Stone Mounted Objects

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

This exquisite Babylonian stele in sandstone is a decorative reproduction inspired by the treasures of Mesopotamia from the 3rd millennium BCE. Finely hand-carved and patinated, it f...

This bronze seagull and black marble base is one of our favourite purchases so far this year. To us, this Art Deco era sculpture epitomizes everything the Art Deco period stood for....

A truly one-of-a-kind sculptural masterpiece by the esteemed American artist Joseph Malekan, renowned for his ability to harmoniously blend natural elements into luxurious, Organic M...

Fossilized clamshell with a natural forming pearl and mounted on a polished agate base. This unique type of fossilized clamshell can be up to 1.5 to 2 million years old. This clams...

Decorative fresh water turtle shell professionally mounted on genuine coral base, the shell cleaned and seal with clear protective satin finish. Beautifu...

Carved from a mosaic-like rock, this striking sculpture is the lower grinding stone from a Gallo-Roman millstone - a powerful and aesthetic symbol of life two millennia ago. It is ma...

Decorative fresh water turtle shell, professionally mounted on solid onyx marble base, the shell is cleaned and seal with clear protective satin finish. Beautiful natural piece of ar...

These monumental limestone sphinxes, carved with the idealised visage of Pharaoh Nectanebo I (c. 379-360 BC) atop a lion’s body, are icons of ancient Egyptian culture. Depicted in th...

Natural specimen of red coral reef. Color is a natural ruby red Flat underside for easy display. This specimen is a great size for displaying in any decor.

Decorative fresh water turtle shell professionally mounted on genuine coral base, the shell cleaned and seal with clear protective satin finish. Beautiful natural piece of art for di...

18th century Italian fragment with a calcite crystal cluster in matrix mounted on a Italian glass bobeche base. The fragment is from a church in Florence. It was found and saved f...

Sculptural 18th century Italian figure of Christ and metal sword with large red and white crystal quartz clusters and phantom quartz. The figure of Christ was originally part of a c...

This round stone disc originated in Shanxi province as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks...

A hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base with sea shell trim.

Sculptural 18th century Italian fragment base mounted with agatized coral on a polished agate base. The 18th century hand carved fragment base is originally from Tuscany. The polish...

A beautiful Italian grand Tour Style Pietra Dura mosaic on marble Plaque with gilt framing. Picture is a bird on branch with leaves and flowers.

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Fossilized clamshell with a natural forming pearl and mounted on a polished agate base. This unique type of fossilized clamshell can be up to 1.5 to 2 million years old. The striki...

Rare black coral on a pyrite crystal base with a fossilized seashell. Black coral is a unique and extremely slow growing coral typically found at extreme depths. The piece was put ...

Complete conch shell mounted on a large crystal quartz cluster and adorned with two crystal points, highlighting the neutral and warm hues of the shell. The piece was collected and ...

Pair of 18th century Italian gold leaf candlestick tops with polished fossil agate coral and a natural forming baroque pearl. The 18th century fragments come from Tuscany and have th...

Chinese Archaistic style hand carved jade bi disk, on custom steel stand. A deep green with white "heavenly" cloud patterns for an overall serene and calming effect. Jade bi discs a...

Two beautiful stone disks, hand-carved in Indonesia. Mounted on black metal stands. The largest disk is 5.5 inches diameter, 2.5 inches deep and 9.75 inches high (mounted). The sma...

The stone mill wheels are attached to wire stands with iron bases lined underneath with padding. Measures: Two with the height of 15.25".

This XL Bolivian Amethyst specimen is an exceptionally rare offering, distinguished by its massive crystal architecture and unusually rich, saturated color. While Bolivian amethyst i...

Garniture "Neptune". 20th-century French sculpture by Louis François Moreau, in patinated antimony. Marble bases. Dimensions: (clock) 68 x 38 cm; (jars) 49 x 19 cm.

Impressive antique and top quality hand crafted eleven light chandelier with a fabulous fable creature 'Orge'. An ogre (in English) is a deformed human-like creature and bad spirit ...

This peculiar archeological piece is described as a 'cup stone'. These cup marked stones have been found worldwide and been dated from 300.000 bc up to 1000 bc. The exact purpose of ...

Beautiful Atlantic trumpet sea shell professionally mounted on genuine coral base, artistically hand embeded with fantastic crystal quartz stones, to make exceptional piece of art fo...

A impressive late 18th century French sandstone sundial mounted on a custom lade iron stand. The Latin numerals finely carved at both sides an...

Contemporary Chinese two smooth black jade discs. Also available in white ( S6449 ) One disc measures 12" diameter and 16.5" tall Stand measures 7" x 4" One disc measures 1...

