Art Deco Sculptures

Large French bust made of terracotta with the original patina. This piece is in excellent vintage condition – the photos accurately depict the condition.

A very fine early 20th Century Art Deco cold painted bronze figure of a naked beauty in the midst of a graceful movement, with excellent colour and fine hand finished detail, raised on a shaped onyx base and signed Lorenzl ADDITIONAL INFORMATION Height: 21 cm Width: 15 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Bronze and Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 214 SKU: 8698 ABOUT Lorenzl Veronica Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Veronica – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

An impressive mid 20thC. life size Art Deco stone Jaguar. Provenance: private collection Athens, Greece. Note: old restorations on the tail Dimensions...

Pair of striding panthers An Art Deco masterpiece The Art Deco artistic movement, which reached its peak in the 1920s, is home to numerous impressive works that express elegance, m...

Pair of 20th century decorative biscuit porcelain sculptures with jewelry boxes By: unknown Material: porcelain, paint Technique: hand-pa...

Erte (Romain de Tirtoff, Russian/French, 1892-1990) "Peace", Patinated Bronze Sculpture, 1984, signed "Erte" to verso and stamped "63/500 UM / FINE ART ACQUISITIONS / 1984" in cast. ...

Paperweight "Toby" Elephant made in frosted glass by René Lalique in 1931. Stamped signature. Perfect condition. Height: 8.5 cm Félix Marcilhac, René Lalique - Catalogue Raisonné ...

Graceful original modernist American sculpture signed KROLL on the base.

Art Deco sculpture of a dancing woman with grapes – collectible décor for wine lovers. This elegant Art Deco sculpture, titled Vendanges (French for “Harvest”), captures the spirit ...

"Fan Dancer" by Demetre H. Chiparus (1886-1947). Patinated and cold painted bronze and ivory on onyx and marble base. Alberto Shayo (1993) "Chiparus, Mas...

Stylish Art Deco bronze bust of a woman in profile. Attributed to Guido Cacciapuoti. The bronze has a silver patina and stands on a green marble base. Italy 1930-1940. We have speci...

Art Deco / Midcentury Silvered Bronze Bust - France 1930´s. Silvered Bronze Head mounted over Onyx Marble. Very nice Sculpture, perfect for a desk or a side table. We have speciali...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Art Deco style brass decorative antelope gazelle or kudu bust sculpture. A brass animal Gazelle antelope bust sculpture decorative object with tall antlers. Polished brass sculptural...

Lovely solid brass vintage art deco style collectible by Dolbi Cashier having two birds perched on a swirling intertwining branch.

Art Deco bronze sculpture of a standing nude. Artist/ maker: Wilhelm Oskar Prack (born in Germany 1869) Signature/ marks: W. O. Prack Style: Art Deco. Condition: Very good. Date...

A tremendous early 20th century Art Deco bronze group of a strong athletic man holding the leashes of four powerful hounds as they strain to be released. The bronze exhibiting a rich green patinated surface with excellent hand finished surface detail, signed ?Kelety ?and numbered '10' Alexandre Kéléty...

Black panther on oak base signed L. Houzeaux Original Art Deco, France 1930s width: 65 cm Height: 20 cm Depth: 12,5 cm

Bronze sculpture made by Paul Philippe (1870-1930), bathed in gold with a combined scarlett and portoro marble base. In his hand she holds the mask of tragedy and to one side her smi...

Crackle-Glaze Ceramic Sculpture “Woman and Fawn” by Lejan, Sarreguemines, France, 1920s Striking Art Deco crackle-glaze ceramic sculpture titled “Woman and Fawn,” created by Lejan a...

French bulldog bronze figure / sculpture desk paperweight Ashtray - Austria 1920´s. Marked Austria. Very nice conditions. Bronze is mounted over a marble base. We have specialized i...

Guiraud-Rivière 1881-1947 A tall, exquisite, original French Art Deco sculpture in silvered bronze with parcel gilt accents. This largest rendition of the sculpture is truly a rarit...

Dahl Jensen for Bing & Grondahl. Large porcelain figure of a falcon, model no. 1531. 1920/30s. H 37.0 cm. x D 16.0 cm. In excellent condition. Second factory quality for no obv...

Abel R. Philippe  "Mother playing with her child," an Art Deco silvered bronze group, on a polychromed bronze base, signed on the base, circa 1930s.

Art Deco cubist bronze sculpture nude with tray signed by F. Guiraud. Patinated bronze. Portor marble base. France 1925.

Whirling, spectacular circular marble centerpiece with a bronze sculpture of two dancing girls holding hands by the French artist Andre Gilbert, circa 19...

Large and rare, this bronze sculpture depicting a half-nude laborer in the field, straining to move his plow through the soil, was sculpted by Jeanne Bertrand...

Early 20th century Art Déco gilt bronze bearded buffalo/bison sculpture, France By: unknown Material: bronze, copper, metal Technique: cast, molded, metalwork, patinated, polished, ...

A very tall and elegant original 1930's Art Deco figurine of a lady in cold painted Spelter. She stands on an alabaster base which is in good order and free from any damage. She's in...

French Art Deco bronze figure of dancing lady "Antinea, Queen of Hoggar" standing on 3 black marble steps in front of a wrought iron Gothic style gate (at...

This expressive sculpture of a horse head is executed in the manner of Émile Antoine Bourdelle and made out of plaster.

A carved wooden sculpture of a Bison by Laszlo Hoenig (1905-1971). Stamped 'LAHO London' to base and 'Made in England'. Dimensions: H 19cm W 30cm D 9.5cm Origin: English Date: Cir...

French Art Deco bronze figure of reclining dog (German Shepard) on white onyx rectangular base (signed CHIPARUS) (1st quarter 20th Cent.)

