1920s Sculptures

Italian unique hand painted plaster mannequin head 1920s.   

Rare Goldscheider Ceramics Figure of the 1920s. Representation of a young dancer in a knee-length dress with a white flounce neckline, elaborate...

A very rare Viennese Art Déco ceramic figure: Japanese girl with a flower-adorned page-boy hairstyle standing, wearing only an orange-red cloth draped around her hips, holding a cor...

Early 20th century Folk Art driftwood dachshund, circa 1920, a natural form piece of driftwood that has been augmented with the addition of inset Periwinkle shell eyes, two drilled n...

Polychrome enamel-painted porcelain figure depicting the immortal Shou Xing. The robe richly decorated with stylized ideograms and peaches symbolizing longevity. Oval Ji Maosheng mar...

Marked on the bottom of base "Rosenthal Selb-Bavaria". Signed Ferdinand Lieberman.

This rare, almost circular-shaped masks, belongs to the Ekanga secret society and would have been kept in baskets at the heart of their sanctuaries. The minimalist style and the whit...

Stamp Seal "Victoire" made in frosted glass with blue patinat by René Lalique in 1920. Molded and engraved signature Perfect condition. height: 4.5 cm Félix Marcilhac, René Laliqu...

Unusual Art Nouveau woman, relief carved wood and metal pipe holder wall plaque. Stunning nude, wonderful detailing.., bronze mounted, hand forged pipe holders, carved wood match hol...

Set of 3 Hand-Carved Sandstone Roosters. China, circa 1920. For the Chinese, rooster symbolism is linked to good luck, wealth, and fortune. 8” H 11” W x 5” D (approximate dimensions...

Standing Fang Mabea Maternity of Museum quality, holding a pestle with both her hands. The mother's head is slightly turned to the left, while the child, which she carries on her bac...

'MAIALINO', MODEL NO. 2485 NAPOLEONE MARTINUZZI for Venini 1928 Lightly iridescent hand-blown and applied 'pulegoso' glass.Height 17, length 27cm LITERATURE Compare Anna Venini ...

"The walk " by Fernand Gysen. (Antwerpen 1879-Ukkel 1943) A beautiful Art Deco bronze in green patina on a marble base, signed F Gysen, Foundry stamp 'Batardy/cire perdue/Bruxelles...

Couple of young deer after ancient times. Patinated bronze. Beginning of the 20th century. This pair of young deer is a reproduction of the same dimensions as the originals preserve...

Italian School 'Cupid Sleeping on a Bed of Flowers', circa 1928, carved marble sculpture depicting a recumbent cupid holding arrows and a partial box, signed and dated to right lower...

Art Deco silvered bronze duck bookends G.H. Laurent France 1925. Pair of Art Deco silvered bronze bookends by the famous French artist G.H. Laurent. Signed and numbered, circa 1925. ...

Goldscheider porcelain eagle on rock 1900-1920 signed Goldscheider stamped fache little chi at the base.

Vase in Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that ...

A pair of rare multi horn trumpets or car horns. Price for the pair. Likely English, circa 1900s. Mounted on custom blacksmith made stands. No l...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning hand carved Carrara marble, signed Amedeo Gennarelli (1881-1943) Italian Art-déco sculpture of a nude lady circa 1920 Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote, please send me your postcode and I’ll provide you with the exact price. Amedeo Gennarelli (1881-1943) was a famous Italian Art-déco-sculptor. He is known for his nude female figures. Gennarelli was born in 1881 in Naples, Italy. In 1909 he immigrated to France, where he met with the great sculptors and artists of the period. In 1913 he exhibited its beautiful Marble Female Nude at the "Salon des Artistes Francais", where he exhibited regularly until 1936. Paris was the ideal starting point to pay attention to the avant-garde. A lot of painters, sculptors and graphic artists visited the city at the river Seine to take part in the development of the new arts. Amedeo increasingly dedicated himself to the Art déco and already exhibited his first works in the Salon of the Société des Artistes Français in 1913. The Société was a professional association of French painters and sculptors and was founded in 1881 in Paris, presenting still today the works of its artist in an annual Salon. When the first president of the association, the painter William-Adolphe Bouguereau, suggested in 1890 to dedicate the Salon young and unknown artists, a disagreement with the established artists, such as Auguste Rodin and Pierre Puvis de Chavannes started. The older ones founded their own Salon, exhibiting their own works. The aesthetic sculptures of Amedeo are designed in the style of Art deco. The distinguished marks of this epoch that arose at the beginning of the 20th century are varied and multi-form, because they were influenced by many different artistic trends. But especially geometric forms, pithy and extensive ornaments and floral motifs were used. He made these themes into erotic and athletic sculptures, as we can see for example at the sculptures The Carrier Pigeon and Towards Destiny...