Italian Grand Tour model of the ancient Temple of Vespasian located in the Roman Forum, Rome. Carved from alabaster, this is a handsome example of a souvenir carving which would have been collected by a European or American sophisticate making a Grand Tour of the ancient sites of Italy. This wonderful architectural miniature is evocative of another time and place. Roma Templo Di Vespasiano' etched into the black marble base. It has been drilled to be wired, not the first time I have owned one of these that had been mounted as a lamp. The Temple of Vespasian and Titus is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn...

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

18th century Italian "Florence fragment" with a fossil coral head on a fossil coral cluster base. This fragment is from a church in Florence. It was found ...

17th Century Italian church vase decorated with fossil agate coral, red phantom quartz crystals, and chalcedony rosettes on polished agate base. This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. Fossil agate coral is mounted on top of the artifact. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when prehistoric coral is gradually replaced with agate. It is adorned with coordinating red phantom crystals and chalcedony rosettes that resemble the color and texture of the piece. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 17th century. The story and history of this piece and Interi's collection of Florence fragments...

Ruler Selenite with an 18th century Italian gold leaf fragment and natural forming baroque pearls on a lucite base. Ruler selenite or "selenite logs" are single, prismatic selenite crystals from Morocco that were formed in extensive beds by the evaporation of ocean brine. This mineral is characterized by a silky, pearly luster called satin spar. The piece is put together by Jean O'Reilly Barlow, the artist and creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 18th century. Interi transforms Italian artifacts...

A cream-colored marble disk, hand-carved in Indonesia, contemporary. Reminiscent of the traditional "Bi" disks omnipresent throughout Asia since prehistory to symbolize heaven and ...

Sculptural 17th century hand-carved Florence Fragment mounted with a fossil shell with barnacles and adorned with crystals. This fragment is from a church in Florence. It was found ...

A really nice looking small brass on quartz base sailboat sculpture by DeMoot, circa 1970s. The sculpture is in good vintage condition with a nice patina and measures 4"W x 2.5"D x 9...

1970s Tessellated Stone Sphere on a Solid Aluminum Base Orange-Red coloring (likely Red Jasper stone) Sphere has a lacquered finish over it Spider veins in lacquer which doesn't tak...

Hand-crafted sculpture specimen of natural red coral branches mounted on 18th century gilt wood fragment base. 11.5 inches in height. Perfect for your "Cabinet of Curiosities".

A table top twisted brass wire sculpture of a tree. Mounted to a marble base with an undecipherable signature inscribed in marble. 11 inches wide. 8 inches high. 6.5 inches deep. M...

An antique Italian set of Grand Tour models, fragments of the temple of Castor and Pollux made of hand crafted gilt stone, in good condition. The detailed columns are resting on a re...

Sculptural 18th century Italian crucifix mounted on emerald in matrix on a reflective mica base. The crucifix artifact is originally hand carved wood with silver leaf from a church ...

Amazing period piece. Beautiful hand-carved fragment depicting a dragon / mythical creature. Once had its place in wall of a medieval church or chapel in the South of France. Weather...

Circular carved jade bi disc mounted on a custom stand. The marble is rich with blue, green, tan, and brown tones and has deep visual depth. In China, the Bi is a symbol of moral cha...

Handcarved and remarkable work of art of the 'Dying Gaul’ or 'The Dying Galatian'. If you are a collector of rare and good quality antiques then this rare and wonderfully hand carve...

This superb Acheulean hand axe stands as a testament to the technological ingenuity of early hominins. Fashioned by Homo ergaster nearly one million years ago, it represents one of h...

Contemporary Chinese large single smooth black jade disc sculpture on metal stand. Also available in white ( S6451 ) Stand measures 9" x 4"

A rather large hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base.

A playful set of 19th century French pétanque boules, comprised of four iron studded balls and one marble cochonnet (jack). The set can be used in pla...

Decorative fresh water turtle shell professionally mounted on onyx base, the shell is cleaned and seal with clear protective satin finish. And the back is upholstered with fine qual...

Handcarved, endearing and remarkable Classical Realism / Figurative work of art, weighing 23.15 pounds. A tender and exquisitely hand-carved alabaster sculpture by Italian artist Da...

Sculptural 18th century Italian fragment with elestial quartz and mounted on an agate slice. The fragment was originally from a historical Italian church. It is mounted with the ele...

18th century Italian "Florence Fragment" candlestick base mounted and adorned with quartz crystals and topped with an ammonite. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of the The Florence Fragment Collection which is exhibiting with Museo de’ Medici in Florence, Italy this fall. This is a collection of historical fragment...

Beautiful Atlantic trumpet seashell professionally mounted on genuine sea coral base, artistically embedded with exceptional crystal quartz stone, and citrine crystal quartz stone to...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

A large decorative antique fragmentary stone statue of an angel torso circa 1800, mounted on a later 19th century mahogany plinth. Reminiscent of an ancient roman statue, this is a f...

Mystical and alluring, this stone relief carving from North India depicts the Hindu god Ganesha. Attributed to the 10th century or later, the palm-sized icon is chiseled from dark st...