Contemporary Japanese Blue Black Platinum Porcelain Vase by Master Artist

Contemporary dimpled platinum-gilded decorative porcelain vase, an exquisite piece crafted, hand painted and signed by a highly acclaimed porcelain artist of Japan’s Imari-Arita regi...

Exquisite Japanese large contemporary decorative porcelain vase, intricately gilded and hand painted in striking shades of blue on a beautifully shaped porcelain body, a signed maste...

Contemporary Japanese decorative porcelain vase, hand painted in blue underglaze and platinum, a work of widely acclaimed master porcelain artist in traditional patterns of the Imari...

Peony and peony The gorgeous and gorgeous peony that blooms large flowers has been called "Hyakkaou" in China since ancient times because of its noble appearance and has been regard...

Top quality vase Meiji era (1868-1912), 19th century Additional information: Material: Bronze & Metal Primary Material: Bronze & Cloisonne Region of Origin: Japan Period: 19th centu...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

A Fine and Large Japanese Cloisonné Enamel Silver Wire Cobalt Blue Vase – Hayashi School Masterpiece A stunning example of Japanese cloisonné artistry, this fine and large cobalt bl...

A rare antique Japanese cloisonné enamel silver mounted and silver wire vase Late Meiji period circa 1895 . Elongated shape with pronounced neck. Cobalt blue ground color. The obvers...