1990s Planters, Cachepots and Jardinières

Marble look wooded colomn plynth or pedestal. Elevate your decor with our elegant white pedestal featuring a classic column design. This striking piece serves as a perfect display s...

With its unique features and meticulous attention to detail, this piece is a testament to the innovative vision and artistic sensibility of the Murano masters. A highly sought-after...

Large French ceramic decorative vase by Jean Derval (1990). A significant work of ceramic sculpture, Derval's large vase is masterfully executed and beautifully painted demonstrating...

Sterling silver vase holder, completely handmade in Florence, Italy in the artisan silversmith workshop of Silver Fashion Silvan, The shape of the body is very rounded, hand-worked w...

Set of two splendid Pulegoso vase. One round and the other tall. The round is lighter and the tall darker tone of mustard. Perfectly executed Pulegoso finish. This is Murano Crucible Pulegoso. The mouth has a rim with external gold leaf difficult to notice because it does not contrast with the background. Just magnificent and rare set. At first I believed, because of the round shape, that Bisazza was dovetailing Carlo Scarpa original round shape from the 1930s. When I was able to see the pieces and see the year, then all came clear. In the second part of the 1980s there was a re-discover in Interior design of the Native American arts. In particular, the Navaho products. As Carlo Scarpa took his inspiration from Japanese shapes, here Bisazza translated in glass the Navaho pottery art. Here the reason for a hearty color, these orange toned Puligoso is part of the Seguso tradition. Colors that are not in high fashion. This collection belongs to the Livio Seguso production made under Bisazza ownership for a small period of the early 1990s. Livio continued his artist career with the freedom and the free state of mind that came from not owning a company. Similar path of Luciano Vistosi. Bisazza, the famous luxury mosaic company, continued Seguso models for the first part of the 1990s. Then closed the furnace and continued to focus with his mosaic collection. His masters, Elio Raffaelli...

A gorgeous pair of white & gold regency style reticulated porcelain basket compotes with lion paw feet Circa late 20th century. Meas...

Limited edition 1990s flexible resin wine bucket by Gaetano Pesce for Fish Design, Italy. Numbered 182/1000. Works great as an ice bucket, wine bucket, catch-all, vase, vessel, sculpture, planter, pot or jardinière. If you use it as a planter, we suggest an interior lining to protect the piece. ABOUT THE ARTIST: Gaetano Pesce, born on November 8, 1939, in La Spezia, Italy, is renowned as a leading figure in contemporary Italian design and architecture. Fearlessly experimental with materials and color, Pesce has collaborated with Italy’s foremost design companies, including Artemide, Vitra, Cassina, and B&B Italia. Pesce began his journey into design at the University of Venice, where he pursued architecture and graduated in 1965. Influenced by prominent figures such as Ernesto Nathan Rogers and Mario Bellini at the Venice College of Industrial Design, Pesce embraced a commitment to novelty and avant-garde principles. He co-founded the avant-garde architectural collective "Gruppo N," inspired by the Bauhaus aesthetic, during his formative years. Pesce’s portfolio encompasses a wide range of designs, from iconic furniture pieces to monumental architectural projects. His creations reflect a profound contemplation of modernity, exemplified by the La Mamma chair (1969), which evokes a prehistoric fertility figure, and the Organic Building in Osaka (1993), celebrated for its innovative hanging garden motif. Among his most celebrated furniture designs are the Up series for B&B Italia, including the Up5 armchair (La Donna) and Up6 ottoman (La Mamma), which challenge traditional notions of form and function with their bold, anthropomorphic shapes. Other notable designs include the 357 Feltri chair...

Brilliant yellow and green soft resin. The colors blend together to form a fabulous example of Gaetano Pesce Amazonia Vase. Stamped Fish Design. P...

Precious and unique hand-blown Murano glass vase in light blue, with a classic but original design and a strong thickness of the glass. Linear and stylized vase. The vase has a long...

A striking pair of Industrial Metal Plant Stands crafted by renowned high end kitchen maker Poggen Pohl. Perfectly suited for a brutalist decor scheme, these stands embody the raw ae...

The Ceramic Garden Planterette is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. The piece is signed by Glick and stamped with the name of his studio: Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Beautiful and traditional bright colors , red blue, yellows in this charger decorated with circles ., Made for Lama , and marked Gaetano pottery .USA

Studio ceramic planter with corresponding plant saucer by ceramicist, Deanna Nichols (b. 1942-2017, Missouri). Holding a BFA from Kansas City Art Institute (1965) and an MFA from Cla...

Studio ceramic planter by ceramicist, Deanna Nichols (b. 1942-2017, Missouri). Holding a BFA from Kansas City Art Institute (1965) and an MFA from Claremont Graduate University in Ca...

Details about the collection are included with the paper shown. Made in the 90s, this Raku collection by Tom and Nancy Giusti was shown at the Lawrence Gallery. Similar pice availabl...

A fabulous footed planter by Lynn Chase, "Chase" from her African Portraits series. This planter has a square form with cut form corners giving it an octagonal profile. Each of the...

Set of 3 Brutalist chrome foil cylinder planters with a chrome foil finish and black plastic caps by H.U.D.D.L.E. OF Los Angeles. Measures: Large: 40" W / 11" D Medium: 29" H / 10" ...

A very unusual, large red enameled bronze limited edition vase by the American artist, David Dirrim, signed on underside, marked 3/5 and 1990.

A great looking large planter, Lost wax Bronze casting with a good medium brown patina finish . Have not seen the design anywhere in a very long time . Very Heavy casting ,only one...

Brand: Driade Model: Erbale - W 30 × D 10 × H 240 cm (11.81" × 3.94" × 94.49") Designers: Becchelli, Bortolani, Maffei Year of Design: 1995 Introduced in 1995, Erbale stands as one ...

This Sterling Silver essence holder box was handmade in Milan - Italy by Vavassori silverware. The body of the box is shaped, having a larger upper part and slopes towards the base ...

Mojo vase in polyurethane foam painted with elastic resins, designed and manufactured by Gianni Osgnach in 1997. With the author's signature and date under the base

This three foot tall pottery vase has been beautifully sculpted with the Zuni Pueblo landscape on both sides. Light Southwestern colors and textured design give this the look of an u...

Pair of Vintage Monteith Style Planters Painted in Red and Gilt metal. Measure 15" from Handle to Handle. Inclusive of handles, the piece measures 11.25" Depth is 8.5"

Brutalist Wooden Pot made from the trunk of a Palmtree, nice and warm patina of the Palmtree Wood, xl size, very decorative object to be used for differ...

Flagellated Horizon Arch vase holder designed by Raffaello Biagetti and produced by Memphis Post Design in 1999. Belonging to the "Lamiere Crude" collection designed by Raffaello Bia...

Vessel by Signe Persson-Melin for Höganäs, Sweden, 1990 Signed. Stoneware. H: 14.5 cm W: 39 cm D: 18 cm Signe Persson-Mellin (1925 - 2022) was a renowned Swedish ceramic artist k...

Beautiful cachepot in fiberglass covered in stipped copper with patina. Dimensions cm: height 30, external diameter 75, central diameter 53. Light Works Resources, design - Ravi Sing