1930s Sculptures

Rare Goldscheider ceramics of the 1930s The standing young variety dancer is only dressed in high heels. Looking to the left over her shoulder...

Incredible Art Deco bronze signed Le Faguays from 1930 original representing "Pierrot and Columbina"

Folk art carving of a Sea Captain in his deck coat and cap. Historic old carving. What a great maritime relic. Circa 1930.

Very Rare And Exceptional Goldscheider Art Déco Ceramic Figure: Striding girl in blue coat over beige dress and matching blue cap with beige border with red embroidery pattern, gray ...

Goldscheider vienna gorgeous dancingy figurines: The Spanish Dance Designed by Josef Lorenzl (1892-1950) / one of the most important designers having been active for Goldscheider ...

Art Deco Plaster Sculpture of a Pair of Recumbent Lions on the Front and Back as well as Elaborately Detailed Battle and Construction Scenes

1930s leather medicine ball, nice color and patina.

Signed KEREMYI on the back of the plinth. Some patina abrasions are noticeable in the back area. The white Carrera marble base obviously is a later replacement. Dimensions: Height 14.75” Width 11.75” Depth 7.75”. Jeno Kerényi...

L’opera è di ottima fattura, senza alcun tipo di imperfezione e non è stata oggetto di restauro. Essa raffigura un cervo adulto con due grandi corna e il manto della colorazione tipi...

Most unusual French Art Deco hand forged iron sculpture depicting 3- dimensional silhouette of body builder, weight lifter / boxer, stage with drapery. Sh...

Helen König Scavini, Lenci manufactory "Nude of Woman", e.g. 1927-1936 Signed under the base "Lenci/Italy" Glazed terracotta sizes: H 70 cm x W front 83 cm (W back 55 cm) x D 55 cm The important sculpture, realized in glazed terracotta, is by the famous Lenci Manufactory of Turin (Italy) on model by Helen König Scavini. Of remarkable dimensions, it represents a naked woman, covered of a single cloth to life, sitting with the legs flexed asymmetrically while it supports on the arms with the hands leaned to the plan. The woman has a hieratic expression, big eyebrow arches under which the ethereal eyes are half-closed; the open lips hide a hint of a smile. The loose hair is turned back with big waves on both the head and along the back. The staining of the glazing is on the tones of musky green, which contributes to confer to this woman the appearance of a nymph or a mythological figure. Below the base is found, hand painted, the trademark of the manufacture "Lenci, ITALY". The brand Lenci was registered in Turin on 23 April 1919, sanctioning an activity undertaken some time before by Helen König, wife of the commercial agent Enrico Scavini. The origin of the word Lenci is still controversial today; the earliest bibliography says it derived from a endearment of Elena (Elenchen, as her father called her and that she, stunned him, pronounced Lenci) while the most recent one considers the acrostic Ludus Est Nobis Costanter Industria, perhaps invented by Ugo Ojetti or built as divertissement by the poet Ignazio Vacchetti (Alias Fantasio) on the endearment of Elena. The Lenci manufactory becomes a meeting point for artists and a forge of ideas for the development and realization of dolls and puppets, children’s furniture, and later also artistic ceramics. The first artists to take an active part in the enterprise were Giovanni Riva and Sandro Vacchetti, soon joined by other great names. The success of these felt dolls earned numerous awards to the Lenci Company during the international exhibitions in Zurich, Paris, Rome or Milan. However, the originality of Lenci’s creations was soon put to the test by numerous imitations. To cope with this type of competition, Lenci began to produce artistic ceramics, whose activity began in 1927. The ceramic figures became perhaps even more famous than the dolls in cloth. The subjects ranged from the famous "nudini", the chic little ladies and emancipated women, from fantasy characters to animals, from religious images to the most disparate vases and much more. Many artists collaborated in the realization of the models, among which it is worth mentioning the already mentioned Sandro Vacchetti, artistic director of Lenci from 1922-1934, the same Elena König Scavini, Cläre Burchart, Lino berzoini, Giovanni Riva, Giovanni Ronzan, Deabate Theonesto, Giovanni Pietro Spertini, Marcello Dudovich, Gigi Chessa, Mario Pompei, Nillo Beltrami, Mario Sturani, Giulio Da Milano, Giovanni Grande, Ines Grande, Claudia Formica, Luigi Borione, Camillo Ghigo, Giuseppe Porcheddu, Gino Levi-Montalcini, Abele Jacopi...