Rare Goldscheider Vienna Art Déco Figurine of the 1920s: Standing young lady in a carnival costume inspired by the Rococo style with delicate straps and a low neckline, long skirt wi...

Henri Collomb, French artist (1905-?), “Couple Dansant” (Dancing couple), walnut hand carved. The sculpture has a monogram and is dated 192... Henri Collomb was born in 1905 and w...

"Arabian Girl" is one of the exquisite pieces produced by Dahl-Jensen which is now part of Royal Copenhagen. It is stamped #1129 with a slash across the hallmark, a mark which indica...

Wonderful bronze Art Deco sculpture depicting a nude Egyptian dancer wearing a skimpy bottom finely decorated with turquoise enamel. She's also adorned with matching bracelets. You c...

Unusual Hand Carved Clown Motif Umbrella, Paragon, S. Fox & Co

Classic 1920s adjustable height leather and cast iron pommel gym horse, amazing design, proportion and patina. Retains original 'HORSE-HOOF" feet, adjustable height from 26" to 40", cast iron wheels signed and dated 1921, Hamilton Caster mfg co, perfect for home gym...

Exceptional Art Déco model of the Goldscheider company: Dancer dressed in a light green and black Pierrot costume with a high hat, holding the large cloth decorated with flowers on t...

Jolie figurine en biscuit (mélange de porcelaine et kaolin) datant des années 20 représentant un cheval et son cavalier habillé d'une chemise blanche avec des perles dorées, un jean,...

This elegant Brass Art Deco flapper girl sculpture features a gracefully posed figure atop a peach-colored marble obelisk. The piece exudes 1920s charm with intricate detailing and v...

Henri Collomb, French artist (1905-?), “Nu féminin allongé (Lying female nude), walnut hand carved. The sculpture has a signature. Henri Collomb was born...

Solid oak horse that can be dismantled into four pieces. Original patina. Mane, tail, hooves and details in black colour. Accessory from an old photography studio near Madrid. ...

Fantastic polo or equestrian paperweight, car mascot, hood ornament, by French artist Becquerel. Signed. With foundry marks. With original Art Deco patina. Mounted over a marble base...

Art Deco bronze pheasant sculpture by André Vincent Becquerel, Bronze, patinated on a Belgian Black marble base. France 1925.

Excellent Piece of Viennese Bronze Art around 1920: Native American with long hair and typical feather headdress, dressed in a fur vest over a leather jacket and wide leather trouser...

Very rare figurine from the former manufacturer Frankenthal. The young man, dressed in Rococo style: black knee breeches, white stockings, fitted, white, striped jacket with puffed ...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Art Deco monkey car mascot with flag pole Boubou porte drapeau by Max Le Verrier. Metal with original silver patina on wooden base. France 1920/1930. ...

Rare Large Goldscheider Art Deco Ceramic Figurine of the 1920s: Young lady with short hairstyle in a short, low-cut strap dress with large floral decoration, posing lasciviously and...

Materials: Silvered bronze and marble We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Amedeo (sometimes Amadeo) Gennarelli (1881-1943) An Italian/French sculptor, he was a pupil of Francesco Jerace...

Pair of greyhounds - Charles Lemanceau For the Saint Clément factory Cracked ceramics H30xW21xD8cm 1925 Perfect condition.

Art Deco silvered bronze sculptural group with two female putti figures reclining together in an embrace, surrounded by flowers and filigree. Sculpture has a beautiful silver finish, and rests on the original rouge marble base. Signed on the right front “Raphael Peyre”; and foundry mark “B.L. Paris” with “Cire Perdue” (lost wax) in an oval cartouche in the back. The piece is very heavy (51 pounds), crating recommended for shipment. Charles Raphaël Peyre...

