. Signed and with foundry mark Gladenbeck. The lower part (fire-gilded) of the sc...

Eros is the Greek god of love and desire. In ancient Greek, four separate words were used for love or amity one of which being “Eros” which meant passionate love. Eros, who is accep...

Exceptionally rare Scottish 20th Century Bronze Statue by the Acclaimed Scottish Sculptor, Ann Henderson RA (1926-1976). Title: Flowers. This sculpture was exhibited at The Royal Aca...

Marble and broze Artemisa sculture, signed Pugi, Italy, circa 1870. Statuary, Breccia and Siena marble and bronze. By Guglielmo Pugi (1850-1915) With breccia marble pedestal. Scul...

A most charming and finely detailed Italian 19th century white Carrara marble statue of young cupid. The statue is raised by a circular base with a fine wrap around mottled design. T...

Bust of a young woman in marble and alabaster, height 68 cm for a width of 40 cm and a depth of 30 cm. Signed Prof. Besfi. Additional information: Material: Alabaster, Marble & onyx

Scultura, Venere - 64 cm - Marmo - metà del XX secolo Italia Scultura, Torso di Venere, meta del xx secolo, provienienza villa di Viterbo Sculpture, Torso of Venus...

Detailed representation of Medusa with snakes, in marble. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicative shipping c...

This exquisite mantel clock was designed in the 19th century in France, inspired by an earlier model by François Vion, a famous Parisian metalworker of the 18th century. In this design, as in Vion’s, the Three Graces are depicted holding up a spherical clock...

An exquisite and high quality Italian mid 19th century white Carrara marble statue of Venus. This almost life size statue, depicts the goddess leaning against a tree stump covered by...

Bust of Julius Caesar carved on Cipollino Apuan Marble end 20th Century for the bust and white Carrara marble for the head. Italy Turned base in white Carrara marble Original one-...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

We present this bust of a young lady, crafted from white marble, likely from Carrara. The sculpture dates back to the mid-19th century. It rests on a square base and a circular pedes...

18th Century Italian Marble Bust of Caesar Augustus. His draped robe is hand-carved in red rosso levanto marble with the face modelled in contrasting white Carrara marble. The piece ...

A magnificent Carrara marble bust of Ajax. Exquisite rendering of the Greek hero featuring elaborate helmet. On an associated square base. After Gian Lorenzo Bernini...

Sculpture, Hippocrates bust, Hippocrates, medicine father bust, ancient Roman bust, Roman art, classical art, Greek art, bust, white Carrara marble, classical sculpture, ancient scul...

Statuary marble bust of Greek Philosopher Thales of Miletus The width is of the base. Bust doesn't include the wooden pedestal.

Art Deco bronze circa 1930 representing 5 birds on a branch. Subjects in silvered bronze on a black marble and onyx base. Stamped bronze on the back of the branch and signed Rochard ...

Measures: Height: 23.6'' / Weight: 5 kg Goddess with Classical and Hellenistic concepts of Aphrodite. It was built for the sanctuary of the settlement in the Hellenistic period. She is depicted standing upright and from the front, like an ancient Anatolian goddess. The upper part of the dress we see on the statue is divided into different sections and there are four different sections under it. In each of these four sections, there are figured decorations related to four different sections. Characteristics of Aphrodite: (1) Aphrodite's personal assistants, Three Graces (Kharites); (2) Selene (Moon) and Helios (Sun), Permanent extensions of Aphrodite in the world realm; (3) Aphrodite is classically depicted on a sea goat...

A Bronze Model of a Bull After the Antique The cast bronze animal with a patinated finish, standing on an ormolu-mounted griotte rouge marble plinth supported on gilt bronze bun fee...

The Three Graces depicts the three daughters of Zeus, Euphrosyne, Aglaea and Thalia. Godesses of beauty, charm and joy. Shown standing close together, nude or as in this example ligh...

A spectacular and highly detailed Italian early 19th century white Carrara marble statue of Rebecca at the well, signed by Carmelo Fontana (1775-1825). Rebecca is standing pro...

Available now and ready to ship! Bronze sculpture on marble stand produced using the superior lost wax bronze casting process, hand-rubbed, and finished in antique patina. Dimensi...

