1790s Bottles

A mesmerizing hand-blown glass creation by Simone Crestani, the Serpentine Decanter is a striking piece from the Serpentine Collection, where art and symbolism intertwine with exquis...

Blown glass jug designed by John Nickerson and manufactured by Blenko. This design first appeared in the 1972 Blenko catalog as model number 7226S. Large size and attractive amberina...

Sleek, modern design Chrysalis vase by Murano glass maker Carlo Mason in black and white. Etched maker's mark on underside of base. Excellent pre-owned con...

"People" decanter designed by Erik Höglund. Rare small size. produced by Boda during the 1950s. Made from hand blown clear glass. Good vintage condition with age related wear and pat...

A set of handblown early 18th century Oil and Vinegar Flacons. Following the French Court etiquette rules and a taste for luxury spreaded around Europe in the 18th century. Eating be...

Tortoiseshell Murano glass & brass decanter, attributed to Barovier Toso. Italy, 1950s A beautiful example, fitted with its original 2-inch cast brass and cork stopper, the bottle is hand blown in a deep rich earth tones to resemble tortoise shell. This work is highly detailed, with the applied Murnao glass...

This pair of antique liquor bottle decanters are unsigned, but presumed to have originated from France and date to approximately 1900 and done i...

An Italian Murano glass vase manufactured in the 1960s.

A striking black and white 'handkerchief' art glass vase or vessel in the style of 20th century Italian designer, Venini. Very good condition as shown in images. No chips noted. Dimensions: 6" depth x 5.5" height. - Other white art glass vases shown available separately. - Black cocktail table shown search 1stDibs ref. #: LU1314224058842 - Italian glass...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

A large American silver spirit flask, by Tiffany & Co., circa 1880, Edward C Moore era, one side chased with hunting scenes, the reverse with cartouche on...

Pair of large English Georgian flint glass compotes or tazzas, featuring graceful pedestals and incredible detail with a saw tooth edge. Measure: 7.25 inches at top and 5.50 inches a...