ANDRÉ-VINCENT BECQUEREL French, 1893-1981 Leaping Stag and Hind Verdigris patinated bronze Signed "A. BECQUEREL", "cire purdue", "Susse Fr. Edt. Paris"...

1980’s Cast bronze stylized small rabbit sculpture by Santi's The finish is a oil rubbed aged. In beautiful original vintage condition. Measurements: 5.5” Deep, 10.5” Wide, 7.75” ...

Most-likely was a route 66 touring souvenir from somewhere in the old west. Almost geometric in its simplicity, and stylization. Poured red stone marbilite. Showing wear, and smal...

Art Deco sculpture athlete with spear, javelin thrower signed by Limousin. Patinated Art Metal on a Belgian Black marble base. France 1930.

Stunning G. H. Laurent (French) 1920's Two-Toned Art Deco Stylized Bronze Heron "Marabout" Patinaed bronze. Signed 'G. H. Laurent' on base. Inscribed 'Made in France, 17'. Ht. 14 3/...

A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...

“Aube” (French. break of dawn) Designed in France during the roaring 1920s by “Fayral”, which is one of the pseudonymes from “Pierre Le Faguays” (1892-1962). His good friend and col...

The mannequin of a young lady from Brussels in Belgium circa dates back to the 1930s of the 20th century and is made of plaster. It is painted polychrome. The lady is wearing make-up...

Unique on 1stdibs and possibly worldwide. It was in the early 20th century that meditation became known in Western society. Like many artists, the one who handcrafted the sculptures that were used to create these bookends probably traveled through Indonesia or India. These creative minds came back full of inspiration of all they had witnessed, because certainly back then, they entered a whole new world. The meditating males on these marble based bookends are made of silvered brass and the artist perfectly captured their serene faces, their turban head wear and their relaxed bodies. Sitting with their minds at rest and with their consciousness in the entire body or possibly focussed on breathing only, they would certainly arouse interest with western travelers...

An elegant mid 20th century frosted and opalescent glass figure of a naked kneeling lady with fine hand finished detail and good sky blue colour, signed Lalique France ADDITIONAL INFORMATION Height: 8 cm Condition: Excellent Condition circa: 1960 Materials: Opalescent Glass SKU: 20011 ABOUT Lalique Floreal Originally designed by René Lalique this vibrant model of a seated Art Nouveau beauty with flowers in her hair was originally produced between 1942 and 1947 and later re-issued by Marc Lalique in clear and opalescent coloured crystal glass...

Art Deco Silvered Metal Sculpture of a sitting Bulldog Ashtray or Jewelry dish. By Irene´e Rochard. Signed Rochard. Art Deco Style. Made in France 19...

An erotically charged early 20th century Art Deco cold painted bronze lamp modelled with a harem beauty relaxing on a rug in front of an Arab man with an architectural background with suspended lantern...

Exquisite French Art Deco sculpture of a Greyhound standing on a marble base made in France (marked on the inside of the leg) ca.1920s. Patinated bronze spelter on a Marble and Onyx ...

Art Deco bronze sculpture Diana the huntress with bow and fawn by Charles Eugène Breton on a rectangular bronze base. With artist signature and title. France 1930. Art Deco bronze...

Art Deco Panther sculpture in beautiful rare metallic green color marked and signed "SC France", Saint Clément France Factories. The piece is characterized by its exquisite craftsma...

Rene Lalique Sanglier Car Mascot Marcilhac 1157, Designed 1929 Additional Information: Heading : Rene Lalique 'Sanglier' (wild boar) car mascot Date : Designed 1929 Origin : Wingen...

A beautifully stylized old rustic lady-dressed female figurine with a great balance of harmony stood, portraying the beauty of the inner world through pure beauty. This Valuable uniq...

Vienna cold painted bronze dancing flapper, attributed to Bergman Fantastically modeled and painted, beautifully patinated surface, unsigned This work stands 6.5-inches high x 3-i...

Very Rare Hood Ornament - Car Mascot. Silvered bronze, mounted on Italian portoro marble display base, a beautifully presented example. Very nice Automobilia piece. Perfect paperweig...

This impressive model of the nude holding a dove towering 34" high is the largest and rarest size made. A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager", the messenger is the original name created by the artist. In addition to the artist's signature, this sculpture bears the original label inscribed with this title and date 5...

A circa 1920s American salesman's sample of a playground suspension merry go round. Iron. Original paint. Lacks 2 struts. With a custom made metal display bracket. 14 1/4" h., 13 3/4...

Sculpted by Mary Tarleton Knollenberg, this rare bronze of a standing horse depicts its tail in a classic mud knot, used by equestrians to keep a horse's tail free of dirt and mud from the track. The animal is beautifully realized and is given great dignity and largeness, though the sculpture is diminutive. Tarleton studied under Mahonri Young...

PIERRE LE FAGUAYS French, 1892-1962 "The Lock" Verdigris patinated bronze signed verso P Le Faguays, sealed with LN Paris foundry cachet Cold-stamped BRONZE and numbered 118 28 1...

A rare and beautiful example of the porcelain sculptures of Waylande Gregory, this depiction of a fantail pigeon in deep, dusty pink and white dates to ...

Bronze sculpture Orientalist Dancer Artist Fatori origin Italy circa 1920 orientalism style signed in the flame onyx marble base perfect condition.

Bronze sculpture on red marble base representing young lady with birds. It was made and signed by the Italian artist Ugo Cipriani who worked in France f...

Art Deco bronze sculpture of 3 athletes, Allegory of speed by Robert Delandre. La Vitesse. Patinated bronze on a Belgian Black marble base. With foun...