Art Deco style sculpture hoop dancer signed by Briand, the pseudonym of Marcel Bouraine, cast by the Le Verrier Foundry. Patinated Art Metal on a Belgian Black marble base. Danseuse...

Marble sculpture "Les Petits Pains Français" by Grishigiano. Sculpting identity, Grishigiano's work is rooted in a deep philosophy, aiming to promote self-discovery and liberation fr...

A finely detailed and very impressive Italian 19th century Neo-Classical st. white Carrara marble statue of Ariadne on its original Verde Mare marble pedestal, signed signed F. Vichi...

Bronze Sculpture. Karl Sterrer Date of birth December 4, 1885 Birthplace Vienna Date of death June 10, 1972 Place of death Vienna Professional painter....

A decorative hand made pair elephant sculptures or statues. Some wear but this is old-age. Made of brass or bronze. We think it is from Asia and was mad...

A refined Grand Tour bronze group depicting two affectionate whippets, French, late 19th century, modeled with elegant naturalism and subtle emotional depth. One hound sits with quie...

Sculpture in patinated bronze by unknown artist. Portrait of General Harald Petri, General Inspector of Sweden at the World Exhibitions in Antwerp in 1930 and Brussels in 1935. Uncl...

A fine pair of 19th century antique French bronze cherub statues/sculptures on marble plinths, circa 1860. Each sculpture is very finely c...

Opera Tosca bath by Marmi Serafini Materials: Emperador Brown marble. Dimensions: D 92 x W 170 x H 50 cm Available in other marbles. Also available in shaped version. Tap not include...

A fine quality alabaster sculpture of cupid with a butterfly. Nude figure of cupid with a butterfly, sitting on a rock, his bow and arrow on the ground with the flowers. Artist: After William Adolphe Bouguereau...

A stunning and very high quality Italian turn of the century white Carrara marble statue signed Prof. R. Romanelli 1909. The statue is raised by a circular base with a fine ground like design where the beautiful maiden is kneeling. She is draped in a wonderfully executed flowing garment falling off her shoulders using one hand to cover herself while holding charming finely detailed flowers in the other. She is wearing a lovely necklace and has her hair tied in a richly sculpted head wrap with fine coin earrings and a coin headpiece. Wonderful attention to detail throughout. Raffaello Romanelli (1856 - 1928) Born in Florence, Italy. Romanelli was renowned for his monuments and portrait busts of noteworthy figures. He won numerous awards and had the honor to be commissioned by Pope Augustus III for two works at the façade of the Florence Cathedral.

Rooster Figure "Chantecler" by Clovis Edmond Masson Beautiful bronze rooster signed by the artist Clovis Edmond Masson, with a marble base. Clovis-Edmond Masson, born in Paris on Mar...

A superb Irénée Rochard Art Nouveau period African elephant sculpture from France circa 1920. Patinated bronze on an onyx and marble base. S...

"Little Clown" by Demetre H. Chiparus (1886-1947). Bronze sculpture and marble base. Bryan Catley (1978) "Art Deco and Other Figures" p. 66.

This bronze (we assume and it is not magnetic) we have posted came out of an incredible estate filled with wonderful designer furniture all from the 1960s that we bought and subseque...

Round table with golden metal base and marble top - Signed Copies

Nude comparison car mascot / hood ornament, by Antoine Bofill, French, Circa 1920 Signed 'Bofill' to top of base and with foundry stamp 'R.Patrouilleau Edit_Paris' around the base, ...

Decorate a man's office or a library shelf with this elegant bronze sculpture. Crafted in France circa 1895, this antique sculpture depicts a finely detailed figure of a Napoleonic-...

Pieza decorativa de inspiración costera formada por un elegante cuenco natural de concha de vieira gigante, montado sobre una base torneada de mármol blanco pulido, que sostiene un e...

Beautifully detailed. Hand sculpted terracotta on original marble plinth.

Scultura, Testa cavallo, arte classica, arte greca, cavallo classico, cavallo Partenone, cavallo fidia, marmo bianco Carrara, scultura classica, cavallo scultura, cavallo grecia Test...