Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Earthly Treasures No 26 a Sycamore Mixed Mineral Sculpture by Morrison Thomas

$5,183.38
£3,800
€4,413.83
CA$7,141.40
A$7,788.70
CHF 4,125.93
MX$93,375.43
NOK 52,545.97
SEK 48,049.39
DKK 32,975.61

About the Item

‘Earthly Treasures No 26’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from sycamore inlaid with Chrysocolla Malachite. Morrison turns beautiful wooden spheres from damaged or diseased trees that have been felled as they can no longer survive. Using aged wood such as this, reveals cracks and crevices which the artist can inlay with precious minerals. The results are breathtaking. These take on the role of globes and are evocative of old maps. The minerals suggest undiscovered islands and continents. During Thomas’ time as a designer and maker of furniture it was usual practice to mask and hide any blemishes or cracks in the wood, however much like the Japanese art of Kintsugi (where ceramic breakages are repaired with gold and precious metals) Thomas highlights the anomalies in the wood by inlaying them with naturally formed colorful minerals, many taken from his personal collection which he still adds to. Recent visits to the ‘World Famous’ Blue John Mine and also a working Fluorspar mine in Derbyshire has meant new materials for future inlays. With the wood hard to find and unpredictable to turn, the resulting union of the Earth’s natural resources are patiently and skilfully jigsawed together, resulting in truly unique treasure-laden artworks. Is his own words: ‘The two mediums I combine both come directly from the Earth. The trees form and grow at the surface whilst the minerals can form at great depth. It is not unknown for some trees to have accumulated pieces of crystals in their roots. The thought of this combination of a substance formed during explosive episodes in the Earth millions of years ago with a gently formed living substance, which may have been growing for hundreds of years before finally coming to an end, is both exhilarating and intriguing. I think of it as a fusion between animate and inanimate, above and below the ground, naturally both beautiful, and without which, we as humans could not survive’ Morrison Thomas was born at New Inn Cottage in the tiny village of Charlton near Banbury, Oxfordshire. His father was a cabinet maker carpenter who was also a wheelwright and blacksmith, as with many village craftsman of the time, he was skilled in all things. Keeping the family tradition, Thomas continued in his father’s footsteps and is a fourth generation woodworker. As a furniture designer maker Thomas has exhibited his work in numerous high profile galleries and undertaken many prestigious commissions. He has written articles on woodworking with his work appearing in numerous publications. Previously the chairman of the Surrey Guild of Craftsmen and with a listing in Debrett’s Who’s Who, his achievements are many, especially in consideration that he received no formal training, with his skills obtained from observing and listening to his father. For many years Thomas designed and made contemporary furniture but mainly due to health reasons stopped making larger-scale works. With woodworking in his blood and a material he simply couldn’t stop creating with, he resumed his creative skills some years later by making unique hand-turned wooden vessels, each inlaid with semi-precious precious minerals. From a Woodturning point of view, he learnt and honed his inherited skills during his many years making furniture, therefore he views his current practice as just another skill that is used in cabinet making but it is his embellishing of his vessels and the collaging of materials that make these far from ordinary. Minerals have fascinated Thomas for most of his life. Having spent much of his youth collecting them, it was in his twenties, with a heightened fascination, Thomas became a serious collector of British mineral specimens. Taking him all over Britain and he visited and went down many working and disused mines and quarries in search of new additions. His collection became so large in quantity and quality, many of his minerals have since been housed at Oxford University Museum, residing there for over 30 years, a rich resource for study and academic research.
  • Creator:
  • Dimensions:
    Height: 5.91 in (15 cm)Diameter: 7.49 in (19 cm)
  • Style:
    Organic Modern (In the Style Of)
  • Materials and Techniques:
    Malachite,Sycamore,Hand-Crafted,Turned
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    2017
  • Production Type:
    New Custom(One of a Kind)
  • Estimated Production Time:
    Available Now
  • Condition:
  • Seller Location:
    London, GB
  • Reference Number:
    1stDibs: LU1023031247882

More From This Seller

View All
Earthly Treasures No 33, London plane mixed mineral artwork by Morrison Thomas
By Morrison Thomas
Located in London, GB
‘Earthly Treasures No 33’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from London Plane with Malachite. Morrison turns beautiful wooden spheres fr...
Category