Goldscheider inspired Czech signed ceramic stylized Art Deco head.

Orientalist Vienna bronze sculpture by Franz Xaver Bergmann (Nam Greb) ,, Stunning depiction of woman with serving dish, exquisite detailing ...

Pair of ceramic bookends from 1930s, produced in Czechoslovakia. Bases are glazed in light green and yellow, the seals in brown and off white.

Eugene Riboulet Art Deco White Clown "Paillasse", Biscuit Proof circa 1930

Art Deco bronze bust of a deer signed by Georges Raoul Garreau. Patinated bronze on a green marble base. France 1930. Literature: Dictionnaire des peintre...

Art Deco bronze sculpture bird on horseshoe by André Vincent Becquerel, bronze with green patina on a Belgian black marble base. France 1930. ...

Bing and Grondahl, three porcelain figurines of girls. White glazed. 1930-1950s. Marked. First factory quality, one figure in third factory quality. Perfect condition. Dimensions: He...

Ernestine Sirine-Real (1899-1994) "Art Deco Bust of a man", plaster, circa 1930. May be her husband the painter Charles Real (1898-1979).

Rare Art Déco Goldscheider Figure Group Of The 1930s: Gallant couple: dancer in a fan-like flared dress with flounces and floral decoration with her upper body and crossed legs lean...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Incredible J.C.Robert france Art Deco bronze of Frog playing golf circa 1930.

French Art Deco Indian Car Mascot by Ruffoni, 1930 Car radiator cap mascot depicting an Indian chief. Artist/Maker: Ruffony Signature/Marks: Ruffony Style: Art Deco Material: Bro...

Neoclassical bronze representing a Roman Chariot launched at full gallop mounted on a marble terrace. by Michel Decoux. Dimension: height 54 cm, total length 96 cm for a depth of 25 ...

Raymonde GUERBE (1894-1995) art deco sculpture in natural terracotta, signed R.Guerbe circa 1930

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

This article features a striking statue by René Buthaud, a prominent French sculptor known for his mastery of form and material. Signed and measuring 70 cm in length, this piece exem...

Large W.P.A. plaster sculpture, depicting a young Abraham Lincoln. Done by Frank Romanelli, born Farenza, Italy 1909, died 1974. Amazing detail, retains orig...

Very rare art ceramic figurine from the early 1930s: Standing young lady with a pullman cap and bob hairstyle, head turned to the left, in a long-sleeved shirt with wide sleeves and ...

Chrome-plated or painted iron sculptures, displaying wigs or hats. France, CIRCA 1930.

Murano glass sculpture signed Seguso. Italy, CIRCA 1930.

Charming little tree branch Folk Art sculpture hand-carved in the manner of Giocometti.

Modern abstract lacquered metal set of 2 sculptures France ca. 1930s H 45 cm 13.5 x 16.5 cm Conditions: very good, small lack of paint.

Stunning wooden boot sculpture mold, measures 14.25 in H, 11 in deep, 5.75 in wide. Great piece for your home decor. Please be sure to check our storefront for more wonderful decorat...

Carrying Import marks for London in 1930 by Ludwig Nereshiemer, this charming, Sterling Silver Model of A Snipe, is realistically poised. The snipe measures 7"(18cm) tall, by 10"(2...

Bing & Grøndahl, porcelain figurine of a Scottish Terrier. Model number 2117. Approximately from the 1930s. Marked. Second factory quality. Minimal glaze bubbles on the back of the l...

Bing & Grøndahl, porcelain figurine of a Pekingese puppy. Model 1987. Approximately from 1930. First factory quality. Perfect condition. Marked. Dimensions: L 6.0 cm x H 5.0 cm.

