Pair of 19th century Old Paris porcelain urns with gilt handles and footed squar

Pair of French Old Paris unmarked urns are made of hard paste porcelain with polychrome and gold leaf. The pedestal bases are attached with an iron bolt. These classical form urns ar...

Pair of 19th century French Paris porcelain urns with painted scenes and handles.

France, circa 1860 A pair of mid ninetieth century urns decorated with maritime scenes, painted with ships and palm trees in a fantasy landscape, with stylised handles and bearded m...

19th Century (Late) Pair Parcel Gilt Paris Porcelain Urns Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questions.

This magnificent pair of French porcelain vases, most likely produced in one of the renowned Parisian porcelain workshops of the 19th century, embodies the elegance and artistic refi...

19th Century Pair of Paris Porcelain Pirate Urns Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questions.

A fine pair of French 19th century Empire Period Old Paris Porcelain swan handle vases. Each is beautifully hand-painted with a light blue colored ground and further adorned with 24K...

19th century gilt bronze mounted hand painted and crafted porcelain pair decorative covered urn / vase. Each urn features decorated figural design with bronze side handles with Greek mythological scenes. Each one in great antique. Minor wear consistent with age. Undersigned with blue beehive mark...

A fine pair of antique French urns in 'Porcelain de Paris', and dating from the early 19th century. These sensational vases are decorated w...

A museum quality early 19th century Paris porcelain urn. The twin handled vase sits on a rectangular porcelain base (modelled as part of the vase), which is decorated on all four sides with finely painted scenes titled 'Gene de Corrinte', 'Gene de Mytilene', 'Gene de Sparte', and 'Gene de Chiu' in reference to various Greek city states. The ovoid body of the vase is richly decorated with Greek key and stylized acanthus designs over and below a large gilt framed oval cameo of Athena on one side and a similar cameo on the other side bearing an undecipherable name. The overall background colour scheme of the vase is dark red/burgundy and dark emerald green, two colours which were more commonly used by the Dagoty factory in Paris than other porcelain manufacturing firms at the time. The vase is unsigned. Note: Pierre Louis Dagoty's porcelain was characterized by the use of vivid colours and the thick application of burnished gold leaf. He borrowed from the repertoire of Neoclassical ornament but his designs also included Egyptian and Chinoiseries motifs. Dagoty's elegant ceramics won him the patronage of Empress Joséphine. At the height of production, in 1807, he employed over a hundred workers, and exported his wares to Russia. After the fall of the First French Empire in 1814, manufacture continued under the Duchesse d'Angoulême, the only surviving child of Louis XVI and Marie-Antoinette. Between 1816 and 1820, Dagoty worked in partnership with François Maurice Honoré. In 1817. Dagoty and Honoré received a commission from President James Monroe...