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Chinese Export Famille Rose Porcelain Garniture
$12,400per set
£9,365.31per set
€10,818.39per set
CA$17,469.83per set
A$18,710.20per set
CHF 10,058.47per set
MX$227,246.30per set
NOK 127,093.72per set
SEK 116,363.75per set
DKK 80,833.15per set
About the Item
Chinese Export Five Piece Famille Rose Porcelain Garniture,
circa 1730-1750
The garniture of five Chinese Export porcelain vases consists of three covered baluster vases and two trumpet-form vases. They are all painted with groupings of precious objects and auspicious fruit in a porcelain bowl on a wood stand surrounded by flowers including peony blooms. The base with alternating pink and blue enamel, the pink with suspended white flowers and green stems. The shoulder with a blue enamel band highlighted with flowers and bands. The necks with scattered flowers. The covers with a pointed button knob. One vase with a u-shape piece in/out invisibly repaired.
Dimensions: Covered vases 9 1/4 inches high x 3 1/2 inches wide; Trumpet vases: 7 3/16 inches high x 3 3/4 inches wide.
Provenance:
Private Collection,
Lyndia Willauer Antiques.
The introduction of the famille rose enameling style was encouraged by the Kangxi emperor’s liking for painted enamels on copper. A workshop set up within the Forbidden City made use of an imported crimson-pink enamel derived from gold, and an opaque white, which together facilitated an entire range of new soft and shaded tints. Manchu imperial taste is reflected in the creation for the court of porcelain bowls with flowers depicted on brilliantly coloured grounds, which continued to be made in successive reigns. The use of coloured grounds combined with finely painted designs remained a feature of court wares of the Qianlong and later periods. Meanwhile, quantities of famille rose decorated wares were made for export to the West, including vases, figure models and table wares. Some were shaped or decorated to order with armorial and other designs.
Text adapted from Chinese and Japanese Works of Art in the Collection of Her Majesty the Queen: Volume I.
- Dimensions:Height: 9.25 in (23.5 cm)Diameter: 3.5 in (8.89 cm)
- Sold As:Set of 5
- Style:Chinese Export (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1730-50
- Condition:Repaired: Small break to one neck of one covered vase invisibly repaired and one finial chp repaired invisibly. Minor structural damages. Beautiful enamels.
- Seller Location:Downingtown, PA
- Reference Number:Seller: NY10299-krlm1stDibs: LU861034609132
About the Seller
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- ShippingRetrieving quote...Shipping from: Downingtown, PA
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________________________________________
Description and Aesthetic
Medium: Porcelain with underglaze brown glaze and overglaze Famille Rose enamels.
Period: Qianlong (1736–1795).
Origin: Jingdezhen kilns, China, made for the European export market.
The collection comprises two large, two medium, and one small jar, intended to be displayed together as a garniture—a decorative set prized for mantelpieces and cabinets in opulent European interiors.
• The 'Batavia' Ground: Each piece is characterized by a luxurious, deep chocolate-brown glaze covering the exterior, a distinctive aesthetic known historically as "Batavia-ware" or descriptively as café au lait. This rich, monochrome ground was achieved by bathing the porcelain in an iron-rich slip before glazing and firing.
• The Famille Rose Reserves: The dark ground provides a dramatic backdrop for finely painted, leaf-shaped reserves (panels). These panels are adorned with exquisite floral sprays executed in the vibrant Famille Rose palette (meaning "pink family"), which was introduced to China from Europe in the early 18th century. The opaque enamels—dominated by the rose-pink created from colloidal gold—allow for subtle shading and realism, brilliantly depicting the peony (mudan), the Chinese flower of wealth, nobility, and honor.
• The Covers: The domed covers maintain this contrast, with a high, lustrous brown glaze broken by Famille Rose floral sprays that echo the motifs on the body.
________________________________________
Historical Context: Global Trade and Naming
The name "Batavia-ware" is a crucial historical reference, even though the porcelain was manufactured in the kilns of Jingdezhen.
1. The Dutch East India Company (VOC): Batavia (modern-day Jakarta, Indonesia) served as the fortified administrative and trading headquarters of the Dutch East India Company (VOC) in Asia.
2. The Trade Route: Porcelain destined for the European market was collected from various Chinese ports and then centrally transshipped through Batavia. This particular style became famously associated with that major transit port among Western collectors, hence the name, which links the sophisticated manufacturing of China to the powerful trade infrastructure of the Dutch.
3. 18th-Century Opulence: Garnitures like this were highly desirable statements of wealth and worldliness in 18th-century Europe. Their acquisition signified participation in the exotic, global market and a cosmopolitan taste capable of appreciating the high technical and artistic quality of Chinese porcelain.
The successful combination of the deep, rich brown glaze—which evokes a feeling of luxurious Eastern lacquer or polished wood—with the delicate, luminous European-inspired Famille Rose palette represents a brilliant convergence of East-West artistic demands at the height of the Qianlong Emperor’s reign.
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