The 4 Seasons glass Statuettes were created by R.Lalique in white glass . These examples have a brown patina and are in excellent conditi...

Marcel Bouraine Art Deco Bronze Bird Bookends 1930s These Art Deco bookends by Marcel Bouraine are playful pieces made of silvered bronze and moun...

Art Deco bookends set by George Nilsson for Gero Netherlands Holland. Pair of Art Deco elephant bookends by George Nilsson for Gero Holland. Signed 'GN' for George Nilsson. We have ...

Incredible DANNHAUER swiss art deco bronze circa 1930 representing moose.

Admirable Rosenthal Figurine by Wolfgang Schwartzkopff: Spanish dancer in a pose, with her right raised hand supporting her head turned to the left from behind and looking over her left shoulder, dressed in the manner of a Spanish bullfighter: close-fitting short bolero jacket over bare upper body, long tight pants with belly sash, wide-brimmed hat and heeled shoes, the crimson suit elaborately decorated with abstract gold decoration. Based on a round white plinth. Manufactory: Selb / Bavaria / Rosenthal Germany Dating: manufactured 1934-1945 Material and technique: porcelain / chinaware / painted / glossy finish Design: Wolfgang Schwartzkopff ca. 1930 Dimensions: hight: 25.0 cm / 9.84 in width: 9.0 cm / 3.54 in depth: 7.0 cm / 2.75 in Marks: Green Rosenthal mark with crown and crossed roses / Rosenthal / Germany Model number 425/I Artist's signature 'SCHWARTZKOPFF' on base top Bibliography: Ann Banduhn, Rosenthal Porcelain Figurines...

Rare Goldscheider figurine of the 1930s Young lady with dark blond curly hair and a cap in a sporty costume with skirt and tie running two English pointer hounds. On a cream-colo...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Incised Dahl Jensen mark.

Dahl Jensen for Bing & Grøndahl, porcelain figurine of a Pekingese puppy. Model 1631. Approx. 1930. Marked. First factory quality. In excellent condi...

Depiction of an elegant young lady posing in a long, low-cut light gray wrap dress decorated with red flowers, a large red bow tied at the back, three-quarter sleeves with ruffles, t...

Excellent Marcell Goldscheider figurine of the 1930s: Dreamy, striding dancer in a harem costume, her hair covered with a large headscarf, held in place by a headband with a gemstone...

Karl Hagenauer design for Whw Wien Austria "soliflore" tulip vase bronze years 30 deco. Measure height 9 inches diameter 2,4", all signed and handmade. Good vintage condition.

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Wire sculptures of two matching monoplanes. These were made by the same hand as the bicycles listed as item #U120310916064 and automobiles U120310916065. The planes measure 10 1/2" ...

Primitive wood mold with fantastic patina Different shapes available - Priced separately but wonderful as a collection France circa 1940s.

A well-carved and stylized pair of Italian Romanesque style gray painted wooden masks now mounted as lamps; each bearded face surrounded by thick curl...

Excellent art ceramic figurine from the 1930s: Young lady with bob hairstyle standing upright, torso turned to the left and supporting both arms on the hips, in a short blue kimono with a floral pattern and high heels. Behind her between the legs is seated a harlequin doll...

Marina Núñez del Prado (1910-1995) was a celebrated Bolivian sculptor and one of the most respected sculptors from Latin America. Her work is hi...

Hallmarked in London in 1935 by Francis Higgins & Son Ltd., this handsome Sterling Silver Model of a Snipe, is realistically cast. The model measures 4"(10cm) tall, by 6.5"(16.5cm) f...

Bronze Art Deco leaping hound on stand. Elegant form that expresses tone and sinew patinated by time, circa 1930s beautifully depicted in stride. Good size and has tremendous gravitas.

Admirable Rosenthal Figurine by Wolfgang Schwartzkopff: Spanish dancer in a pose, with her right raised hand supporting her head turned to the left from behind and looking over her l...

Fine early 20th century Art deco period bronze of a fencer holding and bending his rapier. The well modelled figure is naked except for a loincloth and he is seen looking down and flexing the blade of his rapier. Ludwig Eisenberger...