Vases

A small pair of vintage Space age Brutalist studio art ceramic vases or small pots made by the talented Bernard Rooke. These vases have the typical shape color and form the Rooke has...

Le pichet canard de Saint Clément, en faïence barbotine, modèle 7492, est un véritable chef-d'œuvre qui illustre l'élégance et le savoir-faire des artistes Émile et Charles Gallé. Ce...

An Art Deco period etched amber glass vase by Leo Moser. The flaring rim above a relief-cut panel highlighted in gilt, depicting Amazon warriors above a multi-faceted body. ‘Moser, C...

This is an ironstone Vase in the blue Hawthorne and fence and bowl pattern, made by Mason's Ironstone of Lane Delph, Staffordshire, England, during the first half of the 19th century...

A large and beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Excellent condition. Incised signature "NYLUND" and makers mark "...

Communicating vessels represent bonds, the unions between individuals. They are made entirely by hand from ceramic or terracotta and each one is a unique piece. Vasi Comunicanti was ...

Jugendstil vase, Vienna, around 1909 Polished and stove enameled.

Eda Sweden Carnival Glass Vase – Floral Sunburst Marigold, Iridescent Art Glass Elegance. This stunning Eda Sweden glass vase is a radiant example ...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

A modern interpretation of a traditional Sicilian Moor bust, this sculptural vase is exquisitely crafted by hand of pink-colored clay. The piece represents t...

A Luxurious Art Nouveau Crystal Amethyst Bowl with Gold Relief Band from Moser. A beautiful centerpiece bowl made of handblown deep purple crystal with a wide band around the body, d...

1940's Art-Deco pottery vase by Carstens Uffrech beautiful designed and color, in vintage original condition with minor wear and patina due to age and use.

Battuto series was designed by Carlo Scarpa for Venini in 1930s-1940s. In their presentation Battuto pieces depend on sculptural effect of the external shape and tactile and texture...

A large purple-coloured blown glass "Drop" vase designed by Per Lütken and produced by Holmegaard, Denmark, 1960s.

A pink lustre ware vase by Maling Pottery, produced in Newcastle-upon-Tyne, England, circa 1930s. Known primarily for their floral and transfer-printe...

Handcrafted from natural clay, this organic vase embraces the charm of a desert succulent with geometric etchings and petite spikes. The aquamarine glaze hints at the CACTI Vase’s ta...

This striking Murano glass vase was designed by Flavio Poli (1900–1984) for Seguso Vetri d’Arte, circa 1950. Standing 23.5 cm (9.25 in) high with a diameter of 13 cm (5.1 in), it is ...

Stoneware floor vase designed by Anna-Lisa Thomson and produced by Upsala-Ekeby. Model Gramina, characterized by a tall, tapering form and a finely structured surface with vertical r...

Pair of Violet Sommerso Faceted Art Glass Vases Attributed to Mandruzzato Italy 1960s Elegant pair of hand-cut Sommerso vases with striking faceted design in rich violet tones Each...

Striking “Hedgehog” vase by Gunnar Nylund, made in chamotte stoneware. The clean form contrasts with the craggy surface. Eggshell white, glossy glaze. The model was introduced aroun...

Lean hand blown glass vase with caramel brown Sommerso/hues. Designed by Josef Schott and manufactured by Smålandshyttan in Sweden during the 1960s It still has its original paper st...

Art deco bronze vase by Krone Bonce, Denmark ca. 1930 This exquisite Art Deco bronze vase, crafted by Krone Bonce of Denmark circa 1930, showcases the era's distinctive style with a...

Italian glass 'Scavo' vase by Alfredo Barbini, Murano (circa 1970s). This piece has a rounded square opening. Scavo glass indicates that the glass went through a specific glass finis...

Fulvio Bianconi for Venini, Vase, "A Macchie", model 4321 Fulvio Bianconi(Italy, 1915-1996) Fulvio Bianconi, Vase, "A Macchie", model 4321, signed Venini Murano Italia. Circa 1950. ...

An exceptional, fine and impressive, rare pair of antique Irish sterling silver Lindisfarne style vases; an addition to our ornamental Irish silverware collection. These exceptional...

Bowl "Lotus" made in white, green and blue pate de verre glass by Gabriel Argy-Rousseau in 1924.  Molded signature.  Perfect condition - some air bubbles as usual in this model Exc...

Magnificent multicolored Murano blown glass vase designed by the famous Ottavio Missoni and made in the 1980s, a true masterpiece that embodies the essence of artistic design of the ...

A lovely Mid-Century Modern glass vase from the 1960s. Original vintage good condition. Only one unique piece.

The Legras vases, from around 1900, feature white glass overlaid with violet and green, etched with delicate wisteria motifs. Signed by the renowned French glassmaker Legras, these v...

An amazing ceramic Mid-Century Modern floor vase made in Germany, circa 1950s. This is a heavy floor vase. Vase is in very good condition with no chips, cracks, or flea bites. Nice c...

