Belgian Black Marble Mounted Objects

Chamelon marble buffalo sculpture / paperweight, circa 1990s. The piece is in very good condition with no chips or cracks and measures 4.5"W x 1"D x ...

Classical 19th century hand-carved Italian Neoclassic Grand Tour marble female bust. Bust features intricately carved young woman's head and neck, wearing delicate drapery across déc...

Solid red marble with brass accent stem apple paperweight or sculpture, circa 1970s. The piece is in very good vintage condition with no chips or cracks and ...

This grand tour bronze sculpture depicts the version of Venus so important to the history of art and literature in the U.S. that the original was temporarily loaned to the National Gallery of Art from the Capital Museums in Rome in 2011. Mark Twain visited Rome and upon his return home in 1867 he published "The Capitoline Venus" and he described the work as the “most illustrious work of ancient art the world can boast of". (with credit to the National Gallery of Art catalog...

"Grand Tour – Bronze Sculpture Representing Mars, Italy, 19th Century" Fine bronze sculpture depicting Mars, the Roman god of war, shown standing in a composed and authoritative pose...

Alluring Art Deco patinated bronze nude sculpture laying gracefully on a marble and onyx base, while also reclining on a bronze rock figure. Made in France, 20th Century. Dimensions:...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

A collection of three 'Grand Tour' English / Italian polychrome marble plaques or paperweights, one rectangular; two of cartouche form, the 'Derbyshire' or 'Belgian Black' marble slabs inset with native English stones 'Blue John' (Derbyshire Spar), 'Duke's Red', 'Bird's-Eye', and foreign Lapis Lazuli, Malachite, and Jasper in 'ovoid' and 'kidney' form inlays. Measurements : Rectangular plaque: 8" by 4.63" by .88" Cartouche plaque...

This striking Art Deco sculpture, crafted in France circa 1930, depicts a powerful lion in silvered bronze, embodying the bold and dynamic energy characteristic of the Art Deco movem...

Pierre Le Faguays (1892-1962) An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess. Beautifully cast in a dark green, brown /black variegated patina. In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft. The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of excellence in art as well as in sports. Bibliography : Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425 Art Deco and other figures,by Bryan Catley,pgs 192-201 Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127 Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38 Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426 The dictionary of sculptors in bronze” by James Mackay, Antique collectors club Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet. --------------------------- Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively. As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision. His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed...

French Art Deco Bronze Sculpture Of An Athlete. Beautifully executed French Art Deco bronze sculpture of an athlete on a black marble base. This handsome French Art Deco bronze sculp...

These impressive Egyptian Revival obelisks are crafted of dynamically patterned agate. The rare 19th-century models were almost certainly made in Italy during the height of the Grand Tour when the fervor for all things ancient pervaded the decorative arts. Rich in neoclassical elegance yet possessing an exotic worldliness, pieces such as these were extremely popular as Grand Tour souvenirs among members of the British aristocracy...