Lovely Art Deco shy naked women made of bronze and mounted over a green marble base. It is signed L. Betti and foundry Etling Paris. Perfect piece of Autom...

1920's Chinese stone device used to sharpen leather. Stone is smooth and polished. Mounted on stand measuring 2.5" x 2.5". Three available and sold individually.

Industrial Sculpture Made From an Early American Light Bulb This is not a working Light Bulb, it is in Blue glass and has been set on a rectangular plinth and when lit from behind y...

Large nude Le Bertetti Turin, executed by Clelia Le Bertetti figure no. 13 signed at the base.

Austrian Art Deco (for Rena Rosenthal possibly, by Hagenauer) Madonna and Child Carved Ebonized Wood & Silvered Metal ca. 1920’s MATERIALS Ebonized wood and silvered metal. MARKINGS Stamped with “Made in Austria” and "RENA" marks. DIMENSIONS Height: 6.25 inches Width: 4.25 inches Depth: 2.5 inches ABOUT SCULPTURE Quite extraordinary in its design, craftsmanship and selection of materials, this outstanding Art Deco tabletop sculpture of the Madonna and Child was most likely made in the Vienna studio...

American Art Deco Nude Female Wrought Iron Sculpture ca. 1920’s DIMENSIONS Height: 13 inches Width: 4 inches Depth: 4 inches ABOUT Designed in...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal Country: France Glass: Schneider To take care of your property and the lives of our customers, the new wir...

Scultura artigianale di cigno in vetro di Murano. La scultura è realizzata a mano da maestri vetrai di Murano, Italia. Presenta un elegante design rosa con curve aggraziate e detta...

American Art Deco Nude Kneeling Woman Carved Slate Sculpture ca. 1920 DETAILS Mounted on original marble base. Apparently unsigned. DIMENSIONS Hei...

Rare set of 4 reliefs designed by Stig Blomberg. Produced by ASEA in Sweden.

Signed on the plinth “Silvestre” Original wooden base. Dimensions Height: 11.75 inches (29.37cm) Width: 23.25 inches (58.12cm) Depth: 6 inches (15cm) PAUL SILVESTRE (French...

Exceptional Goldscheider Art Deco ceramic figure of the 1920's: Depiction of a standing lady proudly looking to the side in oriental garb, wrapped in a large blue-green cloth reachin...

Table lamp "Jugendstil, Art Nouveau, Liberty" Materia: silver plated metal and art glass Country: France To take care of your property and the lives of our customers, the new wiring...

Hays grand prix pair of mallards decoys. Exceptional paint. Priced as a pair. Wear consistent with use adds to the age of the set. Period circa 1924 Or...

A very rare Viennese Art Déco ceramic figure: Young, pretty lady dressed in a blue costume with a short-sleeved blouse and a flounced skirt, with her dark hair tied back and pinned u...

Signed on the base with an unencrypted monogram...

Style: Art Deco Material: wood and terracotta Country: london. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we...

Wood and bronze sculpture. Signed by Hagenauer Wien, WHW, Made in Vienna, 47/9. Austria, CIRCA 1920.

Edgardo Simone, (Italian/American, 1890-1948) Classically trained in Italy at the Beaux Arts Academy in Rome from 1906 to 1913, Edgardo Simone became a famous sculptor in Italy and the United States using mediums of terracotta, ceramic, bronze, and plaster. He earned a Doctorate of Design and Sculpture at the Academy and then emigrated to the United States where he worked in New York, Chicago and southern California. His style was influenced by Art Nouveau, Art Deco and other modernist influences. In Italy, he had received three times the Croix de Guerre and was decorated by King Victor Emmanuel II and Queen Margherita. Before moving to America, he had much recognition in Italy. He had created war and city monuments, and tombstones in twenty-six Italian cities. When he arrived in New York City, one of the newspapers carried a headline: "Italy's greatest Sculptor Arrives in New York." In New York, Simone became prominent in society and did many portrait busts including such of Thomas Edison, John J. Pershing, Henry Ford and Louis Brandeis. Sally Rand, the famous fan dancer of Chicago's World's Fair in 1933-1934, sat as a model in his studio as did President Franklin Roosevelt and author Theodore...