Beautiful clear Venetian Murano vase in hand decorated in the rostrato style, spikes of glass individually pulled in relief

Vintage German Minimalist Porcelain Vase from Thomas, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Materials: Ce...

This 20th Century German ceramic vase features a refined blend of earthy tones and subtle geometric detailing, characteristic of mid-century European craftsmanship. The piece is fini...

A sculptural crystal vase designed by Bengt Edenfalk and manufactured by Royal Krona in Skruf Sweden during the 1970s. It is signed by the designer in hand...

Longwy Piriform Art Deco vase with cut sides in faience, decoration of floral and geometric friezes, polychrome cloisonné enamels, crackled cream base, signed, model D 5053, circa ...

Tobia Scarpa ‘Occhi’ bottle, Venini, Italy, 1960s. Colorless glass, red bordered murinne, arranged like a chessboard and merged. Quadrangular shape, roun...

Article: Murano glass vase Origin: Murano, Italy Design: Flavio Poli attributed. Decade: 1970s This original vintage glass vases was designed by Flavio Poli attributed a...

Berndt Friberg for Gustavsberg Studio. Elegant small stoneware vase with Aniara glaze. Beautifully glazed in the characteristic Aniara glaze in shades of blue and violet with vibrant...

Striking "Surtout de Table" or centrepiece by Baccarat, France. -All pieces bear in relief the marks "Baccarat" and "depose". These marks indicate that they are pre 1920's when Bacc...

A blue and brown-glazed earthenware vase designed by Vicke Lindstrand and produced by Upsala Ekeby, Sweden, 1930s.

Jean Lurcat yellow hand painted glazed ceramic vase with sea creatures , Sant Vincens, Circa 1955, France.

An exceptional, impressive unique Cobridge pottery ruskin glazed vase by Anita Harris and glazed by Justin Emery and dating from around 2000. The large round bulbous stoneware vase stands on a round skirted base with a widening round body and short flared top rim. The body of the vase is decorated in high fired deep red glazes with green almost textured like markings and with a deep blue interior. The vase bears various impressed makers marks to the base and comes with an original Certificate of Authenticity recording this as a Trial Piece by Anita Harris and bearing her signature. The vase further has a red paper label from the Henry Sandon Collection sale at Mallams, Oxford on 23rd May 2012. It also has hand-written detail (probably by Sandon himself) reading ‘JUSTIN EMERY Cobridge stoneware...

We have gathered a Groupe of 2 pieces, made at Rörstrand during the midcentury. The pieces are designed by Carl Harry Stålhane. Their slick minimalistic and elegant form make a perfe...

Vase or vessel was made by Alvino Bagni for Raymor as a part of his Sea Garden series. Sea Garden series includes vases, ashtrays, lamps, and other decor items done in complex turqu...

The creator of the “Sicilian state of mind” collection searches for objects from the past that convey emotions linked to memory. She selects, re-sews, removes paint and repaints, dis...

A lovely white ceramic vase designed by Pia Rönndahl at Rörstrand in 1998. The vase is 32.5 cm tall and in excellent condition except from some minor marks in the glaze. Because of t...

This is a Lalique Crystal Champs- Elysses medium size oval bowl vase. It depicts multiple horse chestnut leaves arranged around a circular center base. Below the base, it is the acid...

A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...

Georges Jaegle Large art deco green ceramic vase Realised circa 1940 Original perfect condition Signed Height 24 cm Large 20 cm

A nice vintage example. Classic form.

each double-handled urn painted with meandering foliate design on a blue-gray ground; with incised marks to the underside

A beautiful art deco vase designed by Just Andersen in 1930s and produced by his own company in Denmark. Made from Disko metal (an alloy of different metals invented by Just Andersen...

Murano submerged glass vase 30 cm high, attributed to Flavio Poli, Italy, 1970s It has always belonged to my family and is in excellent condition. It has a very small chip, almost in...

Exquisite art glass vase by Ercole Barovier for Barovier e Toso Italian 1940s. This example is in excellent original condition, free of damage, flaws or cosmetic wear. Classic Cordon...

Mid-Century Italian Red Ceramic Vase from Bitossi, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: Ceram...

Vintage Turquoise glass vase is an original decorative object realized in the 1970s. Made in Italy. Original art glass. The obje...

Elegant Murano blown glass vase, Venini production, with engraved signature on the base "Venini Italia".The body, with a flattened globular shape, has a delicate amethyst hue with a ...

Very rare minimalist vase from Bitossi. This piece has an attribution mark. Additional information: Materials: Ceramic Style: Mid-Century Modern Brand: Bitossi Country of Origin: It...

A D'Argental Cameo Glass Vase, c1925 Additional information: Date : Circa 1920 Origin : Saint-Lous-Les-Bitche, Lorraine, France Bowl Features : The shouldered form tapering to the c...

This exceptional pair of finely detailed faience vases is a striking example of historicist ceramic design from the late 19th century, likely made in Germany or Austria circa 1880–19...