2010s British Organic Modern Vases

Materials

Malachite

Earthly Treasures No 27, an Elm Cornish Turquoise Sculpture by Morrison Thomas
By Morrison Thomas
Located in London, GB
‘Earthly Treasures No 27’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from burred English Elm inlaid with Cornish Turquoise. Morrison turns beautiful wooden spheres from damaged or diseased trees that have been felled as they can no longer survive. Using aged wood such as this, reveals cracks and crevices which the artist can inlay with precious minerals. The results are breathtaking. These take on the role of globes and are evocative of old maps. The minerals suggest undiscovered islands and continents. During Thomas’ time as a designer and maker of furniture it was usual practice to mask and hide any blemishes or cracks in the wood, however much like the Japanese art of Kintsugi (where ceramic breakages are repaired with gold and precious metals) Thomas highlights the anomalies in the wood by inlaying them with naturally formed colorful minerals, many taken from his personal collection which he still adds to. Recent visits to the ‘World Famous’ Blue John Mine and also a working Fluorspar mine in Derbyshire has meant new materials for future inlays. With the wood hard to find and unpredictable to turn, the resulting union of the Earth’s natural resources are patiently and skilfully jigsawed together, resulting in truly unique treasure-laden artworks. Is his own words: ‘The two mediums I combine both come directly from the Earth. The trees form and grow at the surface whilst the minerals can form at great depth. It is not unknown for some trees to have accumulated pieces of crystals in their roots. The thought of this combination of a substance formed during explosive episodes in the Earth millions of years ago with a gently formed living substance, which may have been growing for hundreds of years before finally coming to an end, is both exhilarating and intriguing. I think of it as a fusion between animate and inanimate, above and below the ground, naturally both beautiful, and without which, we as humans could not survive’ Morrison Thomas was born at New Inn Cottage in the tiny village of Charlton near Banbury, Oxfordshire. His father was a cabinet maker carpenter who was also a wheelwright and blacksmith, as with many village craftsman of the time, he was skilled in all things. Keeping the family tradition, Thomas continued in his father’s footsteps and is a fourth generation woodworker. As a furniture designer maker Thomas has exhibited his work in numerous high profile galleries and undertaken many prestigious commissions. He has written articles on woodworking with his work appearing in numerous publications. Previously the chairman of the Surrey Guild of Craftsmen and with a listing in Debrett’s Who’s Who, his achievements are many, especially in consideration that he received no formal training, with his skills obtained from observing and listening to his father. For many years Thomas designed and made contemporary furniture but mainly due to health reasons stopped making larger-scale works. With woodworking in his blood and a material he simply couldn’t stop creating with, he resumed his creative skills some years later by making unique hand-turned wooden vessels...
Category

2010s British Organic Modern Abstract Sculptures

Materials

Precious Stone, Elm

Oval Form with a Desert Dusk Glaze No 108, vessel by Nicholas Arroyave Portela
By Nicholas Arroyave-Portela
Located in London, GB
'Oval Form with a Desert Dusk Glaze No 108’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic practice...
Category

2010s Spanish Organic Modern Abstract Sculptures

Materials

Ceramic, Clay

Ore in Sienna Ecru with Gold, a Glass Gold Sculpture by Enemark Thompson
By Enemark Thompson
Located in London, GB
'Ore in Sienna & Ecru with gold' is a unique glass sculpture in aubergine and off-white colored glass by the collaborative artists Hanne Enemark (Danish) and Louis Thompson (British)...
Category

2010s British Organic Modern Abstract Sculptures

Materials

Gold

Ki 0.1, a plum wood abstract sculpture by Donald Baugh
By Donald Baugh
Located in London, GB
'Ki 0.1' is a unique wooden sculpture by the British artist, Donald Baugh. Passionate about the sustainable practice of harvesting timber, Baugh works closely with the Forestry Comm...
Category

2010s British Organic Modern Vases

Materials

Wood

Oval Form with White Brown Speckled Glaze No 99 by Nicholas Arroyave-Portela
By Nicholas Arroyave-Portela
Located in London, GB
'Oval Form with White & Brown Speckled Glaze No 99’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic ...
Category

2010s Spanish Organic Modern Abstract Sculptures

Materials

Ceramic, Clay

You May Also Like

Tripp Espenet Vase, Big Leaf Maple
By Tripp Carpenter
Located in Chicago, IL
Tripp Espenet Vase, Big Leaf Maple Solid Burled Elm Root Bowl by Tripp Espenet Beautiful Art Bowl with carving and hand-honing skills make this piece unique and special. Dimensions: ...
Category

Early 2000s American Decorative Bowls

Materials

Maple

"Barcus Burlwood Vase I" Turned Burlwood Polished Rough, Glass Insert
Located in Detroit, MI
This turned Burlwood vase has rich earth tones with copper highlights. The swirling burl pattern comes through the glossy surface that contrasts with the...
Category

1970s Modern Still-life Sculptures

Materials

Wood

Hollow Form Oak Sculpture by Vlad Droz
Located in Geneve, CH
Hollow form oak sculpture by Vlad Droz Dimensions: D 33 x H 30 cm. Materials: Oak One of a kind. Hollow Form Oak Sculpture by Vlad Droz. Greenturned, carved, textured and sandblast...
Category

2010s Russian Post-Modern Abstract Sculptures

Materials

Wood, Oak

Modern Organic Curvy Vida Aged Wood Sculpture with Steel Base by CEU Studio
By CEU Studio
Located in New York, NY
Vida 2021 by CEU L 55,1" x H 115" Aged wood sculpture with steel base. One of a kind. A graceful sculpture carved from aged wood with a steel ...
Category

21st Century and Contemporary Balinese Modern Abstract Sculptures

Materials

Steel

Oak Bark Tabletop Sculpture by Lionel Hamon
Located in Geneve, CH
Oak Bark Tabletop Sculpture by Lionel Hamon Dimensions: Ø 35 x H 60 cm. Materials: Brass. Finish: Light patina. Available in three finishes: black patina, light patina, and gold pl...
Category

2010s French Post-Modern Abstract Sculptures

Materials

Brass

"Revealed" - Stoneware Sculpture by Eric Serritella
By Eric Serritella
Located in Palm Beach, FL
Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...
Category

21st Century and Contemporary American Other Figurative Sculptures

Materials

Stoneware